The eyes, too, often have a certain deadness about them.
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"Uh, yeah, I'd say so," Parkinson said of Shaggydog's deadness when questioned by The Huffington Post.
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Worse for us was a kind of mental and emotional deadness that we felt all around.
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"The deadness in my eyes and the Irish on my face is so full throttle," Bryant said.
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There is a deadness of the soul that for some reason afflicts people in the summer swelter.
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The employees of Keith's Classic Furniture, a secondhand furniture store, discuss the mall's precise state of deadness.
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Frankly, it's tough to think about the deadness of the human soul when their catalogue is this stacked.
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I perform them out of body, with the same spiritual deadness with which you might recount the Battle of Trafalgar.
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What this deadpan tone suggests, over time, is a deadness of the spirit, whether in the domestic arena or in the wider world.
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Every big superhero-movie-defining callout moment from the past several years has come when the script set aside emotional deadness for a moment.
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Polite taste is a scourge of home design, an aesthetic flattening that has led to a kind of visual deadness, a forfeiture of personality for acceptability.
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I don't think I worshipped him, his deadness, but I liked the evidence of him, how it felt like a job to daily take note of his shifting into the sand.
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Seen from this perspective, the square suddenly becomes a place where former proletariat turned by biocapitalism into brainwashed consumers, unaware of their deadness, mingle with the zombie revolutionary proletariat of the past.
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It's not the physical discomfort of the cold that's getting to him — he deals with plenty of other discomfort over the course of the book — it's his existential despair at winter itself and the apparent deadness of the land.
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Lively's name is particularly ironic here, since she plays Stephanie -- a recovering addict -- as someone with a fidgety, hollow-eyed deadness inside her, seeking to kill those responsible without any expectation that extracting an eye for an eye will heal her wounded soul.
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A Deadness Board is used to keep track of deadness on all four balls. Tactics are simplified on the one hand by the strict sequence of play, and complicated on the other hand by the continuation of deadness. A further difference is the more restrictive boundary-line rules of American croquet. In the American game, roqueting a ball out of bounds or running a hoop out of bounds causes the turn to end, and balls that go out of bounds are replaced only from the boundary rather than as in association croquet.
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Under this incarnation, the group released the EP Wow to the Deadness on February 5, 2016, and toured until February 12. A live album under this incarnation of the band was also released.
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Nansen expressed his frustration in his journal: "I feel I must break through this deadness, this inertia, and find some outlet for my energies." And later: "Can't something happen? Could not a hurricane come and tear up this ice?" Only after the turn of the year, in January 1894, did the northerly direction become generally settled.
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Plans for extensive touring were announced. In June 2015, Taylor and the Perfect Foil entered Electrical Audio in Chicago with Daniel Smith of Danielson and engineer Steve Albini. In December 2015, Taylor announced (via Kickstarter) that the resulting EP, Wow to the Deadness, was released in January 2016, under the name Steve Taylor & The Danielson Foil. Along with new music making, Taylor also had the honor of becoming filmmaker-in-residence at Lipscomb University’s cinematic arts program.
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Daniel Smith, the founder of Danielson, decided to join the group in a temporary collaboration dubbed Steve Taylor & The Danielson Foil. In 2015 recorded an EP, Wow to the Deadness, produced by Steve Albini. The title track from the EP was made available for streaming on the Guitar World website on December 10, 2015. A music video for the title track premiered on Paste on January 25, 2016, and features the band members fighting each other with water balloons.
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The following day, Susan, dozing in the garden, is woken by Gerald. Now back in tune with the real world, she openly discusses the deadness of their marriage, something Gerald insensitively glosses over. Muriel serves “coffee”: ground coffee prepared as one would do instant. Indignantly Muriel points out she tended to her late mother, then late husband (or finished off, as Susan sees it) before digressing into her deluded conviction that her late husband's ghost will return with a message.
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The silver shoulders are decorated in a similar manner to Jaime's gold hand—the one person that she still has something with." Clapton also noted that every part of the dress represents something, saying, "There is no 'decoration' to Cersei." She stated that she additionally chose to make the dress black in order to represent mourning, as well as a "deadness inside her." Clapton, in a separate interview, was also asked about the meaning and representation of Cersei's crown, saying "I chose to make it in silver with just wisps of gold to try to show her isolation, her mental disentangling from her family.
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Pope and Philips had been adversaries since the publication of Pope's Odes, and the rivalry broke down along political lines. One example of Pope's style and satire shows in his description of sinking in painting. In the commonplace Academic hierarchic ranking of pictorial genres, still life ranked the lowest. However, Pope describes how it might fall and, with the single word "stiffen," evokes the unnatural deadness that is a mark of failure even in this "low" genre: :Many Painters who could never hit a Nose or an Eye, have with Felicity copied a Small-Pox, or been admirable at a Toad or a Red-Herring.
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The American- rules version of croquet, another six-hoop game, is the dominant version of the game in the United States and is also widely played in Canada. It is governed by the United States Croquet Association. Its genesis is mostly in association croquet, but it differs in a number of important ways that reflect the home-grown traditions of American "backyard" croquet. Two of the most notable differences are that the balls are always played in the same sequence (blue, red, black, yellow) throughout the game, and that a ball's "deadness" on other balls is carried over from turn to turn until the ball has been "cleared" by scoring its next hoop.
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Edmund Burke was believed to be particularly charmed by Pope's articulation of love after marriage, inspiring Burke's essay A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful (1756). One example of Pope's style and satire shows in his description of sinking in painting. In the commonplace Academic hierarchic ranking of pictorial genres, still life ranked the lowest. However, Pope describes how it might fall and, with the single word "stiffen," evokes the unnatural deadness that is a mark of failure even in this "low" genre: :Many Painters who could never hit a Nose or an Eye, have with Felicity copied a Small-Pox, or been admirable at a Toad or a Red- Herring.
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On Wow to the Deadness, a collaboration with Daniel Smith, the band performed an intense, furious and chaotic punk rock style. Guitar World described the album as "Magazine covering the Godspell soundtrack or the Buzzcocks trading verses with the Free Design", and Popdose found the output similar to that of Touch and Go Records bands. Lyrically, Steve Taylor & The Perfect Foil features Taylor's intelligent, satirical approach and clever wordplay, but with a more serious and enigmatic approach than that of his solo efforts in the 1980s. J. Edward Keyes of Wondering Sound described Taylor as favoring "the art-film, up-for-interpretation approach" that he took with Chagall Guevara, but still manages to be confrontational in his message.
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Cardiff entered the FA Cup in the first round and were drawn against Third Division North side Darlington. Despite being considered heavy favourites, Cardiff could only manage a goalless draw in a result that was regarded as one of the surprise results of the round, with the home side being jeered off the pitch by their own supporters. The result was partly blamed on the substandard condition of the pitch at Cardiff's Ninian Park ground, with the surface being noted for its "deadness that made accurate passing impossible". The two teams met in a replay four days later where the pitch at Darlington's home ground, Feethams, also drew criticism with Cardiff players being quoted as saying the pitch was "worse than Ninian Park had ever been".
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Their second album, Haha Sound, was released in August 2003, preceded by two EPs, Microtronics Volume 01: Stereo Recorded Music for Links and Bridges and Pendulum. Recording sessions for the album took place in fragments at various locations: Keenan recorded vocal tracks with her head in a cardboard box which gave it a "closeness and deadness that makes it sit in the mix a bit nicer," while drummer Bullock recorded drum tracks in a neighborhood church before overdubbing guitar tracks and additional arrangements. Haha Sound became their first charting album in the United States, reaching No. 8 in the Top Dance/Electronic Albums chart. While touring the United States to promote Haha Sound, the group recruited American drummer Jeremy Barnes to perform their live shows.
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It was influenced of course by the Irish and Scottish ballads … 'Come All Ye Bold Highway Men', 'Come All Ye Tender Hearted Maidens'. I wanted to write a big song, with short concise verses that piled up on each other in a hypnotic way. The civil rights movement and the folk music movement were pretty close for a while and allied together at that time."Biograph, 1985, Liner notes & text by Cameron Crowe. The climactic lines of the final verse: ""The order is rapidly fadin'/ And the first one now/ Will later be last/ For the times they are a-changin'" have a Biblical ring, and several critics have connected them with lines in the Gospel of Mark, 10:31, ""But many that are first shall be last, and the last first."Gill, 1998, My Back Pages, pp. 42–43. A self-conscious protest song, it is often viewed as a reflection of the generation gap and of the political divide marking American culture in the 1960s. Dylan, however, disputed this interpretation in 1964, saying "Those were the only words I could find to separate aliveness from deadness.
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