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"declaim" Definitions
  1. to say something loudly; to speak loudly and with force about something you feel strongly about, especially in public

75 Sentences With "declaim"

How to use declaim in a sentence? Find typical usage patterns (collocations)/phrases/context for "declaim" and check conjugation/comparative form for "declaim". Mastering all the usages of "declaim" from sentence examples published by news publications.

Cicero declaim, and befriended a man he called Caelius, quite possibly the
In some scenes actors have nothing to do but stand and declaim.
These narcissists declaim their insecurities and grievances in the language of personal essays.
See Terence Stamp declaim from beneath a mothy blanket, then disappear in a puff of smoke!
Although he still has a tendency to declaim more than debate, he's developed some modulation in tone.
To declaim "America first" and again, "America first," is to recall the darkest clarion calls of nationalist dictators.
University administrators spoke out; they did not sit back and declaim that protecting their black students would be too biased.
We have become a caustic people, more prone to declaim than listen, corrosive in our humor and ever ready to battle.
Potentially kryptonite for those who expect rappers to boom and declaim, Black startles with the gruff, gravelly, dribbly drawl he raps in.
Having grown up listening to his minister father declaim from the pulpit of a black church, Mr. Branch gave large credit to him for inspiring his theatrical career.
Andrew Rosenthal Republicans — like President Trump, for instance — love to puff up their chests, grasp their lapels and declaim in foghorn voices about their devotion to law and order.
You are expected not merely to stand and declaim in the House of Commons, or in a passable facsimile of it, but also to sit and growl into a microphone.
Throughout the evening, Cristina Vidal follows five actors around a nearly empty stage with a script, whispering her memories of 40 years in the prompter's box for the performers to declaim.
Such a narrator, standing at the podium to the left of the stage, made faintly visible by the lectern light, would declaim from the start to the finish of a feature film.
Ginzburg was a moralist, which is a hard thing for a modern novelist to be, and, partly for that reason, she didn't like to declaim, or to let her characters do so.
Zhang and Fukuyama both declaim their dialogue (primarily English, with a fair bit of Japanese and Mandarin thrown in) with a deadpan force that makes almost everything they say seem overblown and faintly ridiculous.
In "Broken Clocks," she sang about a frustratingly iffy relationship, topping a slow-swaying vamp with jazzy, asymmetrical vocal lines that could dart nervously ahead, pivot suddenly, linger over a quivering tone and declaim a chorus.
That many artists (especially the foreign ones), seeking perhaps to justify aestheticizing poverty, war, displacement, and other experiences they have not taken the time to consider fully, will often declaim some grander idea of moral purpose.
Ministers in Chancellor Angela Merkel's cabinet agreed to scrap the relevant passage in the penal code, which was all but forgotten until Jan Boehmermann went on television to declaim the verses linking Erdogan to bestiality and child pornography.
While the more literary Gilles acts out by dissing his self-important French teacher and taking to the woods to declaim Allen Ginsberg's "Wichita Vortex Sutra," Christine, whose troubled home life is made evident, appears willfully self-destructive.
What happened in American history, Gerstle argues, is not simply that "government" began to play a greater role in citizens' lives over time, but that the power to legislate and declaim on such matters shifted increasingly from the state to the federal level.
And during all that time he wasn't really trying to debate those rivals; as James Fallows writes, he would go "into a kind of hibernation" whenever the conversation turned remotely substantive, and emerge to hurl insults and declaim his promises of greatness restored.
He's windy or peremptory, he's both casually informed and passionately certain, and he generally slides easily into character as just the sort of self-superior wad who would otherwise get paid to bellow and declaim and exult about sports on the radio all day.
I've been out as a trans woman for a decade now and I feel a certain arrogance creeping upon my thoughts when I'm not looking: that yearning to condescend to newly out trans people, to declaim their lack of knowledge, experience, and, yes, suffering.
Finally, we close today with wise words from Jacques Pépin, who was on PBS recently to declaim a truth about recipes, which is that it is far more important to understand what it is the instructions are telling you than to follow the recipe exactly.
Pundits and politicians alike declaim that we're locked in a "new Cold War" with China, that we're in the throes of a "cyber arms race" with the rest of the world, and that Russia's election interference is, of course, today's 1960s contestation over political ideology.
Another way to put it is that social justice theory encourages the consideration of privilege in order to prevent people from being so blinded by their own perspective that they look at America's political past and declaim this the era in which we departed from political proceduralism and collapsed into illiberalism.
One thing that is made abundantly clear throughout the doc is that even during the years in which he was a widely publicized suspect who was awaiting/escaping/evading trial, Bundy had endless opportunities to give interviews, declaim his innocence, and laugh and joke with the lineup of mystified reporters who entered his orbit.
Left to their own devices, the performers engage in breathing exercises, dress up in funny hats, play instruments, mill around, stage group hugs, make a mess, cook food, play with candles, stare into one another's eyes, break into primal screams and declaim poetry in beatnik rants that might have been recorded at an open mike at Cafe Wha?
But some actors declaim it with that incipient sob that used to be the sine qua non of the grand style, while others trundle along prosily.
In declamation, students must memorize a passage from a text, such as Dante's "Commedia", and then declaim it before the faculty and fellow students. Each year, four in-class declamations are held in English and History, with an additional four public declamations held for students who wish to audition to declaim before the entire Brooklyn Latin School community. The last of these public events is Prize Declamation. Being selected as the declaimer for Prize Declamation is one of the highest honors the Brooklyn Latin School bestows.
Declamation is the most time-honored of the school's traditions. Pupils in the 7th through 10th grade are required to give an oration, known as 'Declamation', in their English class three times during the year. There is also Public Declamation, where pupils from all grades, or classes, are welcomed to try out for the chance to declaim a memorized piece in front of an assembly. During Public Declamation, declaimers are scored on aspects such as "Memorization" "Presentation", and "Voice and Delivery", and those who score well in three of the first four public declamations are given the chance to declaim in front of alumni judges for awards in "Prize Declamation".
Labiș learned to read around age five from his mother's pupils. He also liked to draw as a child. He entered primary school in his native village (in his mother's class), then as a war refugee took third grade in Văcarea, Argeș, receiving top marks. Classmates of his later recalled that he would write poems and little plays and liked to declaim in public in this period.
The injunctive mood is a grammatical mood in Sanskrit that was characterized by secondary endings but no augment, and usually looked like an augmentless aorist or imperfect. It typically stood in a main clause and had a subjunctive or imperative meaning; for example, it could indicate intention, e.g. índrasya nú vīryā̀ṇi prá vocam "Indra's heroic deeds will/shall I now declaim" (Beekes, Comparative Indo-European Linguistics, An Introduction. 1995, p.245).
One way to distinguish character besides the color of their costume is how they deliver their lines. The protagonists or family of Imam Hussein sing or chant their lines and the villains will declaim their lines. If a person is traveling in a circle on or around the stage, that meant they were going a long distance (usually represented the distance between Mecca and Karbala). Traveling in a straight line represented a shorter distance traveled.
Prescriptive grammar is taught in primary and secondary school. The term "grammar school" historically refers to a school (attached to a cathedral or monastery) that teaches Latin grammar to future priests and monks. In its earliest form, "grammar school" referred to a school that taught students how to read, scan, interpret, and declaim Greek and Latin poets (including Homer, Virgil, Euripides, and others). These should not be mistaken for the related, albeit distinct, modern British grammar schools.
There, the precocious five-year-old saw the rehearsals and began to "perform" the roles of the heroine as well as declaim lines. From that time on, her mother, Werfel, and others in their milieu cultivated the girl's interest in the theater.Franz Werfel, "Manon," The Commonweal, 1 May 1942. During the early 1920s, Walter Gropius gave Alma the legal grounds to divorce him for infidelity, by arranging to be discovered in flagrante delicto with a prostitute.
Examples include the Inaugural Address of John F. Kennedy, the "I Have a Dream" speech of Martin Luther King Jr., and any college graduation speech. In a typical round of competition, five to seven competitors will declaim speeches before a judge. After the round, the judge will rank them from best to worst, and assign each competitor a score, which will be used to break ties when the tournament is tabulated. Like Duet Acting, Oratorical is not a National Forensic League-sanctioned event.
The medieval mystery plays had originally been performed outdoors and employed the "multiple setting" (referred to as décor simultané in French), in which scenery representing 'mansions' or 'houses' was present simultaneously to either side of the main playing space. Although not used in England, the custom of multiple settings was adapted at the Bourgogne "in a cramped and curved indoor version which forced the actors to declaim downstage." This method of presentation was retained there up to the early 17th century.Hartnoll 1983, p.
Next he "invented", to use his word, Smithsonian magazine. "To those all-out converts to computerized journalism who declaim that 'print is dead,' I say, 'Not so fast.'" are his opening words of his book: A love Affair with Life & Smithsonian published by the University of Missouri Press in October 1995. His other 'invention' was the magazine Impact which he created for the Army Air Forces during his time out during World War II; LIFE, he would say, was Henry Luce's invention.
A previous BBC World Service signature tune and an example of a top-of-the-hour announcement. The World Service uses several tunes and sounds to represent the station. A previous signature tune of the station was a five note motif, composed by David Arnold and which comprises a variety of voices declaim "This is the BBC in..." before going on to name various cities (e.g. Kampala, Milan, Delhi, Johannesburg), followed by the station's slogan and the Greenwich Time Signal.
Late Renaissance composers in particular were concerned with matching text up with music in such a way that the latter could be said to express the former. Madrigalists used a declamation technique known as word painting (text painting or tone painting) to make musical notes illustrate word meanings, trying literally to paint visual images with sonic materials. Thomas Weelkes' madrigal "As Vesta was from Latmos hill descending" uses word painting throughout to declaim textual meaning:Altas, Allan W. 1998. Renaissance Music: Music in Western Europe, 1400-1600.
Music played a key role in Petrolini's theatrical style and is an important ingredient in many of his comedies. Many of his characters sing songs and ditties (filastrocche), or declaim verses to a musical accompaniment. Petrolini was often an interpreter, and sometimes also the author, of popular songs of the day, many of which were released as records. One of the biggest hits of 1926 was Una gita a li castelli – also known as Nanni – written by Franco Silvestri and performed (and arranged) by Petrolini.
Thus, one phrase might be soloistic, the next set in imitative polyphony, the next homophonic, the next an instrumental tutti, and so on. Alternatively, a chorus could declaim a text homophonically while violins played in an entirely different style at the same time – in a different register, in a different location in the church, all performed over a basso continuo. The stile concertato spread throughout Europe and was particularly dominant in Italy and Germany, later forming the basis of the Baroque concerto, the concerto grosso, and the German cantata.
William Shakespeare's first plays were written in the conventional style of the day. He wrote them in a stylised language that does not always spring naturally from the needs of the characters or the drama. The poetry depends on extended, sometimes elaborate metaphors and conceits, and the language is often rhetorical—written for actors to declaim rather than speak. For example, the grand speeches in Titus Andronicus, in the view of some critics, often hold up the action, and the verse in The Two Gentlemen of Verona has been described as stilted.
Tom Sawyer is Twain's first attempt to write a novel on his own. He had previously written contemporary autobiographical narratives (The Innocents Abroad or The New Pilgrims' Progress, Roughing It) and two short texts called sketches which parody the youth literature of the time. These are The Story of the Good Boy and The Story of the Wicked Little Boy which are satirical texts of a few pages. In the first, a model child is never rewarded and ends up dying before he can declaim his last words which he has carefully prepared.
"Discipline" may be Throbbing Gristle's most infamous song. First played at the S036 Club in Berlin (as documented on the single), it was at first entirely improvised, based upon a topic suggestion given by Cosey Fanni Tutti before the show. The song is driven by a minimal, pulsing synthesizer drumbeat, over which Genesis P-Orridge would declaim lyrics surrounding the concept of discipline, slowly introducing other musical elements, such as electric bass and walls of guitar or synth noise. After Berlin, it was played at nearly every TG show up to the group's demise.
This important change occurred in the Hellenistic period, between the 3rd and 1st centuries BC. The skene itself became increasingly elaborate, and was also available as a place for actors to declaim from, so that the performers between them had three levels available. "The roof of the skene was called the theologian ("god-speaking"), from which one might assume that its primary use was for the advent of deities, either at the start or close of the drama." Most theaters still standing today date from the Hellenistic period.
Barbara Hayley points out that while Tom shows considerable force of character in instigating and carrying through his plans and overcoming Edmund's objections, he never shows any sign of helping his father with either estate or business. Josephine Ross says that Austen's experience of hearing her brothers declaim poetry must be reflected in Tom Bertram’s reminiscence, ‘I am sure my name was Norval, every evening of my life, through one Christmas holidays’, a reference to his childhood recitations from the popular eighteenth-century play Douglas, by John Home.Ross, Josephine. Jane Austen: A Companion ch.
The opening chorus, "" (Ah, how fleeting, ah how insignificant), is a chorale fantasia. The instruments play concertante music, to which the soprano sings the cantus firmus line by line. The lower voices act as a "self- contained group", mostly in homophony, and "declaim the individual lines of text in unison at the end of each choral passage, using a melodic formula derived from the beginning of the hymn." Bach illustrates the imagery of the text, "fleetingness and insubstantiality" in motifs such as "abrupt chords separated by pauses and ... hurrying scale figures".
In Bach and Handel, modern oratorio, Italian aria, Lied, romance and ballad, he was equally capable of arousing admiration: and he could declaim Wagner with a beauty of tone, a fullness of dramatic expression, and a clarity of enunciation that made his German audiences in London shout for very wonder and delight.' Richter considered he was the first tenor to do justice to the Preislied from Meistersinger.Klein 1903, 465. In February 1907 he ceremonially cut the first sod at the site of the Hayes, Middlesex factory of the Gramophone Company, Ltd (later HMV).
He graduated from the State College of Acting in Kraków in 1953. Since the beginning of Piwnica pod Baranami activity in 1958 he was a regular participant of the cabaret, he was the first to declaim poems by his friend Andrzej Bursa on the stage. Güntner made his first steps in acting at Teatr Młodego Widza (the Young Viewer Theatre) led by Maria Biliżanka. He was an actor of Ludowy Theatre (1958–1971), National Stary Theatre (1972–1973; 1982–2000; guest starring 2005) and Bagatela Theatre (1976–1982).
Shakespeare's first plays were written in the conventional style of the day. He wrote them in a stylised language that does not always spring naturally from the needs of the characters or the drama. The poetry depends on extended, sometimes elaborate metaphors and conceits, and the language is often rhetorical—written for actors to declaim rather than speak. The grand speeches in Titus Andronicus, in the view of some critics, often hold up the action, for example; and the verse in The Two Gentlemen of Verona has been described as stilted.
To reject its effect, and its ability to "declaim or pervert truth, is to deny the potency of communication itself, it is crazily to question the ability of education to affect the social conscience and to train the human mind".Mary Whitehouse "Television: Controlling the explosive influence" , The Spectator, 28 December 1974, p.14. The page on the website of The Spectator contains some typographical errors, these have been corrected. Chuck Berry's novelty song "My Ding-a-Ling" was one of several pop songs to receive Whitehouse's disapproval in this period.
Next, in discussing performance practice, Gossett states that: :these minimal solutions were not widely adopted. In the first performances [...] at the Rossini Opera Festival [...], the stage director, Dario Fo, preferred to have the characters declaim the verses of the Quintet [to a piano accompaniment from another work]. [...The] Wildbad festival [in 2007] commissioned Stefano Piana [...] to compose anew the lacking recitative and the Quintet. [He] noted, quite correctly, that Rossini frequently introduced a major ensemble in the middle of the first act of a comic opera, so that the absence of the piece in La gazzetta is very noticeable.
Tadjibayeva started to declaim against the executives abusing their authority and rights of simple citizens in the central and local press. This work influenced in a significant way on her maturing as a human rights activist. In 1991 as a result of the dissolution of the Soviet Union, the Public Control Committee was dissolved as well. And till 1997 Mutabar Tadjibayeva continued her activity in the banking industry, including the position of the Head of Human Resources, the economist of currency circulation department, the Chief economist at the Industrial and Construction Bank of Uzbekistan and the Public bank of Kirguliysky district.
Here Erasmus complains of the doctrines and morals of the Reformers: > You declaim bitterly against the luxury of priests, the ambition of bishops, > the tyranny of the Roman Pontiff, and the babbling of the sophists; against > our prayers, fasts, and Masses; and you are not content to retrench the > abuses that may be in these things, but must needs abolish them entirely. > ... > Look around on this 'Evangelical' generation,"Circumspice populum istum > Euangelicum…" Latin text in Erasmus, Opera Omnia, (1706), vol. 10, 1578BC. > and observe whether amongst them less indulgence is given to luxury, lust, > or avarice, than amongst those whom you so detest.
Djurhuus's parents were Óla Jákup Djurhuus (1832-1909) and Else Marie née Poulsen, from Hósvík (1847-1897). He was a great-grandson of Jens Christian Djurhuus. Djurhuus said that his "poetic baptism" came in school, when he heard Jákup Dahl (later a provost and Bible translator and author of the first school grammar of the Faroese language) declaim Jóannes Patursson's Nú er tann stundin komin til handa (Now is the hour come for acting), the anthem of the Christmas Meeting of 1888 which began the rise of Faroese nationalism.John Frederick West, Faroe: The Emergence of a Nation, London: Hurst, 1972, , p. 235.
J. P. Adams). It was debated at the time—and remains debated by historians—whether this extraordinary outburst in favour of Hildebrand by clergy and people was wholly spontaneous or could have been the result of some pre-concerted arrangements. According to Benizo, Bishop of Sutri, a supporter of Hildebrand, the outcry was begun by the actions of Cardinal Ugo Candidus, Cardinal Priest of S. Clemente, who rushed into a pulpit and began to declaim to the people.Bonizo of Sutri, in Monumenta Germaniae Historica, 6, Libelli 1, Libelli de Lite I (Hannover, 1891), p. 601 (ed.
Most students choose to declaim in the modern language they are studying, though some choose Latin, Greek, or their native tongue. Judges are brought in from various institutions around the city, and mark the students in similar categories to those used in Public Declamation. Entrants are categorized by level, rather than language, such that all students declaiming at the first-year level of various languages are competing against each other, all students at the second-year level compete against each other, and so on. Students who regularly perform exceptionally well at World Language Declamation are honored at Prize Night with the Celia Gordon Malkiel Prize.
Some declaim ceaselessly with no evidence of things seen or heard while others saw illusions of objects in various forms and colors. Delirium sometimes persists with some degree of frenzied uproar for a period of years, but it can also be constant and the paroxysm of fury repeat at different intervals. The specific character of mania with delirium is the same as mania without delirium in the sense that it can either be continued or cyclical with regular or irregular paroxysms. It is marked by strong nervous excitement, accompanied by a deficit of one or more of the functions of the cognitive abilities with feelings of liveliness, depression or fury.
Latro is said to have possessed an astonishing memory, and displayed the greatest energy and vehemence, not only in declamation, but also in his studies and other pursuits. He is described as being invariably occupied in speaking, or preparing to speak, and he was considered by some to be the "manliest" of declaimers. He would study constantly and work himself to the point of exhaustion, after which he would restore himself with a holiday in Tuscany of hunting and farming, during which he never touched a book or pen. It was a peculiarity of Latro's that he would seldom, if ever, listen to his students declaim.
In the latter, the actors declaim portions of speech to a specified rhythm over instrumental accompaniment, peculiarly similar to the older German genre of Melodrama. Well after his Rimsky-Korsakov-inspired works The Nightingale (1914), and Mavra (1922), Stravinsky continued to ignore serialist technique and eventually wrote a full-fledged 18th-century-style diatonic number opera The Rake's Progress (1951). His resistance to serialism (an attitude he reversed following Schoenberg's death) proved to be an inspiration for many other composers.Oxford Illustrated History of Opera, Chapter 8; The Viking Opera Guide articles on Schoenberg, Berg and Stravinsky; Malcolm MacDonald Schoenberg (Dent,1976); Francis Routh, Stravinsky (Dent, 1975).
Many languages, including Java and functional languages, do not provide language constructs for inline functions, but their compilers or interpreters often do perform aggressive inline expansion. Other languages provide constructs for explicit hints, generally as compiler directives (pragmas). In the Ada programming language, there exists a pragma for inline functions. Functions in Common Lisp may be defined as inline by the `inline` declaration as such:Declaration INLINE, NOTINLINE at the Common Lisp HyperSpec (declaim (inline dispatch)) (defun dispatch (x) (funcall (get (car x) 'dispatch) x)) The Haskell compiler GHC tries to inline functions or values that are small enough but inlining may be noted explicitly using a language pragma:7.13.5.1.
Among the women writers she knew were Concepción Jimeno Gil, her younger friend Blanca de los Ríos, , , and Emilia Pardo Bazán. She started to appear at the court, invited to recite great Spanish poetry but also to declaim her own works. Casanova was particularly appreciated by the king himself. One anecdote has it that even the prime minister Antonio Cánovas was kept waiting in the antechamber while Alfonso XII could have not brought himself to interrupt Casanova reciting poetry.Meissner, Karol, Las tres muertes de Sofía Casanova, [in:] Galeon service [retrieved May 24, 2019] In 1885 Casanova published her debut volume, a collection of poetic pieces titled Poesias.
On commission from Ircam, he carried out computer analysis on sounds and their behaviour right down to their roots, their etymon, to realise "one of the most convincing and at the same time impetuous musical equivalents of the writing of Baudelaire, striving with clarity of mind to achieve a secure control over the insidious relationship between words and music."David Osmonde Smith, 'Un no man's land fertile: Francesconi et le théâtre musical', in Musica program for Luca Francesconi, Ballata, Théâtre de la Monnaie, Brussels, October 2002. The piece is based almost entirely on Baudelaire's poem Le Voyage, of which at two points we hear the soprano declaim two key fragments: "Dites, qu'avez-vous vu?" (Speak, what have you seen?).
The popularity of the evolution of cooperation - the reason it is not an obscure technical issue of interest to only a small number of specialists - is in part because it mirrors a larger issue where the realms of political philosophy, ethics, and biology intersect: the ancient issue of individual interests versus group interests. On one hand, the so-called "Social Darwinians" (roughly, those who would use the "survival of the fittest" of Darwinian evolution to justify the cutthroat competitiveness of laissez-faire capitalism . ) declaim that the world is an inherently competitive "dog eat dog" jungle, where every individual has to look out for himself. The writer Ayn Rand damned "altruism" and declared selfishness a virtue. .
Queen Asma was sometime affectionally referred to as the Little Queen of Sheba, according to Muhammad al-Thawr, "Some poets, carried away by their admiration of Asma, went so far as to declaim that if the throne of the queen of Sheba had been magnificent, that of Asma was still more so." This is somewhat remarkable, as the queen of Sheba belonged to the jahiliyya, the time before Islam, which was traditionally viewed as a negative one. Another name used both for her and her daughter-in-law and co-regent was malika hazima: malika means queen, and hazim was an epithet awarded people regarded to have shown the utmost wisdom and judgement in political affairs.
1580 letter to Giulio Caccini, a composer and member of the Camerata, Bardi decried counterpoint's obscuring of the text in vocal settings and advocates a return to the music of the ancient Greeks, which he believed consisted of a single melodic line and simple accompaniment, allowing direct, intelligible expression of the text. He instructed Caccini to "make it your chief aim to arrange the verse well and to declaim the words as intelligibly as you can." While Bardi's letter dealt with vocal music, the principle of a single, clear melody dominating a simple accompaniment easily carries over to the instrumental realm. This is seen in the proliferation of hitherto unknown solo instrumental sonatas beginning shortly after Caccini's Le Nuove Musiche in 1601.
The education was based on erudition, the eventual goal being that by the age of 18 the pupils would have learned "to vary one sentence diversely, to make a verse exactly, to endight an epistle eloquently and learnedly, to declaim of a theme simple, and last of all to attain some competent knowledge of the Greek tongue". Pupils were taught rhetoric based on the Rhetorica ad Herennium, and Greek centred around the works of Homer and Virgil. In addition to classical literature, etiquette was taught as both were deemed fundamental to a good education. Edward Coke studied at the school at the age of eight from 1560 until 1567, where he is said to have been taught to value the "forcefulness of freedom of speech", something he later applied as a judge.
They expressed their support for the March for Indigenous Dignity, which led a Zapatista delegation to Mexico City to speak to the Congress of the Union. On March 28, 2001, four indigenous commanders visited the Legislative Palace of San Lázaro and spoke to deputies and senators to detail their struggle and demand the approval of the indigenous rights law reforms raised in the San Andrés Accords. Part of the speech given by Comandanta Esther in the Legislative Palace of San Lazaro, March 28, 2001, included the following statement: > So here I am, an indigenous woman, in this gallery that is a symbol. And > it's also a symbol that it's me, a poor, indigenous and Zapatista woman, who > first takes the stage to declaim the central message of our word as > zapatistas.
The play marked a revival in popularity for poetic drama, most notably espoused by T.S. Eliot. It is the most performed of all his plays and inspired British Prime Minister Margaret Thatcher to declaim, "You turn if you want to — the lady’s not for turning," at the Conservative Party conference in 1980.Mrs Thatcher quotation in The Penguin Dictionary of Twentieth-Century Quotations, edited by JM and MJ Cohen, (Viking, 1993) In 1950, Fry adapted a translation of Jean Anouilh’s Invitation to the Castle as Ring Round the Moon for director Peter Brook. He also wrote Venus Observed, which was produced at the St James's Theatre by Laurence Olivier. A Sleep of Prisoners followed in 1951, first performed at St Thomas' church in Regent Street, London, in 1951 and later touring with Denholm Elliott and Stanley Baker.
She is reported to have slain four tigers with six bullets during one hunt. According to Sir Syed Ahmad Khan, this feat inspired a poet to declaim a spontaneous couplet in her honor: Nur Jahan's courage, bravery and administrative skills would prove invaluable during her regency as she defended the Empire's borders in her husband's absence and navigated family feuds, rebel uprisings, and a war of succession brought on by the failure of Jahangir to name an heir before he died on 28 October 1627. Tensions between Nur Jahan and Jahangir's third son, the then-Prince Khurram and future Shah Jahan, had been uneasy from the start. Prince Khurram resented the influence Nur Jahan held over his father and was angered at having to play second fiddle to her favourite Shahryar, his half- brother and her son-in-law.
99 Donald Barr declared that Eddison wrote "in a heroic prose made of high ceremonial gestures and tropes from the great age of metaphor and described The Worm as being "quite unique among modern novels" as "a narrative of pure event" where, with a lone exception, "we are never given the interior of a character, only the actions"."A Place of Ought-to-Be", The New York Times Book Review, December 28, 1952, p/6 In 1963, Avram Davidson praised the novel's prose for "abound[ing] in beautiful, quotable language" and its story as one of "war, witchcraft, adventure, conspiracy, violence, bloodshed, intrigue." Davidson, though, faulted Eddison's conception, saying "Ouroboros is a classic, but it is not and cannot be a great classic," because it lacks "humanity"—the realistic detail of great works like the Arabian Nights, where characters "do not merely kiss and declaim and posture.
Triumvirate of : (L-R) Saint-Just, Robespierre, and Couthon While French Huguenots had derisively bestowed the name Triumvirate on the alliance formed in 1561 between Catholic Francis, Duke of Guise, Anne de Montmorency, and Jacques Dalbon, Seigneur de Saint Andre during the French Wars of Religion, in later years the term would be used to describe other arrangements within France. At the end of the 1700s, when the French revolutionaries turned to several Roman Magistrature names for their new institutions, the three-headed collective Head of State was named Consulat, a term in use for two-headed magistratures since Antiquity; furthermore it included a "First Consul" who was not an equal, but the de facto solo head of state and government – a position Napoleon Bonaparte chose to convert openly into the First French Empire. Prior to Napoleon and during the Terror Robespierre, Louis de Saint-Just, and Couthon, as members of the governing Committee of Public Safety, were purported by some to have formed an unofficial triumvirate. Although officially all members of the committee shared equal power the three men's friendship and close ideological base led their detractors to declaim them as triumvirs which was used against them in the coup of 9 Thermidor.

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