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"connubial" Definitions
  1. relating to marriage, or the relationship between people who are marriedTopics Life stagesc2

29 Sentences With "connubial"

How to use connubial in a sentence? Find typical usage patterns (collocations)/phrases/context for "connubial" and check conjugation/comparative form for "connubial". Mastering all the usages of "connubial" from sentence examples published by news publications.

Should Kragler have remained to fight rather than succumb to connubial bliss?
Dueling visions of "As You Like It," Shakespeare's most connubial comedy, frame September in what promise to be polar-opposite productions.
She has taken on her husband's signature pout, in a connubial version of people who grow to look like their dogs.
My father, it appears, was not naturally connubial, and even in the early years of marriage contrived to be more absent than present.
What then happened was that Hillary Clinton, on the following Monday, went on the "Today" show and gave connubial credence to his denials, saving Bill Clinton's presidency -- again.
Kroenke has done reasonably well in life: He is worth $6 billion, and his wife, who hailed from the Wal-Mart Waltons, contributed her own $4.9 billion to their connubial bliss.
Broadly speaking, Waits' career can be broken down into two distinct periods: the bibulous, slightly broken troubadour before he and songwriter, artist and producer Kathleen Brennan met and married, and the cracked actor after connubial bliss.
This latest study in connubial anxiety is written by Deborah Rennard, who gets "For Worse" off to a fast start in the moments immediately after Peter tells Karen, his wife, that he has been having an affair.
The public unraveling of his marriage and his courtship of his future wife, Judith Nathan, recalled Mr. Trump's own connubial travails several years earlier, when his affair with Marla Maples, while still married to Ivana Trump, was the gift that kept on giving to the city's tabloids.
When you watch George and Martha square off in their private connubial boxing ring in Albee's "Who's Afraid of Virginia Woolf?" or the lovers in the 1946 Rita Hayworth movie "Gilda" murmur breathlessly, "I hate you," to each other, know that the ghost of Strindberg is chuckling somewhere in the shadows.
Lloyd, John William (1931). The Karezza Method or Magnetation: The Art of Connubial Love. Roscoe, California. . Retrieved 22 June 2020.
He has authored several articles including 'Aggregation' and 'Difficult Synthesis' in Material Design: Informing Architecture through Materiality by Thomas Schroepfer. He also authored 'Versioning: Connubial Reciprocities of Surface and Space' in Architectural Design. He wrote the introduction to 'The work of Machado & Silvetti', 2018. He wrote the foreword to 'Victor Lundy: Artist Architect', 2017.
The three legged toad is a mythical creature. It was thought to be an animated purse containing an inexhaustible supply of coins, hence it represents wealth and has become a symbol of the unattainable. The fish is both an emblem of wealth and abundance and of harmony and connubial bliss. The fish emblem is used in a variety of decorative ways.
J. William Lloyd, The Karezza Method or Magnetation: The Art of Connubial Love (1931), p. 5. In 1888, Chavannes published his theories on magnetism in his book, Vital Force and Magnetic Exchange. By the 1890s, Chavannes was exchanging ideas with socialists Lester Frank Ward and Edward Bellamy.Edward Rafferty, Apostle of Human Progress: Lester Frank Ward and American Political Thought (Rowman and Littlefield Publishing Group, 2003), p. 190.
Sam and Marion's sister Lila, in investigating Marion's disappearance, develop an "increasingly connubial" relationship, a development that Marion is denied. Norman also suffers a similarly perverse definition of domesticity. He has "an infantile and divided personality" and lives in a mansion whose past occupies the present. Norman displays stuffed birds that are "frozen in time" and keeps childhood toys and stuffed animals in his room.
Shibnath believes that Amar will never turn hostile if a connubial relationship is formed between them. Debu and Sanjukta marry but Shibnath's perception turns out erroneous when Amar again threatens him against his illegal practice. He seeks help from Ganguly and the latter gets Amar assassinated by his concubine Monika. Shibnath sells the colony of the workers of his factory to a promoter named Jalan.
A new regime was about to begin throughout the Scottish prison system and Frederic Hill was at the heart of it. 1839 was an exciting year for him as it was then he met his future wife, Martha Cowper. She was as concerned about social reform as Frederic and took a great interest in his work as a Prison Inspector. They married in 1840 beginning, as he later recorded, “nearly fifty years of uninterrupted connubial happiness”.
Zina and Henry Jacobs continued to live together as man and wife, and Zina's "connubial relations with Joseph Smith, if any occurred at all, [were] certainly infrequent and irregular." She never had any children with Joseph, but she and Jacobs had another son, Henry Chariton Jacobs, on March 22, 1846. Her husband Henry was constantly called on missions (he served at least eight between 1839 and 1845) and was thus often absent from the house. In the face of such absences, Zina did not turn to Joseph but rather sought relief from female kin.
Reviews of the film were generally positive. New York Times critic Bosley Crowther praised the film writing: "Mr. Powell and Miss Loy, no matter what their names, are one of our most versatile and frisky connubial comedy teams, and, given a script as daffy as the one here in evidence, they can make an hour and a half spin like a roulette wheel." W.S from Motion Picture Daily stated that the audience was in "continuous laughter and applause throughout the film" and claimed that “M-G-M has made the funniest motion picture this industry has seen in 10 years.
For instance, in Pish-Tush's song "Our great Mikado, virtuous man", he sings: "The youth who winked a roving eye / Or breathed a non-connubial sigh / Was thereupon condemned to die – / He usually objected." The term for this rhetorical technique is meiosis, a drastic understatement of the situation. Other examples of this are when self- decapitation is described as "an extremely difficult, not to say dangerous, thing to attempt", and also as merely "awkward". When a discussion occurs of Nanki-Poo's life being "cut short in a month", the tone remains comic and only mock-melancholy.
Les 1001 Nuits is a French-Italian fantasy film loosely based on the ancient Arabic legend One Thousand and One Nights. It is directed by Philippe de Broca and stars Catherine Zeta-Jones as Sheherazade, who has married a king (Thierry Lhermitte), who desires to have many virgin wives, but only one at a time. As soon as the King has consummated his relationship with a new wife, he has her put to death at sunrise. Sheherazade delays this unfortunate ending by putting off the connubial event for a thousand and one nights, telling irresistible stories that are unfinished when the sun rises.
A few, who are generally Buddhists and live in tents, make their living as itinerant beggars and are also known as Chankans. As with the other social groups with whom they share village life, the Beda are expected to be an endogamous community. Marriages outside of their own group are not usually recognised and connubial relationships of this sort are generally co- habitation arrangements, with the woman usually being from the higher-ranked group. If a Ladakhi man forms a marriage-like relationship with a Beda woman then he is ostracised by his own community until such time as the relationship is regularised through the performance of the Chhomo Gango ceremony.
While on the surface, Trey seems Charlotte's perfect match, behind closed doors the couple faces some real-life problems: Trey is impotent, and his overbearing mother tries to maintain her power over Trey and drive a wedge between the married couple. They try to work things out and do succeed in conquering his sexual dysfunctions. But when they start to have problems conceiving, Trey ultimately becomes too overwhelmed. On the day when Charlotte succeeds in projecting the ultimate in connubial bliss--a photo spread in a magazine featuring her Park Avenue apartment--she and Trey split up and he moves back in with his mother.
Dick Ballantine is a fictional character played by actor and comic Richard Belzer on segments of The National Lampoon Radio Hour, aired on some 600 U.S. radio stations between 1973 and 1975. The character is an ersatz radio call-in host. His callers, played by other Radio Hour regulars including Bill Murray, were subject to Ballantine's tart-tongued responses to their predictably obtuse opinions, typically capped by his addressing them sarcastically as "Babe". In one exchange, Murray's call-in character expresses irritation that inmates of a New York State maximum security hotel, recently the scene of the Attica Prison riots, are being given connubial visiting privileges which he disagrees with.
The others find and surround Melbourne and Perry when, like a magician, Melbourne sprinkles some "Jiggery Pokery" (gunpowder) on the ground and the twosome disappear into the smoke of the explosion. Just then Bethesda returns, vowing to make Melbourne pay for his treachery (Melbourne Bumblescratch). Contrasting Bethesda's tirade, Melbourne expresses his own, more laid back approach to life (and connubial fidelity) in (At Least A Rat ‘As Got An Excuse). Meanwhile, Socrates' oafish henchmen, Fats and Charmer, have caught up to Melbourne, following him and Perry into the Cock Lane Rat Pub only to lose the duo once again. Later on, they try to justify their incompetence to Socrates who will hear none of it (Socrates’ Scorn).
He wrote, "each pronouncement and arrangement is (the act) of one and the same God; who did then indeed, in the beginning, send forth a sowing of the race by an indulgent laxity granted to the reins of connubial alliances, until the world should be replenished, until the material of the new discipline should attain to forwardness: now, however, at the extreme boundaries of the times, has checked (the command) which He had sent out, and recalled the indulgence which He had granted". (De Monogamia chapt. VI.) According to chapter XVI of De Monogamia, Hermogenes thought it was allowed for a man to take several wives. Tertullian also made a direct attack on the polygamous practice of some cults in his work Adversus Hermogenem.
Genetically they are tetraploid, which means that even if Mendoza were still human, there would be certain obstacles to her enjoying full connubial bliss with any one of them. The "New Inklings" are idle geniuses who have, at least in their own minds, designed and deployed, from their lofty perches in the 24th century, all the Enforcers, Facilitators, Preservers and other cyborgs working for the Company throughout history. Given how much trouble it was to deal with the Enforcers once they stopped being useful, since they could hardly be passed off as normal humans, they begin the project Adonai, creating a non-cyborg human who will have the qualities they want and be easier to control, not to mention kill if necessary. Their first test run involves a man in Tudor England who grows up to be Nicholas Harpole....
On the side of his father, Mercha Wolde Kidan, Yohannes descended from the ruling dynasty of Tembien where both his father and grandfather bore the traditional title of šum Tembien, while his mother, Silass Dimtsu, was a daughter of balgäda Demsu of Enderta and Tabotu Woldu of Agame, hence a niece of Sabagadis Woldu. He thus descended from the ruling families of Tembien, Agame, and Enderta. He also had connubial connections with some notables who came to his aid in the early stages: his cousin, Amlasu Araya Selassie, married ras Alula Engida who remained loyal to Yohannes throughout his life, another cousin Altash Wahad married ras Woldemichael Solomon who fought on his side in the second half of the 1860s, though later he became his opponent. His sister, Dinqnesh, was married first to Gobez (later atse Tekle Giyorgis) who supported his rebellion against atse Tewodros II in the late 1860s and later to ras bitwädäd Gebre Kidan, one of the leading supporters of Yohannes.
Because of her efforts to put off remarriage, Penelope is often seen as a symbol of connubial fidelity.J.W. Mackail, Penelope in the Odyssey (Cambridge University Press, 1916) But because Athena wants her "to show herself to the wooers, that she might set their hearts a-flutter and win greater honor from her husband and her son than heretofore", Penelope does eventually appear before the suitors (xviii.160–162). As Irene de Jong comments: > As so often, it is Athena who takes the initiative in giving the story a new > direction ... Usually the motives of mortal and god coincide, here they do > not: Athena wants Penelope to fan the Suitors’ desire for her and (thereby) > make her more esteemed by her husband and son; Penelope has no real motive > ... she simply feels an unprecedented impulse to meet the men she so loathes > ... adding that she might take this opportunity to talk to Telemachus (which > she will indeed do).Irene de Jong. (2001).

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