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"brickwork" Definitions
  1. [uncountable] the bricks in a wall, building, etc.
  2. brickworks [countable] (plural brickworks) (British English) a place where bricks are made

1000 Sentences With "brickwork"

How to use brickwork in a sentence? Find typical usage patterns (collocations)/phrases/context for "brickwork" and check conjugation/comparative form for "brickwork". Mastering all the usages of "brickwork" from sentence examples published by news publications.

Swaths of the normally red brickwork are a charred black.
The house on the left, with rectilinear brickwork, was probably built more recently.
Anyone who's attended an English secondary school will find the bland brickwork instantly familiar.
The windows disappeared, graffiti covers much of the brickwork, and the ornamental ceiling is crumbling.
Floating brickwork buildings, ships, and environments seem both skybound and submerged at the same time.
DHFL's bonds had AAA ratings from Care and Brickwork, providing comfort to investors, he said.
The space is stunning, with its historic brickwork, intact glass window panes, and modern finishes.
Walls in its crypt also featured diamond-shaped brickwork and traces of 14th-century frescoes.
The exterior has a mix of Flemish and traditional brickwork with vine and herringbone details.
In old jails, "the culture is embedded in the brickwork," admits a private prison manager.
It consisted of a hulking, ruined ventilation tower with smashed glass windows and broken brickwork.
The lot is terraced and includes brickwork around the saltwater swimming pool and adjacent hot tub.
The space features original brickwork, ceilings 21916 to 3003 feet high, and two recently exposed fireplaces.
Brickwork said it had shared "a detailed response" on this specific allegation with IL&FS' new management.
In "A Word, a Name, a Gift" (1952) green arches and brickwork form a fragmented building facade.
I stood in the crisp air, flanked by centuries old brickwork, and imagined who once populated this place.
The remodeled kitchen, with its 10-foot island, has original plaster brickwork combined with new marble subway tile.
The fourth wall, with exposed brickwork, has two rows of black-edged windows with a south-facing view.
It's not just the chic appeal of exposed brickwork and high ceilings that is driving the warehouse conversion trend.
I have developed strong opinions about brickwork and brick dust and cement and concrete, about the skeleton of London.
Recently, though, they have gone from being a part of the foundation for Hong Kong deals to becoming the brickwork.
Many historical features, including decorative exterior brickwork, half-timbered details, leaded-pane windows and oak and maple floors, were preserved.
Farrow & Ball's murky and antique-looking shades are ideal for renovated spaces: they sit comfortably alongside aged stone and weeping brickwork.
McIlroy, Europe's main man, needed to win it in order to lay the brickwork for another improbable comeback on American soil.
Set closely on narrow lots, they are often embellished with Corinthian columns, rippling wood shingles, decorative brickwork or leaded-glass windows.
These works mark the origin of his fascination with brickwork and American Sign Language (ASL), two of his signature visual motifs.
That's how you end up with the renowned local architect Charles Rennie Mackintosh, part Viennese Modernism, part Glasgow quirkiness and heavy brickwork.
I have also been inches away from another sipping nectar from a flower growing from the brickwork of the interminable Gowanus Expressway.
An endless, infuriating tapping echoes around the ancient brickwork—somewhere beneath me, a blacksmith is pounding hammer against anvil, over and over.
Why it matters: The flooding will leave behind salt crystals that corrode the brickwork of centuries-old churches and palaces, per Reuters.
Convent Avenue, Hamilton Terrace and St. Nicholas Avenue are lined with 19th- and early 20th-century time capsules of intricate brickwork and limestone.
The minaret was composed of seven bands of decorative brickwork in complex geometric patterns that have also been found in Iran and Central Asia.
That Federal-style building has Flemish bond brickwork and a rare bowed facade and was originally built as a mansion for a merchant's family.
In the Saarinen-designed section, the wooden doors, well-placed brickwork and large clocks signaled his imprint: they are hallmarks of his architectural style.
McEneaney exploits repeating elements such as floorboards, brickwork, leaves, fabric, and flagstone, designing with exaggerated perspective and funky spatial shifts characteristic of late medieval painting.
The warhead slams into the side of a wall, tearing a fiery hole in the brickwork, and shredding the alien standing on the other side.
The trucks, scaffolding, and roadworks that jam each corner will soon leave an unfamiliar place, replacing Georgian edifices with cheap brickwork and plastic shop fronts.
But the Packard plant is still very much visible, with its durable brickwork and the pedestrian bridge over East Grand Boulevard evidence of past economic might.
The Kärcher K4 pressure washer is perfect for or cleaning delicate surfaces such as your car, and harder surfaces like stone and brickwork in your garden.
The venue itself, the Bolger Center, is less a hotel than a sprawling confederation of tan brickwork buildings which the US Postal Service runs at a deficit.
Some believe the ornate diamond patterning of its kiln-fired brickwork is the inspiration — via Marco Polo — for the Doge's Palace on San Marco square in Venice.
"The water level in the lagoon will continue to rise, eating away at the substance of the buildings as damp spreads up the brickwork," the report states.
There are potted palm trees in the entrance and industrial-chic open spaces, where youngsters in jeans huddle over laptops amid low-hanging light bulbs and exposed brickwork.
A co-working space for start-ups in the dilapidated town centre ticks all the boxes: exposed brickwork, board games, a man with pink hair strumming a ukulele.
Much of the mosque and brickwork minaret was reduced to rubble, said a Reuters TV reporter who went to the site with the elite units that captured it.
There is brickwork for texture; "hubbas," or ledges, for grinds and slides; a curved bit of concrete called the orange peel; and benches, for either skating or sitting.
INDOORS An arched front door with decorative surrounding brickwork leads to a living room with similar brick details, as well as niches in the plaster above the mantel.
Distinguished by their intricate brickwork and limestone trim, these elegantly forthright carriage houses were designed by the firm of William B. Tubby, a favorite architect of the Pratt clan.
Below the deck was a perfect example of how these schemes would reinvigorate the towns' local economies, as a local man was cleaning rubble from around the new brickwork.
By removing the landscape and replacing it with a brickwork of U-Chen (Tibetan script legible to all the dialects within Tibet), he makes the sutras a unifying force.
The apartment block&aposs uneven brickwork and missing mortar contrast sharply with the gleaming blue and white soccer palace that Russian media say cost about 17.9 billion rubles ($17.9 million).
" The building will be clad in Roman bricks, he said, which are thinner and longer than conventional bricks: "It elongates the proportions and makes for beautiful patterns in the brickwork.
Clad in a lattice of 336,000 bricks in a nod to the original power station's brickwork, the tower has a public viewing level offering 360 degree panoramic views of the British capital.
The duo, along with their former partner Ryan Tockstein, developed the property, from laying the brickwork on the patio to rehabilitating a log cabin that sits on the edge of the forest.
He noted the tarry density of its bilious murk, the tidemark of phosphorescent scum bearding the centuries-old brickwork as the canal subsided toward the stark quays and the notional sea beyond.
Still, maintaining these spaces is a continuous challenge in a city where the mould-inducing monsoon season takes up half the year and few households have the resources for expensive brickwork cleaning treatments.
Ivy, brickwork, and rays of natural light all work towards the final composition, which he captures with a deft photographic hand; his grandfather shot professionally, and his father did so in his spare time.
It had become completely co-ed and the old feeling of alienation had vanished: Girls were as part of the brickwork and ancient stone as the boys, and there was even a feminist society.
If you decide to go the tile route, Mr. Odom said, be sure to hire a mason to assess the brickwork before you start, to make sure it can be skimmed and covered evenly.
Brickwork said it did not assign the highest ratings to IL&FS "because it follows robust, transparent and consistent rating methodology" and its actions were not influenced by any commercial pressures or rating withdrawal requests.
Located in the same district of Barcelona as the architect's famous Güell Park, the four-story building's ornate brickwork and colorful tiles bear the hallmarks of Gaudí's distinctive style, which fuses Moorish influences with art nouveau.
Now I saw how the contrasting Statue of Liberty green trim set off the brown or clay-yellow brickwork of the buildings, making them appear elegantly turned out, as if for review in an apartment-building parade.
But the differences are immediately apparent: the show has been transplanted to Bouldin High School in Texas; Oslo's quirky brickwork has become identikit Texas suburbs; and the pitching and falling Norwegian has been replaced by creeping vocal fry.
"Beggar" (1926) focuses on an elderly man's quizzical gaze and serene dignity while foregrounding the dispossessed man's contiguous space: the sooty pavement on which he sits; the iron gate looming behind him; and the brickwork pillars boxing him in.
A large, cream-colored construction fence and a white plastic cover encircle the properties, revealing from the outside big Victorian houses with scaffolding protruding from the top, a patch of brickwork at the rear and an unfinished staircase inside.
In Washington Square, for example, it's easy to see how the stolid, demure brickwork of the Greek Revival homes gave a New Yorker like Henry James a sense of security in his position as a descendant of early American aristocracy.
"We thought there was a real opportunity to produce a crafted interior that responded to what Thomas was doing on the outside of the building with the brickwork and detailing of the windows," said Elliot March, one of the firm's partners.
Designed by Herzog & De Meuron, who developed the original Tate Modern 16 years ago, the Switch House is sheathed in a perforated lattice of 336,000 bricks, a slate-colored skin that rhymes with the brickwork of the Boiler House next door.
Property developers are ditching the marble fittings, suspended ceilings and tight rows of desks associated with the grand old banks, replacing them with more spacious irregular offices finished with the brickwork, colorful furniture and exposed wires beloved of tech companies.
Sticking up among the crop of low midcentury houses was a reminder of what came before: a building with arched windows and decorative brickwork that was probably once used by workers who built the Kensico Dam and gave heft to the city.
Grant Thornton reviewed the role of five credit rating agencies -- Fitch group's India Ratings and Research, Indian affiliate of Moody's, ICRA, Standard & Poor's local unit Crisil, CARE Ratings and Brickwork Ratings India -- which assigned 429 ratings to various IL&FS financial instruments in recent years.
As a college student, he gave historical tours to tourists, showing them the five-wing Georgian mansion of William Paca, who signed the Declaration of Independence, pointing out that Paca had the brickwork done in a way that wasted bricks, a show of wealth.
Grant Thornton reviewed the role of five credit rating agencies — Fitch group's India Ratings and Research, Indian affiliate of Moody's, ICRA, Standard & Poor's local unit Crisil, CARE Ratings and Brickwork Ratings India — which assigned 429 ratings to various IL&FS financial instruments in recent years.
E-mail communication showed a former IL&FS employee had facilitated purchase of a villa at a steep discount for the wife of a senior Fitch executive, while another had arranged football tickets for a Brickwork Ratings executive to a Real Madrid game, the report added.
Grant Thornton reviewed the role of five credit rating agencies — Fitch group's India Ratings and Research, the Indian affiliate of Moody's, ICRA, Standard & Poor's local unit Crisil, CARE Ratings and Brickwork Ratings India — which assigned 429 ratings to various IL&FS financial instruments in recent years.
E-mail communication showed a former IL&FS employee had facilitated the purchase of a villa at a steep discount for the wife of a senior Fitch executive, while another had arranged football tickets for a Brickwork Ratings executive to a Real Madrid game, the report added.
" Blomfield blasted the big banks' approach to tackling the threat of rising competition from the fintech players, saying their method is often to spin out a part of the institution and "send them off into a trendy office with exposed brickwork, Converse and Ping-Pong tables.
I often cycle with my son to his preschool down Handjerystrasse, a long street of half-timbered mansions with rounded galleries and gabled red-tile roofs; palatial villas with marble lintels, gray-shingled cupolas and columned porticos; and English-style country manors marked by handsome brickwork and tidy front gardens.
Mr. Adams was intercepted and persuaded to leave Afghanistan a few miles from the minaret of Jam, a fabled 12th-century structure of exquisite brickwork and a blue-tile top soaring over 200 feet on the banks of the Hari River and circled by high mountains in central Ghor province.
Its exceptionalism is expressed in subtle ways, via the eloquent craft of the brickwork, the depth of windowsills, the quality of light in apartments and geometric arrangement of wraparound balconies that turn the buildings' envelopes into stacked bands, like thick, hexagon-shaped pancakes, poised above elegantly vaulted lobbies sheathed in clear glass.
For the past 2,000 years or so, it's been home to the Newars, master craftsmen who, in the medieval era built a splendid city of warm brickwork, back alleys, temples and squares, including the Nyatapola Temple, with five pagoda stories at the top of a steep flight of stairs flanked by statues of elephants, lions and griffins.
Vivek Kulkarni is the Chairman of Brickwork India, a knowledge process outsourcing company & founder MD of Brickwork Ratings - credit rating agency of India. Vivek is the Indian Administrative Service officer from Karnataka. Vivek Kulkarni is the Chairman of Brickwork India, a knowledge process outsourcing company & founder MD of Brickwork Ratings - credit rating agency of India. Vivek is the Indian Administrative Service officer from Karnataka.
It has painted brickwork and rests on a stone foundation. The building's brickwork is laid in American bond. It has a pyramidally capped tower on its front facade.
The present gate-way is within a wall of much later brickwork, the gate surmounted by a segmental arched soffit with tiled springing points. The top of the wall is stepped and the capping courses have a tiled finish. The gate is of wrought iron made to fit exactly the arched opening within the 20th century brickwork of the entrance. To the east, between the later brickwork and the adjacent property is a narrow surviving section of earlier brickwork.
Whilst the brickwork has been painted over, the outline is still visible.
The walls are painted and bagged brickwork with a plaster skirting board.
The exterior brickwork of the chimney appeared to be in good condition.
Before reaching the crenelated parapet, there is a course of brickwork marking the level. On the South face above the centre point of the arch is some protruding brickwork of three shields hanging from a line. These are located in between two recessed windows that have been bricked up and a third smaller bricked up window above. These are enclosed by a line of brickwork resembling gables.
The building is unique for its patterned brickwork and the richly furnished interior.
Like many Ukrainian structures, the windows, doors and exposed brickwork are richly decorated.
135 (G Macbeath) Throughout construction, Noble had been looking after foundations and brickwork.
295 the folly is ornamented with battlements, pinnacles, pilasters, arrowslits and fancy brickwork.
The smokestacks were removed and a new entry was built on the east elevation. The ground level was rebuilt on a concrete slab. The gable brickwork was restored, but the brickwork was poorly matched. Demilune windows were put in the gables.
The projecting single-storeyed wings have also been extended. Some of the verandahs have been enclosed. The walls are of polychrome brickwork. Internally the walls are rendered to a height of above the floor, beyond that height the brickwork being kalsomined.
The single storey octagonal brick base was from floor level to the top of the brickwork internally. Externally it was from ground level to the top of the brickwork, earth having been embanked against the base to allow the sails to be reached for reefing, the mill having originally been built with Common sails. The brickwork tapered in thickness, being thick at the top. It was across the flats.
It has pilasters, Gothic arches, a wood bell tower, and common bond brickwork. With .
The brickwork becomes more highly decorated in the higher stories.Catalayud city hall, tourism office.
The neo-classical style of the chapel contrasts the medieval brickwork of the church.
A similar but later window is situated to the north, cut into the brickwork.
Komech, Pluzhnikov p. 401 Specifically, the style of brickwork in the vaults is Italian.
Rear view of mausoleum where banna'i technique - patterns of glazed brickwork - can be best observed.
The walls are rendered and painted brickwork. The piers still exist on the western wall.
The original section has yellow brickwork in a Flemish bond pattern to the main elevation and brown and yellow gauged brickwork on the north (side) wall. Yellow bricks are also used on the south extension, but in a stretcher bond layout. The 1790 section has a 2–3–2 bay pattern whose central three-bay section projects slightly and is set beneath a pediment. Its tympanum has a pattern of raised brickwork.
Flemish diagonal bond, St John's College, Cambridge Brickwork formed into a diamond pattern is called diapering.
New owners Dalton Hopper and Paolo Rigolli have undertaken extensive work whilst retaining all original brickwork.
The brickwork is somewhat unusual, with the occasional use of square bricks on the outer walls.
It is believed that the main influence of Seabrook's design for MacRobertson Girls’ High School was William Dudok Hilversum’s town hall (1923–31).< Both these buildings have similar brickwork, rectilinear interlocking facades, functional planning, open air classrooms, flat roof, industrial aesthetic and a modern interior fitout. The brickwork used in both consists of two stretchers followed by a header in a Flemish bond with an extra wide and deeply raked horizontal joint which emphasises horizontality, while the cream brickwork emphasised shadows. Seabrook selected local Glen Iris Cream bricks at a time when they were only being used sparingly in buildings such as in polychromatic brickwork.
The three-story brick building features a symmetrical facade. The center bay has three round arch windows that are flanked above and below with ornamental brickwork. There is also brickwork near the cornice level of the side bays. The three bays are separated by brick pilasters.
Rippon Lea Estate, in Australia has polychrome brickwork patterns. Polychrome brickwork is a style of architectural brickwork which emerged in the 1860s and used bricks of different colors (typically brown, cream and red) in patterned combination to highlight architectural features. It was often used to replicate the effect of quoining and to decorate around windows. Early examples featured banding, with later examples exhibiting complex diagonal, criss-cross, and step patterns, in some cases even writing using bricks.
The replacement brickwork, darker than that of the main structure, can be seen from the road below.
The brickwork features a decorative brick bond with six stretcher rows placed between single rows of headers.
THE BONDING OF BRICKWORK. P.M. Stratton. "An extra cost over Flemish has to be met for labour on Monk bond and its derivatives, because the process is not so straightforward as Flemish, and the bricklayers have to stop and think more frequently." Occasionally, brickwork in such a raking monk bond may contain minor errors of header and stretcher alignment some of which may have been silently corrected by incorporating a compensating irregularity into the brickwork in a course further up the wall.
There are various brickwork "bonds", or patterns of stretchers and headers, including the English, Dutch and Flemish bonds.
Engineering Hall is the only building on campus to fully sport university colors with its recognizable orange brickwork.
The east extension of the building is in stretcher bond brickwork but is finished with sandstone detailing matching the original construction. The brickwork has been painted. The building has three panelled doors with fanlights and dentilated transoms. Doors to the centre of the building are similar but have two panels.
Stylistic elements also include recessed facade panels incorporating corbelled brickwork. Decorative elements include contrasting brickwork, repetitive arch motifs and cement rendered lintel plaques within the arches. Two large entrances with roller shutters provide access. The substation is constructed with load-bearing face brick and incorporates brick arches to all facade openings.
At window sill level a projecting square profile string course runs along the Gloucester and Essex Street facades.Howard, R., et. al., 1991, pp. 15–21. Style: Commercial Italian Renaissance Palazzo; Storeys: Six; Facade: Stone and face-brickwork; Internal Walls: The walls are largely undecorated and finished with painted plaster over brickwork.
The bell tower has three floors with decorated brickwork, and is surmounted by an 18th-century spire, similar to that of the Torre de la Seo. The brickwork façade and the choir date to the Baroque period. The Renaissance artist Damian Forment executed the polychrome wood sculpture at the high altar.
In 1979, engineers found a problem with an additive used in the brickwork mortar, Dow Chemical's Sarabond. Subsequently, the Central National Bank sued Dow Chemical in 1980 and won their case. Brickwork remodification took over two years to complete. The building has almost 2,000,000 bricks which all had to be resealed.
The tower was restored, the nave replaced by a new building designed by (1956–57), with a brickwork interior.
The east wall is a sandstock brick wall containing of fireplace. Externally the brickwork has been painted. The chimney above eaves level is missing and a skillion roof has been added to cover the flue. The south-east return of this fireplace wall has been infilled with an extra skin of brickwork.
Two Brindleyplace is a six-storey office building with office space. It is built of Marshalls clay brick. The brickwork is a free-standing Flemish bond. By utilising a outer leaf it was possible to carry, wind loads between floors (3.9 m) and tie the brickwork laterally to the floor plates only.
However, there is evidence of painted shop signs below the base coat of render. All other brickwork is face brickwork and painted. Window sills, parapet copings and upstands are of dressed sandstone. The main internal traverse walls are brick nogged; subsidiary walls are boarded with wider cedar lining boards of irregular widths.
These include the fine brickwork in the basement and the exquisite staircase leading from the ground floor to the first.
The line is also infrequently trafficked by chartered heritage trains. The viaduct's brickwork has suffered from weathering and structural deterioration.
Differing patterns of brickwork in the interior reflect one of the project's goals, to train apprentices in the building trades.
Lime mortar was used in brickwork only when there was a structural risk such as a vault or an arch.
The Cohors II Asturum et Callaecorum [equitata] was a Roman auxiliary unit. It is known from military diplomats and brickwork.
The innovative use of brickwork in the tower won its procurers an award from the South Australian Clay Brick Association.
It is apparent that the residents were eager to make themselves at home in the keep. The upper part of the tower was furnished with battlements and a pattern of surface modeling of the brickwork, several nice ring dog tooth courses running below the battlements. The brickwork features a peculiar Baltic bond: a course consists of 2 stretchers and 1 header. Some bricks on the exterior were damaged or dismantled by the local peasants, the brickwork was repaired in 1903 while the archeological excavations were going on around the tower.
The archaeologists have been excavating the foundations since 2010 and have found walls, gates, stone roads, pottery shards and some brickwork.
The three nave church room is relatively short and therefore appears strikingly high. All inside walls are clad in yellow brickwork.
The retaining wall between the stair and the adjoining property to the east comprises sections of brickwork and Brisbane Tuff ashlaring.
However, it needs further repair work to prevent dampness inside the tomb, and also to the brickwork on the exterior surfaces.
The brick base is across the flats and high. The brickwork is thick at ground level, diminishing to at the top.
It is divided into two aisles by a row of stone piers which support the ribbed vaults of brickwork. The doorway and the windows are all original. The bricks, no doubt, were locally made and are typical of their period, being of variable shape, quality and appearance. For this reason brickwork of this period was often plastered over.
There are a few other structures with distinctive brickwork features in the area that include the Jubilee Clock Tower and Methodist church.
A Turkish bath house of decorative brickwork, wrought iron and ceramic floor tiles is sited below the northern wall of the garden.
There are bands of decorative brickwork between the floors. The building was listed on the National Register of Historic Places in 1990.
The hall is currently being rebuilt. As of mid-summer 2016, missing brickwork has been replaced and new floors have been fitted.
No records or books of the College were damaged. Repairs to the smoke-damaged rooms and exterior brickwork were completed in December 2009.
MJN Colston: Brindleyplace It received top accolades in the British Council for Offices Awards 2000 and finalist status in the 2004 Brickwork Awards.
The convict brickwork (floor/foundations) was in excellent condition (for its age), and represents building methods and techniques used in the convict era.
Ochoa, p. 98-99 As in Palenque, these refer to religious, mythological or ceremonial elements. A photo of the Palace, showing the brickwork.
The building materials used include Colonial bonded brickwork, hipped iron roof, stuccoed chimneys, cedar joinery, and iron ceilings.National Trust of Australia (NSW). 1982.
A pyramid-shaped spire was added to the tower. The cement was removed from the outer walls revealing the church's original red brickwork.
The church is built of ragstone rubble with some flint and has limestone dressings; there is also some Roman and Tudor brickwork. The south wall of the south aisle shows the original rubble with red Tudor brickwork on the top, three to four feet in depth and above the windows. In the south-east corner, the stone has given way and been replaced by Tudor brick, reinforced by a Tudor brick buttress. At some time, the east wall of the north aisle had cracked badly and been repaired very roughly by Tudor brickwork above the window.
Rose windows within polychromatic brickwork on side-gables, interspersed between aquiline gargoyles above buttresses Unlike the university's Tudor Revival Lanyon Building, the Lynn Building is in the High Victorian Gothic style which was prominent during the mid-nineteenth century. It features numerous examples of the form of Neo-Gothic championed by the critic John Ruskin, including polychrome (the roof tiling and brickwork), varying materials (window tracery, bases and columns of different stone types set into polychromatic brickwork), and detailing (gargoyles). Anatomically, the structure is noted for its large number of rose windows, engaged buttresses (both setback and diagonal), and side-gables.
Glen Innes Post Office is a two-storey building designed in the Federation Arts and Crafts Style, constructed of predominantly tan- coloured face brickwork, rubbed red brick banding and sandstone detailing. The exterior of the building appears largely intact to its original construction. The original two-storey section of the building, built in 1895, is constructed in English bond brickwork on a sandstone ashlar block base course, with later single-storey sections to the rear being of stretcher bond brickwork. The building has a complex, predominantly hipped slate roof with decorative terracotta ridge-capping, bracketed eaves and boarded soffits.
Baker was also the author of many papers on engineering subjects. In 1872 Baker wrote a series of articles titled, "The Strength of Brickwork." In these articles Baker argued that the tensile strength of cement should not be neglected in calculating the strength of brickwork. He wrote that if the cement was neglected then several structures of his time should have collapsed.
It consists of an eight bay nave, sanctuary, side aisles, a side chapel, a baptistry, clergy vestry and choir vestry. Massive scale emphasised by use of an enormous and dramatic double archway of decorative brickwork spanning the west end. A smaller arch of similar design is in the chancel. Over 90 different patterns of ornamental brickwork were used in its completion.
There are single-window dormers projecting from the roof above the doorways, and double- window dormers above the bay. Both the larger dormers and the entrances have segmented-arch settings. The doorways are flanked by decorative brickwork, and there are corbelled brickwork courses above the first and second-floor windows. The buildings have had only minor exterior alteration since their construction.
The brickwork façade is triangular at the top, with numerous decorations and geometric elements. It is formed by horizontal bands separated by frames. The portal has a brickwork arch and marble architrave dating to the 19th century. Over the portal is a series of fake niches with (apart from the three central ones, which are windows) traces of 14th-century frescoes.
Until the early 1870s much of Waterhouse's brickwork was polychrome in nature using decoration such as diapering, later he preferred plain brick often with dressings of contrasting material. His sketchbooks are full of details of brickwork on the continent.Cunningham & Waterhouse, p. 168 He never used coloured tiles on his roofs but occasionally designed patterned slate roofs, as on Manchester Town Hall.
A kitchen and dining area occupy the upper level of this floor. The original travelling crane remains, running north south for the entire length of the building and supported on steel rails resting on corbelled brickwork. All of the internal brickwork has been painted white. A sheet metal and concrete block garage has been erected between the former substation and Wynnum Road.
The mortar battery and the caponiers are mostly derelict and overgrown with extensive damage to the brickwork. The main west caponier has suffered years of neglect resulting in extensive damage to its outer brickwork. A serious fire in 1989 caused considerable spalling to the interior roof arches. The gun embrasures, loopholes and sally ports have been blocked up to prevent access by vandals.
Amegilla spp. Australian Sugarbag Bee Tetragonula carbonaria Thyreus spp. The entry and exit spout of a native bee hive forming in the brickwork of a house in Darwin, Australia Native bees forming a hive in the brickwork of a house in Darwin, Australia Australia has over 1,700 species of native bee. Bees collect pollen from flowers to feed their young.
The two-storey, combined Post Office and residence is constructed of double brick with the symmetrical ground-floor front facade rendered as ashlar blockwork. The eastern wall to the ground floor is cream-painted English bond brickwork. The upper floor, a later addition, is constructed of stretcher bond, face sandstock brickwork. Casino Post Office is an eclectic mix of architectural styles.
The southern and western facades are utilitarian, in rendered brickwork with inset steel-framed windows and service pipes and designed to abut adjoining buildings.
The college's "Construction Centre of Excellence" opened in 2006 at Spring Lane in Malvern. The centre teaches construction trades, brickwork and painting and decorating.
The tendered amount was $104,130 to add 120m2 of office space. English bond style brickwork was used to complement the original 1896 Court House.
The former assay laboratory stood southwest of the main shaft. A stone chimney and associated brickwork remain amidst a scatter of crucibles and other material.
There is a verandah to the front, the brickwork is laid in Flemish bond and there is a prominent chimney which has an ornate flue.
Young remodeled the premises to accommodate its business, the production of horse liniments, and made changes to the facade, integrating its logo into the brickwork.
A visual reconstruction of the Saepta Julia A brickwork wall preserved along the eastern side of the Pantheon has been assigned to the Porticus Argonautarum.
There is also a visible change in the colour and quality of brickwork at the height of the clerestory window sills completed after Hunt's departure.
In turn, Dudok had borrowed extensively from Frank Lloyd Wright and the Prairie School, particularly in terms of brickwork and the massing of geometric forms.
The same cause renders the joints of the brickwork too large for sightliness, but the result so far as strength is concerned is very satisfactory.
They each have two parapet gables edged with "mouse toothing" ornamental brickwork. All the Dutch brick buildings used iron wall anchors spread across several bricks to tie the brick shell to the wooden frame of the house. Sometimes the anchor gives the date of construction. The brickwork of the houses incorporated various designs including spear shapes and a form like a fleur-de-lis.
From the termination of the stone wall, the rock face projects closer to the rail track. A low vertical retainer of brickwork less than a metre in height is set in to the rock from the base section, extending for approximately . Some distance on, set in to an eroded face of sandstone, are sections of brickwork. The bricks are of varying size and colour.
On the partitions of the supporting walls, the brickwork is pierced by 168 glazed niches. Trellised vines from Portugal, Italy, France, and also from nearby Neuruppin, were planted against the brickwork, while figs grew in the niches. The individual parts of the terrace were further divided by strips of lawn, on which were planted yew trees. Low box hedging surrounded trellised fruit, making a circular ornamental parterre.
The building is of red and yellow brick with limestone dressings. The central block in contrast is in rustic rubble ragstone. This central block houses the main entrance, with attached common room and kitchen, and above the Trustees' boardroom. The board room has a robust hammer-beam roof and notable internal brickwork described by English Heritage as "the brickwork and fine pointing of very high quality".
What remains of the latter, dating to the 12th century, is today the only example in Pistoia of a Romanesque structure in mixed stone and brickwork construction. The small columns are in stone, decorated with capitals featuring heads of lions and oxen, while the arches and the walls are in brickwork. In the 14th century it received a second floor with a loggia. Luca della Robbia's "Visitation".
The second story facade contains four double-hung windows above each storefront, with the center two in round arches. The attic level contains pairs of small double-hung windows above the round-arched ones, flanked with a vertical brickwork treatment. Decorative brickwork and a pressed metal cornice top the structure. The street-level storefront has been reconstructed to be compatible with the Victorian elements of the building.
Small dark stained timber vestibules with stained glass doors provide protected entry on the inside of the church. The building is elaborately decorated both externally and internally. Contrasting brickwork is used for attached pilasters, buttresses, quoining around window and door openings, string courses and coloureds bands of brickwork, and diamond panels in the facework. Contrasting moulded bricks are used for string courses, sills and hood moulds.
Marlin and family settled in Richmond afterwards. George C Johston writing under pseudonym "Cooyal" disputed whether it was built by Marlin and claimed the builder was James Melville. Johnston had heard from Melville himself that he had done the brickwork on Toxana and seen Melville's receipts for sand and other materials for the work. "Cooramil" replied agreeing Melville completed the brickwork, and remembered him working there.
The travelling crane survives complete with ropes and pulleys. It runs north to south on steel rails supported on corbelled brickwork and intermittently by a series of engaged piers. The face brickwork is variously painted and unpainted and a number of remnant openings and brackets provide evidence of the building's previous function. Adjoining the main space is a kitchen area, leading to a toilet and storage area.
It would be problematic to use Portland cement mortars to repair older buildings originally constructed using lime mortar. Lime mortar is softer than cement mortar, allowing brickwork a certain degree of flexibility to adapt to shifting ground or other changing conditions. Cement mortar is harder and allows little flexibility. The contrast can cause brickwork to crack where the two mortars are present in a single wall.
The main block is three bays wide, with the main entrance set in a recessed opening in the right bay, flanked by sidelight windows. The door and windows are set in rectangular openings with stone sills and lintels. There are two sash windows on the attic level, with a diamond-shaped brickwork pattern nearer the gable. The cornice edge of the gable consists of corbelled brickwork.
Makin Cottage is a single- storey hipped roof cottage originally designed as a semidetached pair. Walls are of rubble stone (now painted) and the low central chimney is face brickwork. The skillion roofed front verandah features truncated square timber posts on a painted brickwork balustrade and a (modern) boarded end. The cottage is currently not readily visible from the highway, being hidden behind a group of shops.
Oakey and Morgan probably did the brickwork and structural carpentry. Anton Bakken did the interior carpentry. O. Lund painted the building. M. Moe decorated the interior.
Peter Quince's name is derived from "quines" or "quoins", which are the strengthening blocks that form the outer corners of stone or brickwork in a building.
They have been combined with new housing and a day care. The northern part of the area mostly consists of former workshop buildings in yellow brickwork.
The asymmetrical facade of well detailed brickwork has a massive arch at ground level and other openings with semi- circular arches, all characteristic of the style.
The eastern apse had ornate brickwork, and the building had Victorian-era stained glass. The building was a rare example of the work of Medland Taylor.
The "freely inventive" building has red and brown brickwork, a steep roof and a prominent crow-stepped gable. King Alfred Centre occupies a seafront site in Hove.
The fine Flemish bond brickwork of this section is similar to that used in the 1719 Trent House in Trenton. Its interior preserves original 18th-century detailing.
The mill was high, and the brickwork in the base is thick. The replica has a smock built on a steel frame, with a Kentish-style cap.
It is designed in a restrained, Functionalist style with horizontal lines in the brickwork and with use of building materials similar to those of the older buildings.
Distinctive convict markings (such as frogs, and tally bricks) can be seen in the brickwork adjacent to entry door. Copper gutters and downpipes. Cedar joinery throughout interior.
None of the stupas preserved the top part, and in some cases only the stupa base remained. During 1987–1988 the outer brickwork of the stupas (dating to the early Qing dynasty) was repaired and rebuilt using the few relatively complete stupas as models. The white plaster that still covered the brickwork of most of stupas at that time was removed, and the stupas assumed their current form.
The Hotel was six storeys high which included a basement. Many of the front elevation windows were mullioned. Over the front entrance to the Hotel there is a balcony with intricately sculpted brick latticework. This exterior decorative brickwork is known as Costesseyware,The History of Gauged Brickwork Retrieved 29 July 2013 with the materials for this work being supplied from the brick works of George Gunton in Costessey.
The Prinsep Street Presbyterian Church was designed by architect C.J. Stephens of Swan and Maclaren. Its notable features are the deep red bricks and raised brickwork on the tower and belfry. At the front of the church, lightly modelled brickwork rises high in gable formation expressing the shape of the roof and culminating in a bell tower, now housing a loudspeaker. The buildings within the enclosure are all rendered and painted.
The interior of the church is face brickwork with a panelled timber dado running around the walls below sill height. The ceiling is timber boarded with exposed rafters and is supported by hammerbeam trusses of an unusual and elaborate design. A deep carved timber cornice, featuring vine leaves, runs around the top of the walls above two rows of corbelled brickwork. The trusses are supported on projecting stone corbels.
Internally, each stage of construction of the Main Street building is visible. Verandah walls to the original section are of painted brickwork, with rendered brickwork to the second stage. Some end wall windows and doors are in place, and the south ground floor extension has hardboard ceilings and partition walls. Generally, the building has rendered walls with some partitioning, ceilings are boarded and enclosed verandahs have timber boarding or hardboard sheeting.
402Brunov, p. 47 The builders, fascinated by the flexibility of the new technology,Komech, Pluzhnikov p. 49 used brick as a decorative medium both inside and out, leaving as much brickwork open as possible; when location required the use of stone walls, it was decorated with a brickwork pattern painted over stucco. A major novelty introduced by the church was the use of strictly "architectural" means of exterior decoration.
The place is important because of its aesthetic significance. St Paul's has aesthetic significance as a highly picturesque church, employing asymmetry, heavy massing, high quality brickwork, semi-circular forms and simplified ornamentation. The interior, with its dark brickwork and prominent timber roof trusses, evokes a sense of peace and spiritual shelter. The internal and external elements of St Paul's combine to create a cohesive and finely detailed whole.
The convent has verandahs to the ground and first floors and, similarly to the projecting entrance, the orange brickwork is surrounded by decorative blue brickwork. Along the ground level verandah has rounded arches and the first floor verandah squared arches. Double hung sash windows, some of which have been screened, are located along the entire facades of the convent. Internally, the entrance foyer has a pressed metal ceiling and parquetry floor.
Side view, 2014 Arcade, 2014 The Fortitude Valley Post Office occupies an almost level south- east corner site at Ann and Ballow Streets, Fortitude Valley, Brisbane. The original building occupies approximately 40 per cent of the existing site allotment No. 21. The Post Office is a two storey brickwork, steel and timber construction, with porphyry footings. The brickwork is cement rendered externally and incised with a ruled ashlar finish.
This building, like the Footscray substations, is almost modernistic, with little elaboration to the brickwork, though the tall square pillars of the portico still allude to the classical.
National Trust, 1977.Riggs, 1998. Style: Victorian Regency; Storeys: 3; Facade: Stone facade and boundary walls; Side Rear Walls: Rendered brickwork; Roof Cladding: Corrugated Iron; Floor Frame: Concrete.
Particularly notable features include stone window hoods with incised decoration, openwork wooden gable ornaments, and a panel-brick chimney stack. The brickwork of the house has been painted.
These bricks are to be found on many building in and around Norwich and were used and promoted by local architects such as Boardman and George Skipper. This method of brickwork was easily rubbed and shaped to form intricate patterns and sculptures. The front elevation of the building is a built in a semi circular curve running from the top of Prince of Wales Road into Bank Plain and has three gable end incorporated into the curve all of which have further alternating brickwork decorative detailing. The front elevation at street level was constructed from stone masonry of a colour to match the brickwork, which begins at the first lift at ground floor level.
Colegio y Liceo Nuestra Señora de Fátima Originally the celebrations were held in a crypt under the school; the current temple was built in the early 1980s, in brickwork.
Workers restored the exterior brickwork and trim and gutted and renovated the interior. New tile floors, oak and fir trim, covered ceilings, wooden benches and expanded bathrooms were installed.
If the brickwork design is in relief then it is referred to as hazarbaf (, compound of hazar "thousand" and baf "weavings", referring to the woven appearance of the bricks).
It was severely damaged by fire in 1951 and the top floor collapsed. A roof was placed on top of the remaining brickwork and a new frame was placed into service on the ground floor. The first floor level of brickwork was removed in 1987 and steel / urethane sandwich addition was added at the same time for staff amenities. Use of the signal box was discontinued in 1994 and given to the museum.
View of the meeting house from outside the grounds. The Friends meeting house is "a simple 18th-century brick building", similar in appearance to the series of old meeting houses elsewhere in Surrey such as Capel (1724), Guildford (1805), Esher (1793) and Dorking (1846, replacing a building of 1709). The walls are mostly of red brick laid in the Flemish bond pattern, with some vitrified brickwork. Some of the lower courses of brickwork are galleted.
The mosque is a large structure and reflects a building style that incorporates parts of traditional architecture with popular architectural elements in 1960s Shepparton. The brickwork is of a white cream colour. Atop on all sides is a crenellated parapet that contains some decorative brown infill brickwork and the roof has 4 small domes. There are vertical pointed lancet windows on one side and rectangular windows on the other, all with white frames.
This necessitated a new keeper's house on the other side of the inlet as well, and the old dwelling was abandoned, eventually completely disappearing. The tower continues to stand, its lantern gone and the brickwork truncated, the mortar gradually disappearing from the brickwork. A buoy depot was built on the grounds in 1903, but it too has been abandoned. The remains of the tower were put on the National Register of Historic Places in 1974.
By conveyance in July 1837, Mrs Templeton acquired Henry Harvey's grant. In 1837 Roseneath was described as 'dignified and unpretentious. The wide, panelled front door is surmounted by a fanlight enhanced by an arc in brickwork above it. On either side of the door are two large shuttered windows which, like it, surmounted by patterned brickwork. A 3 sided verandah was included under the main shingled roof and upheld by wooden columns.
Internally the building has a reinforced concrete structural frame sitting on a concrete base floor. The footings of the floor are essentially unknown. Off-form concrete posts support the first floor slab which has integral primary and secondary beams, bearing upon the solid brickwork outer walls, whose inner face is exposed and painted or colourwashed. The exterior walls appear to be solid brickwork reliant on their render coating for resistance to water penetration.
The castle closed to the public in February 2007 in order to make the structure safe and was surrounded by scaffolding, which damaged the original brickwork. It reopened in 2008.
Vivek Kulkarni is married to Sangeeta and they have two children, Reecha, born in 1994; and Shruti, born in 2000. Sangeeta is the co- Founder and CEO of Brickwork India.
This practice is common in modern buildings, where stretcher bonded brickwork may be the outer face of a cavity wall, or the facing to a timber or steel-framed structure.
Various Masonic symbols are found carved into the stone, and decorative brickwork flanks the central stone pavilion. The building was listed on the National Register of Historic Places in 2013.
Internally the ground floor has been remodelled, but the upper floor remains substantially intact. Despite the alterations and painting of the face brickwork, the Normanby Hotel retains its picturesque quality.
With its red brickwork in modern standard seize bricks, as opposed to older church buildings larger monastic boulders, it deviates from the characteristic look of medieval country churches in Denmark.
As mentioned above, the keeper's house was gutted by vandal fire in September 1991. In early 1992 a fence was installed and the chimneys and gables were stabilised by new brickwork.
The herringbone method was used by Filippo Brunelleschi in constructing the dome of the Cathedral of Florence (Santa Maria del Fiore). Herringbone brickwork was also a feature of Gothic Revival architecture.
The old water meadows with the remains of brickwork and irrigation channels Lower Woodford Water Meadows () is a 23.9 hectare biological Site of Special Scientific Interest in Wiltshire, notified in 1971.
The brickwork of the fort received granite face-work. Emperor Nikolay I officially commissioned the fort on 27 July 1845; the fort was named to honor his brother, Emperor Alexander I.
Samuel Sanders Teulon (2 March 1812 – 2 May 1873) was a 19th-century English Gothic Revival architect, noted for his use of polychrome brickwork and the complex planning of his buildings.
When Z. cellare is present, however, it is commonly found on brickwork and timber next to its food sources and can also, on the rare occasion, be found in nearby soil.
It has lath and plaster ceilings internally with cedar staircase and joinery. It has ten rooms with lift ceilings. The exterior is English bond brickwork. The internal doors are six panelled.
The basilica measures c. 40 x 20 m, and is in brickwork. The interior is on a nave and two aisles with wooden spans ceiling. The columns are from different ages.
Adjoining the west end are lower small wing fragments of the original 16th- century brickwork. The three bays of the north side are the best preserved. The westernmost is made one of two stones with two gables and was built later, while the other two bays, roughly long, have the original 16th-century buttresses and are each about in height. The wall is also the original brickwork with yellow stone dressings to the windows and doorways.
The original arched header sash windows opening to the southern side have been bricked-up. The northern side of the building is finished in painted brickwork, with sash windows with security bars and high- level fanlight panels. The rear of the building appears to consist of an early section constructed along Quay Lane, with a courtyard space between the main building which has been roofed over. An opening at the southern end has also been infilled with brickwork.
It was built as part of a project to downgrade the lighthouse on Troubridge Island to a relatively low-powered automatic operation (later decommissioned) and built a full-powered light on the nearby Yorke Peninsula coastline. The tower was constructed from unpainted brickwork built of custom-made bricks. The brickwork construction system was selected as it reportedly offered wind and earthquake loading design benefits. As it is intended for automatic operation, the tower has no windows.
Three tall chimney stacks, of alternating bands of light and dark brickwork project through the roof. The original layout of the bank contained the banking chamber and associated offices on the ground floor level, with the manager's residence above. When constructed, Kullaroo House was face brickwork, but the building has subsequently been painted and this diminishes the architectural articulation of the design. Kullaroo House is entered via a flight of stairs leading to the entrance porch.
The tallest church with two steeples as well as the tallest cathedral is Cologne Cathedral in Cologne. The tallest brickwork church is St Martin's Church in Landshut, while the tallest brickwork church with two steeples is St Mary's Church in Lübeck. The city with the most of the tallest churches (five of the 28 tallest churches) is Hamburg, second is Lübeck (four of the 55 tallest churches). The city with the most churches surpassing is Berlin (15).
The Substation has a rectangular plan and is constructed in load bearing face brick with rusticated sandstone lintels, arches and base coursing, and is dressed with sandstone top coursing, window sills, and window heads. Brickwork string coursing and corbels are featured near the parapet, which steps up towards the southern end. The parapet features a bullnose course, projecting course and brick end capping. The external brickwork reveals the former outline of the 1904 sandstone buttresses and freestone copings.
The modernist aesthetic of the church juxtaposed with the rural townscape of Proston evokes extreme surprise. It is significant for its high quality workmanship in particular the face brickwork, which shows the influence of the Modern Movement popular in the 1930s. The Shepherd Memorial Church of St Peter is an outstanding example of church design for its period and location. Its massing and high quality brickwork are features of the design which show European and Scandinavian influences.
Red brickwork on outer wall and window grilles. Classical Revival architectural features. Balcony Ironwork. Nam Koo Terrace is a site of significant cultural and architectural heritage stemming from Hong Kong's Colonial Era.
Its original brickwork remains in good condition, and its service bays are distinctively illuminated in part by original skylights. The building was listed on the National Register of Historic Places in 1994.
Nicolescu, p. 37; Stoicescu, p. 215 The former building was partly designed by a Mamant Barbulov, possibly a naturalized Bulgarian, who may have added the Oriental brickwork to the nearby palace.Theodorescu, pp.
In each room, windows provide views to the adjacent studio. The garage is located to the rear of the building and the brickwork on the western wall incorporates a decorative geometric design.
The brickwork features modulation and effects including curved walls. Woodchurch High School Sports Complex has a number of facilities including Health and Fitness Suites, Sports Halls, Fitness Studios and Synthetic Turf Pitches.
It preserves a superb set of contemporary heraldic stained glass in the hall. Many of its bargeboards and other exterior timbers are run with rich mouldings and carved. Herringbone brickwork provides the infill.
The helm is a gold brickwork crown, indicating these arms are for a municipality, and the supporting swans wear similar crowns around their necks. The motto, Floreat, is Latin for "flourish" or "prosper".
Sheedy 1991: 18 Style: Georgian Art Nouveau; Storeys: three including basement; Facade: 1928 Modelled Facade; Side Rear Walls: Sandstone brickwork; Roof Cladding: Corrugated Iron; Floor Frame: Timber, Concrete; Ceilings: 1st floor pressed metal.
It is a Georgian style, two-story brick house on a raised basement. The original section was about by . The hip roof was topped with a balustraded deck. The brickwork was Flemish bond.
In 2014 a heritage grant was awarded to the Royal George and other heritage buildings for work such as painting and repairs to facades, brickwork and windows as part of Anzac Centenary commemorations.
Attached to the northern corner of the City Hall, abutting the entrance section, is a more recent two storeyed brick and glass extension, with skillion roof, tuckpointed brickwork and a modern interior fitout.
The thirteen-story building features patterned brickwork, an arched entrance path, and projecting window bays on its front. The building was added to the National Register of Historic Places on June 9, 1978.
The brickwork is thick at base level and at curb level it is thickened out to . The mill is high to the top of the cap. The mill drove three pairs of millstones.
Wheatlands is a 2-story, 5-bay brick house with a 1.5-story kitchen and dining room wing attached to the rear to form an "L" shape. The house is designed in the Federal style, although a Queen Anne-style front porch was added as well as Queen Anne Windows in 1889. The brickwork on the house's front facade uses a Flemish bond, and the brickwork on the sides and rear uses common bond. A brick cornice encircles the house.
It has been common since the widespread availability of Portland cement to see London stock brickwork repointed using much stronger cement mortar. As repointing consists of replacing the outer 20–40mm of mortar, the effect of this is to make the outer 20–40mm of the brickwork harder and stronger than the interior of the wall. This can lead to spalling of the brick surface, and can also encourage the bulging associated with snapped headers.Bidwell, T. G., "The Conservation of Brick Buildings".
In later years, Kelly would kid Tunney: "Aren't you lucky I broke my ankle?" Following his army discharge in 1919, Kelly continued his dominance in the single scull and started a brickwork contracting company in Philadelphia, John B. Kelly, Inc. He started the company with a $7,000 loan from his brothers George, a Pulitzer Prize- winning playwright, and Walter, who was a popular vaudeville actor. A self- promoter, Kelly coined the slogan, "Kelly for Brickwork," which was often seen at local construction sites.
Fitzgerald's Stearns Square Block was located on at the corner of Stearns Square, a small public park, and Bridge Street, on the north side of Springfield's central business district. It was three stories in height, built out brick, with Italianate styling. The ground floor had two modernized storefronts, while the upper-floor windows were set in segmented-arch openings. The second-floor openings were topped by peaked brickwork surrounds, while those on the third floor had segmented-arch brickwork surrounds.
Pamphlet produced by Fort Eustis Cultural Resources, pp.11-13 The house also acquired a cellar at this time and was no longer earthfast, but rather had a brick foundation. The foundation was laid in English bond, while brickwork in the rest of the house was laid using Flemish bond. Several decorative elements are present in the brickwork: the headers of the bricks are glazed, and rubbed bricks were used around the windows and at the corners of the building.
Some more herringbone brickwork, now covered up, exists in the south wall of the nave. Much Roman brickwork has been reused, both in the herringbone work and in the form of a course of long bricks in the south wall of the chancel. Again, sources disagree as to whether this reuse of old material is a late Saxon or early Norman feature. Elsewhere, only one window survives from the church's earliest times: a "primitive" narrow opening in the north wall of the chancel.
Each street facade of the two-storeyed corner block is divided into six bays by rendered pilasters. Between is tuck-pointed brickwork and pairs of vertical sliding sash windows with projecting sills and bracketed heads. Above is a projecting cornice, and a parapet with open circular motifs and finials with four-sided triangular pediments, however the finials of the south wing have been removed. The parapet has higher bays in brickwork emphasising the ends and the corner of the two-storey block.
Substation No. 15 is an impressively detailed face brick and sandstone double height building designed in the Federation Freestyle. Decorative and stylistic features include a rusticated and moulded sandstone arch surrounding the central doorway, an unusual moulded sandstone gable parapet, contrasting banded brickwork, a patterned brick infil panel, and sandstone intels above doorways, windows and vents. The substation is constructed in contrasting banded brickwork with sandstone banding, gable-parapet and lintels. A rusticated sandstone arch surrounds the main roller-shutter steel doorway.
This has a gabled roof on the earliest section and a gambrel roof on the 1928-1929 section. Both roofs are clad with corrugated metal sheeting. The rear wall to the building may have been added as part of the 1928-1929 work. The external south-west side wall is of unpainted, light-coloured mottled brick; the brickwork along the north-east side fronting Clark Lane has been painted; and the brickwork in the rear wall is of a light reddish unpainted brick.
Those on the bin floor are of a similar configuration. The top four courses of brickwork of the mill tower were removed and work began on rebuilding them, aided by a trammel attached to the upright shaft. During the second work-in, the remainder of the stone floor was boarded, again using double-grooved boards with a metal tongue between them. The window on the dust floor was rebuilt and the reconstruction of the top four courses of brickwork continued.
Since ties in a cavity wall are typically made of metal (iron or steel), they are prone to corrode over time. When metal corrodes, it expands its size, causing ties to lift up from the brickwork. Cracks caused by vertical loads leave parts of buildings vulnerable to corrosion, such as eaves and gable walls above purlin positions, or placed directly beneath openings, where the weight on brickwork is light. Over the time, cracks appear from the top of the wall and extend downward.
Menier Chocolate Factory, Noisiel, France, 1872, a particularly elaborate example of polychrome brickwork. Polychrome brickwork is a style of architectural brickwork wherein bricks of different colours are used to create decorative patterns or highlight architectural features in the walls of a building. Historically it was used in the late Gothic period in Europe, and the Tudor period in England, and was revived in Britain in the 1850s as a feature of Gothic Revival architecture. Later in the 19th century and into the early 20th century it was adopted in various forms in Europe for all manner of buildings such as French eclectic villas, Dutch row houses, and German railway stations, and as far away as Melbourne, Australia, where the technique reached heights of popularity and elaboration in the 1880s.
The Institute's architect was local man A. T. Butler.BCLM – Workers' Institute With its projected gables, leaded windows, exposed brickwork and signage in green tiles, the building is a demonstration of Arts and Crafts style.
How Sandbags Work. Answers.com.Kelly Hart. Type of Earthbags to Use. EarthbagBuilding.com. These dimensions, and the weight of sand a bag this size can hold, allow for the construction of an interlocking wall like brickwork.
These have slightly recessed vertical panels with basketweave brickwork – three vertical bricks alternating with three horizontal. The large, two pane plate glass storefront windows themselves were installed in 1995, to replicate the original configuration.
The electrical cupboards, gas meters and TV antennae were removed. Two new stones were inserted in the eastern façade. Brickwork was repaired. The rear (kitchen) chimney was dismantled and rebuilt to match the existing.
A survey in 1589 noted that the stonework, timber and brickwork all needed urgent maintenance, at a potential cost of £100. The Great Park was disparked and turned into fields in 1580.Hoppitt, pp.
The School House is an integral part of the Grammar School group, exhibiting fine architectural qualities in the composition and brickwork detailing of its exterior, and its impressive interior space to the upper level.
Their design features a brick exterior with quoins, an arched entrance and windows, and a parapet with decorative brickwork. The building was added to the National Register of Historic Places on August 19, 1993.
Bands of cut stone provide horizontal emphasis. The main entrance is in a deep recess under a round-arch opening. Roof lines of the main roof and tower feature corbelled brickwork at the eave.
Newell wrote several books describing the architecture of Queensland. Robin Boyd remarked that Newell introduced the Victorian tradition of painting exterior brickwork on Brisbane homes, influencing colour in homes in suburbs such as St Lucia.
The site was later used by Origin Energy as their Launceston LPG outlet. The site is instantly recognizable by its 1930s, steel braced, vertical retort building with the words "COOK WITH GAS" in the brickwork.
Dark red brickwork with full-height brick pilasters and decorative light red brick lintels cornices. Sandstone moulding at base of pilasters. ;Classroom Block Two-storey rendered brick building with neo-classical detailing. Terracotta tiles roof.
In the late 20th century, most of the buildings were demolished. The building is also significant for its design integrity and materials, with original patterned brickwork and stone trim, and glass and wood office partitioning.
Doorway to the stable block with inscription The block is in two storeys, and is built in red and plum-coloured brick with a slate roof and stone dressings. The brickwork is in English bond and the bricks in the upper storey are lighter in colour than those in the lower storey. The brickwork rests on a stone plinth, a string course runs between the storeys, and stone quoins are at the corners. The entrance door is in the centre and has a moulded stone surround.
The structure was constructed using foliated brickwork and the surface details and finish in exquisite stucco called chunnam using chunnam (shell lime) and mixed with egg white to obtain a smooth and glossy texture. The steps leading up to the hall were formerly flanked by two equestrian statues of excellent workmanship. The pillars supporting the arches are 13m tall and are again joined by foliated brickwork that carries a valance and an entablature rising up to a height of 20 m. The decoration is done, (shell lime).
He explained that it was too late in the building season to complete the court with symmetry, but he could remedy the defect by painting the new plaster in imitation of brickwork. The new front would be completed with brickwork and Oxford stone ornaments. He doubted the front could be finished before October. In another letter to Robert Cecil written in September 1601, Basil mentioned that he was using windows salvaged from 'clerestories' in Kent in one of his patron's houses, and installing a stove.
A closeup of the brickwork The tower was entirely built of brick, that makes it unique. The brick construction was rarely used in this part of Europe until the end of the Middle Ages, because brick production was costly in those days. Till the 16th century mostly rubbleworks prevailed in fortifications and churches and monasteries, only some parts of exterior were built of brick. The tower traces the influence of Western Europe, where brickwork was used extensively in the late 13th – early 14th century.
The building has been extended to the northwest and this extension is distinguished on the facade by mottled patterned brickwork, simplified detailing, large multi-paned window and corrugated metal sun shading. The facade along Gregory Terrace is a decorative composition of stepped parapets, patterned brickwork and round-headed window openings. There are a number of large arched openings with stylised keystones, which contain doorways into the building. In the parapet there is raised lettering with the words 'INDUSTRIAL, "ROYAL NATIONAL A & I ASSOCIATION", "PAVILION".
Beneath the large hall and accessed from it by a broad timber stair is a concrete floored space with a roller shuttered access door and another timber door to Campbell Street. The space extends to approximately half the length of the hall above. The walls are plastered brickwork with later infill work at the north east corner in painted brickwork. The ceiling is generally boarded and where exposed the roof structure above is packed with sawdust between the joists, presumably as acoustic insulation against the skating rink.
More recently, a two storeyed administration block was added to the northern corner of the original building. The original sections of the City Hall are constructed from face brickwork with white limed tuckpointing and regular bands of smooth faced stucco. The two storeyed Kent Street section is dominated by a large central pedimented portico supported on six two-storeyed Doric columns on the entablature above which is the lettering "CITY 1906 HALL". A triangular pediment above this is filled with brickwork and has a central oculus.
It uses minimal applied ornament, relying instead on brickwork, bands of windows, and stone coping to provide strong horizontal lines and bold vertical counterpoints.The central bay of the south facade of the Hartington City Hall and Auditorium is highly effective Prairie School architecture (the nearly hidden north facade is similar). The bulk of the wall surface is simple running bond brickwork, forming a uniform ground for the interplay of horizontal and vertical lines. The stone coping at the roofline forms the highest horizontal line.
The Homestead is a single storey Victorian Italianate residence of stuccoed brickwork with a hipped slate roof and rendered brickwork chimneys. A verandah surrounds two sides of the building, its slightly curved corrugated iron clad roof supported on circular cast iron columns and decorated with cast iron cornered brackets. On the front elevation the verandah abuts a hipped roofed wing and projecting 3 sided bay window. Italianate renderwork decoration includes brackets and raised panels under the eaves and mouldings around the round headed windows.
These houses often retain the white bagged brickwork and stained timber aesthetic established in the previous period. In some instances Dalton used walls of insect screen with exposed timber mullions and experimented with herringboned timber battening.
The house is constructed from hand-fired brick. A chimney with decorative brickwork is located at each end of the house. The meanings of the initials on the chimneys (E.B. and L.L.) are not precisely known.
The windmill is tall and is the tallest drainage windmill in Norfolk.Windmills - information for teachers, English Heritage, 2003. Retrieved 2014-02-19. It is constructed from red brickwork with the outside sloping walls coated with tar.
John Hibbard and his wife Louisa (nee Staniforth) lived in the house in the early 20th century. The house is notable for its unique style with curved frontal brickwork and the evidence of a side workshop.
Concrete and metal rebar used to build a floor. Wooden church in Bodružal in Slovakia. This wall in Beacon Hill, Boston shows different types of brickwork and stone foundations. Building material is material used for construction.
At the same time, the brickwork of the south aisle was renewed. On 6 November 1944 St. Castor’s was damaged by a British air raid. In March 1945 the outer walls were also damaged by artillery.
Retrieved 1 November 2019 Grendon Manor (), listed in 1952 and a designated scheduled monument, dates to the early 16th century. The house is of two storeys in painted brickwork, with a tiled roof and casement windows.
She painted the kitchen cabinets. She painted the brickwork in the front of the house. She broke up the concrete [with a 14 lb sledgehammer] in the front garden. She carried the pieces to a skip.
Wu said that he designed the building "for privacy, not for secrecy."Architectural Record, November 1965. "Ingenious Use of a Narrow Site". Dan Kiley was responsible for landscaping and Josef Albers for the brickwork intaglio mural.
Gerber, K. and Spencer, J.S. (2003) Building for the Ages: Omaha's architectural landmarks. Landmarks, Inc. p 132. It has four stories with a circular tower at the point of the triangle, and is highlighted by decorative brickwork.
Terling Windmill has an octagonal single-storey brick base. The walls of which are thick at ground level. The base is across the flats and high. The brickwork at the top of the base is about thick.
The design employes a number of other decorative elements, including a Lombard band, blinded arcades, decorative brickwork and two coats of arms. The complex was listed in the Danish registry of protected buildings and places in 1989.
Most industrial buildings are also two to four stories high and of the same masonry construction with many windows, some wood and some metal. Several industrial structures have brackets or decorative brickwork, reflections of Italianate cornice detail.
The minaret consists of seven different parts. The first part has brick bolster work. The second and third parts have masterly decorative brickwork. The fourth part is its first crown, which has brick muqarnas with turquoise tiles.
The doors have three pilasters to either side; the first has a long diamond pattern with a rosette at center, the second has a relief of brickwork, and the third has the design of a simple column.
A penthouse appears above the ninth story cornice. It is of a still lighter shade of brick and is finished with such refinements as pilasters, rusticated brickwork, quoins and swag ornaments; a balustrade caps the penthouse cornice.
This type of brickwork is reminiscent of early twentieth century North Carolina commercial buildings. Noble Hall's interior has been mostly unchanged as well, as the building still retains its original plaster walls, molded door and window surrounds.
Second Edition—Revised. Published by B.T. Batsford, 52 High Holborn. 1889. Page 21, figures 28 & 29. A muted colour scheme for occasional headers is sometimes used in English bond to lend a subtle texture to the brickwork.
It is the only visible remaining structure of the ancient city of Ctesiphon. The archway is considered a landmark in the history of architecture, and is the largest single-span vault of unreinforced brickwork in the world.
Seventeen buildings once occupied the site when the brewery reached maximum capacity in 1910 at 1,200,000 barrels a year. Two of the remaining buildings demonstrate the change in architectural styles that occurred at the turn of the century in the United States. The brewery's administration building was constructed in 1886, with ornate designs of the late-Victorian era. The powerhouse, constructed in 1902, is an example of second-generation "Chicago School" architectural style, with ornamental brickwork at the columns between windows, and simplified brickwork at the window piers and the piers and spandrels.
Rivoli Cinema The Rivoli Cinemas is an excellent example of Streamline Moderne, also known as Art Moderne, the late 1930s version of Art Deco architecture. It is the only intact surviving example in Victoria of the work of cinema specialist architects H. Vivian Taylor and Soilleaux, a practice responsible for the architecture or acoustics of more than 500 cinemas and theatres in Australia. The citation notes its impressive external brickwork and internal plasterwork. The exterior façade features distinctive horizontal banded brickwork in shades of pink and oatmeal and a vertical fin.
The cathedral, finished around 1230, was the first large brickwork church in the Baltic region. St Mary's, finished in 1351, served as model for the other Brick Gothic churches around the Baltic. It has the second-tallest two-steeples façade after Cologne Cathedral, which only surpassed it in 1880, the tallest brick vault, and is the second-tallest brickwork structure after St Martin's in Landshut. Travemünde is a famous seaside resort, and its Maritim high-rise serves as the second-tallest lighthouse in the world at 114 metres high.
The brickwork is typical of Virginia colonial churches in being laid with a water table, a section standing on the foundation, a brick's length wider than the walls that are nineteen inches thick. The transition from the water table to the walls is made with an ovolo, a convex ¼ round, molded brick. As is the custom, English bond is present on all of the water table. The walls, however, are varied in their brickwork with some sections being laid in Flemish bond, other sections in English bond, and still other sections in irregular, mixed bond.
Stone beltcourses substitute for window sills and lintels on the upper levels, and patterned brickwork is found above each of those levels. Its facade is topped by a brickwork parapet with corbelled square posts at the corners. The building was built in 1882 for Gerard Burbach, proprietor of an adjacent hotel, which was demolished in 1915 as part of a project to widen Cross Street. It may have acted as an annex for the hotel in its early years; the hotel, founded in the 1850s, was at its height in the 1890s.
Ongoing conservation work should be carried out to the facade elements to ensure long-term life. The exterior fabric of the building of load-bearing brickwork and partial stone cladding provides a vigorous interpretation of Romanesque Revival style with stone elements such as the plinth, table course at sill level, a delicately carved deep stone entablature supporting the upper two floors of stone and brickwork, carved stone window surrounds, stone panels and cornices. Distinctive arched windows and a rendered parapet complete the street facades. The ironwork over the main entrance doors appears in good condition.
The hotel is located at 35 Bettington Street and is built to the boundaries of the land. It abuts Bettington Street to the north, the junction of Argyle Place and Dalgety Road to the east, and the Munn Street Reserve to the south. The hotel is a seven- storey masonry building, including basement, five storeys of rooms and a roof- top enclosed bar and terrace. The building has stone and brickwork base courses, load bearing brickwork with stone detailing above, and timber and steel floor and roof framing.
The interior has a nave and two aisles, all cross vaulted, separated by cylindrical pilasters in brickwork. Artworks include a polyptych by Callisto Piazza depicting the Massacre of the Innocents, another polyptych by Albertino Piazza with the Virgin in Heaven and a 15th century Universal Judgement. Finally, the large apse is decorated by a mosaic executed by Aligi Sassu. Between the church and the adjoining Bishop's Palace (Palazzo Vescovile), is a court including what remains of the 1484 cloister, designed by Giovanni Battagio and featuring brickwork columns and decorations.
The early bank vault remains intact and is secured by a heavy, metal plated door with early door furnishings intact. The vault is formed with arched brickwork supported on thick brickwork walls which have a thin render finish and has metal rod cross bracing. The site rises sharply to the north, registering Gympie's hilly landscape. A concrete retaining wall stands to the rear of the building within which concrete steps rise steeply to a flat grassed platform which accommodates a small blockwork shed which is not considered to be of cultural heritage significance.
The cleared sites of other additions, as well as several buildings in the bend of the L to the east, are still extant. To the west of the building, at the street, is a small brick office building with a granite water table. It is one and a half stories high, three bays by four, with a gabled roof supported by large wooden pendanted brackets. Its decoration also includes a course of painted brickwork crosses setting off an entablature above in the gable fields with some other isolated brickwork crosses.
The walls consist of two faces of brickwork between which is a rubble core matrix. The bonding of the brickwork is characteristic of a late medieval date. Irregular shaped bricks are laid in a fairly thick mortar and in a haphazard bond consisting largely of rows of stretchers with the occasional header used to bond the two wall surfaces together. This construction pre- dated the widespread adoption of English Bond (alternating courses of headers and stretchers) and Flemish Bond (alternating headers and stretchers in each course) in England.
The bricks were probably made at the St Benet's Abbey in Norfolk, with the stone coming from chalk pits near Norwich's southern Conesford Gates. The brickwork, particularly on the stairwell, is particularly well executed, and archaeologist T. P. Smith considers the tower to feature some "of the finest medieval brickwork" in England. It is the earliest known use of brick in an external load-capacity in Norwich. The use of brick in this sort of fortification was both prestigious and practical, as brick absorbed the impact of artillery fire better than stone.
They include outbuildings such as smokehouses, privies, sheds. The foundation reconstructed the Capitol and Governor's Palace on their 18th-century foundations and preserved some below- ground 18th-century brickwork, classifying them as reconstructions. It rebuilt William & Mary's Wren Building, which burned four times in 230 years and was much modified, on its original foundations, too, saved some above-ground brickwork, and classified the result as original. At least one historic area house that Colonial Williamsburg took down to its basement and replaced its superstructure is likewise classified among the 88.
Building in 2015 The Hotel Metropole is a substantial two storeyed hotel with basement located on the north-eastern corner of Brisbane and Waghorn Streets at Ipswich. Built in 1906, the hotel is constructed of tuck pointed red brickwork of flemish bond heavily decorated with contrasting coloured brickwork and cement rendered dressings. The skyline is highlighted with decorative gables to the Brisbane Street parapet which conceals a hipped corrugated iron roof behind. The principal facade to Brisbane Street is symmetrically composed around central loggia to ground and first floor.
The incongruously large station reflected the large numbers of pupils expected daily, as well as the LB&SCR;'s hopes of large housing developments. The main platforms were long, whilst those on the Guildford line were long, each provided with waiting rooms, large frosted glass canopies and decorative brickwork. The main station building was built in an Italianate style with red and white chequered polychrome brickwork filling heavy cross braced bargeboarded gables and repeated over round-head windows beneath. A stone water tower on a brick base formed part of the frontage of the station.
A prominent fleche is centrally located. The treatment of the elevations creates a basement level distinct from the two floors of the school proper above. The load bearing brick work to the basement is rendered and ruled to form a plinth upon which bays of stretcher bond red brickwork are relieved with pilasters of contrasting Flemish bond dark glazed brickwork shafts with cement rendered bases and capitals of restrained detail. The horizontal banding of the frieze to the pedimented gable and breakfronts continues below the eaves around the perimeter of the building.
Structurally, the house largely remained in this style for the remainder of the series. The only notable structural alterations were the removal of the front balcony, the partial removal of the balcony to the rear and minor alterations to the styling of the doors and windows. However, the character of the house was altered through several artistic makeovers to both the interior and exterior. The exterior was painted bright yellow, later a light brown similar in shade to the original brickwork, followed by a faux red brickwork effect which was painted onto the render.
On both platforms the furniture consists of a considerable number of early cast-iron framed seats which incorporate the QR logo. Many of these were collected from other Brisbane metropolitan stations for the Expo '88 refurbishment, and have remained. As preparation for Expo '88 the external brickwork and cast iron was restored, the roof was replaced, and all the exterior brickwork except for the upper level front facade was painted an uncharacteristic pink or peach. Interior renovations included false ceilings, a new staircase for office staff, and repainting.
Banna'i brickwork in the Mausoleum of Khoja Ahmed Yasavi. The blue brickwork spells out the names of Allah, Muhammad and Ali in square Kufic calligraphy. In Iranian architecture, banna'i (, "builder's technique" in Persian) is an architectural decorative art in which glazed tiles are alternated with plain bricks to create geometric patterns over the surface of a wall or to spell out sacred names or pious phrases. This technique originated in Syria and Iraq in the 8th century, and matured in the Seljuq and Timurid era, as it spread to Iran, Anatolia and Central Asia.
By the 1960s, 130 years of exposure to the elements had resulted in the tunnel's brick walls crumbling from the effects of frost. To prevent falls of frost- damaged bricks, a cement mix known as gunite was sprayed onto the walls to stabilise them. However, this in turn became detached from the brickwork, and in October–November 2009 the tunnel was closed to carry out repairs. The gunite layer was re-fixed to the brickwork using bolts and painted, and the drainage systems and portal arches were also renovated.
But the formation of his own department that gave him independence from Manzoni made it easier for Fidler to have a free hand in design. The change in the quality of design was almost immediate with Fidler's designs for suburban flats in Rubery and the Hankley Farm estate being selected for an exhibition at the Royal Academy and also being published by the Review in 1954 for its annual Preview. The designs consisted of six storey blocks built of load-bearing brickwork. The brickwork was used for both the exterior and the thin infill walls.
In 1985 the Church launched a Restoration Fund through the National Trust of Australia (WA) to restore the external brick walls, gables, parapets and high part of the tower brickwork. Restoration works were finally completed in mid 1987.
It is housed in a Grade-I heritage building, the old Dairy farm cold storage depot, built circa 1892 in a late Victorian eclectic style. The facade of this building is distinguished by its "blood and bandages" brickwork.
The color scheme of the facade is composed of red and ocher colors. The brickwork of the building is combined with plastered surfaces. The facades are decorated with relief emblems of Vladikavkaz Railway. The first floor is rusticated.
Brickwork was damaged and the gables were brought down. At some point before the 1920s, the entire roof was replaced except for the kingposts and trusses. In 1890, the three Charleston mills produced over 97,000 barrels of rice.
Straight angles alternate with the triangle of the house and of the sky giving the composition a certain vitality. The walls, stones and brickwork are painted in a thicker paint layer, such that it makes them almost palpable.
The Flora was built in the 19th century from polychrome brick, and Pevsner notes its "angular window heads". The building is also notable for the contrasting brickwork above the windows and the floral motifs incorporated into the design.
Elements that are not of cultural heritage significance include: lightweight partitions in the store section, linoleum floor linings, kitchenettes, plywood boarding over windows and doors, paint over external brickwork, and wire mesh and timber screens dividing the subfloor area.
46-56 Gloucester St are first listed in the Sands, with sixteen occupants, in 1912. The Federation terrace taste for unrendered or face brickwork prompted important developments in building practices and technological developments in the manufacture of building elements.
Its brickwork and windows are identical to the > original construction. A series of great round arch windows on the second > story facade and side elevations light what was originally the council > chamber. Five of these windows span the façade.
The banai brickwork style is employed again. The arches are decorated with bisque tiles, mosaic faience. The dado is formed of marble mosaic. The dihliz appears octagonal due to the painted dado which hides the bottom of the arches.
The brickwork has been painted. The stone core and western brick extension have separately framed hip roofs clad in painted corrugated iron. A box gutter runs between the two main roofs. A rendered masonry chimney emerges from both roofs.
The courses of brickwork are bonded together with a lime- based 'common mortar' which was originally pointed back flush with the wall face. It survives on the bedding planes and is exposed in several places on the north elevation.
In the change from the 19th to the 20th century, the Neo-Mudéjar style became in vogue for plazas, involving decoration in visible brickwork. Since the 1990s, new construction technology allows some rings to be covered permanently or temporarily.
The 1500 block of Ludington includes the 1914 Home Electric Building and the 1915 Clements Building, which is distinguished by its polychromatic brickwork. The north side of the street houses the 1930-31 Neo-Romanesque Escanaba Junior High School.
The place is important because of its aesthetic significance. The Acme Engineering Works is significant for its streetscape contribution to Margaret Street. The decorative freestyle facade remains intact, and although the face-brickwork has been painted, retains its aesthetic appeal.
The brickwork, cast stone piers, parapet, and window surrounds of the Transept ends relate visually the entry façade in composition, but are rendered in a simplified design expression, without the Doric or Ionic features visible at the entrance of the building.
Its style is completely different from filigree brickwork of Seljuk period. The portal, without any decoration, is also made of bricks but in a larger size and yet not as high quality as the one in the 11th and 12th centuries.
The concrete garage is just northwest of the modern garage and was built after 1950 with a raised concrete foundation and has green asphalt shingles. It is non-contributing because it has been modified with more modern brickwork, stucco, and siding.
Features not of cultural heritage significance include painted finishes to brickwork, tile and linoleum floor linings, flat sheeting lining some cell walls, fibre cement sheeting, modern bathroom fixtures, plywood boarding over windows and doors, wire mesh screens, and metal barred screens.
It features an irregular plan, a cluttered roofscape, a variety of surface textures, tall chimneys with decorative brickwork, and a prominent semicircular bay on the main facade. The house was added to the National Register of Historic Places in 1978.
The cornice has corbelled brickwork, and is topped in a few places by stone caps. The building is Siloam Springs' only significant example of Romanesque Revival architecture. The building was listed on the National Register of Historic Places in 1988.
Buttrum's Mill is a six-storey tower mill with an ogee cap with a gallery. The tower is diameter internally at the base and diameter at curb level. It is high to the curb. The brickwork is thick at the base.
Historical map of the precinct, prior to the Hyatt Regency Sydney development. Rendered brickwork warehouses with iron roof built during mid 1850s. Single storey to Sussex Street and three storeys at rear. Simple façade with largely original windows and shopfronts.
However, ivy can be problematic. It is a fast-growing, self-clinging climber that is capable of causing damage to brickwork, guttering, etc., and hiding potentially serious structural faults, as well as harbouring unwelcome pests. Careful planning and placement are essential.
George Furness (31 October 1820 - 9 January 1900) was an English Victorian construction engineer and benefactor. He described himself as a "contractor of public works". He worked all around the world, on railways, drainage, and brickwork among numerous other things.
It is constructed of cement rendered brickwork with metal framed windows. Wire mesh screens have been added to the windows, with window mounted airconditioning units also installed. The building was reported as being in good condition as at 8 November 2000.
Breachwood Green Mill is a five storey tower mill. The tower is outside diameter at the base with brickwork thick. It is high to curb level. The dome shaped cap was winded by a fantail and there were four Patent sails.
Sharpe's study consisted of English bond (now painted), the kitchen and laundry brickwork is a variation of Flemish bond, while the c. 1905 repairs are a pseudo Flemish bond. Corrugated iron dated c. 1905 covers the original timber shingled roof.
The flint building has stone dressings and a tiled roof. The walls are supported by buttresses. The south porch and three-stage tower are of red brickwork. Some of the windows in the north wall remain from the original Norman structure.
The toll booths and the remains of the turnstile housings remain. Since two unconnected footbridges exist, one either side of the sluice-gate-holding brickwork and mechanisms, four toll booths and turnstiles had to be provided to collect the tolls.
Each of the rooms was ornamented with a handsome cornice. The Bath House was supplied with water from the Parramatta River by way of a forcing pump. The pump was sunk through rock 5 feet deep and lined in brickwork.
The brickwork of the extension is laid in English bond and much of the fabric is consistent with a mid to late 17th century date with a cut-off point for construction prior to the 1743 scheme that abuts it.
The tower is high and about square. The brick walls vary in thickness from to . The main entrance hall leads into a low hall adjoining the tower itself, and on the ground floor is a room with the original brickwork exposed.
The bricks measure 23 x 23 x 6 cm., many re-used ones being employed. The brickwork is clumsy. Angled bricks were not used on the corners; the ensuing vertical gap was covered by a thick coat of brownish mortar.
The design of a roundel, which was massive in comparison with a normal defensive tower, enabled the deployment of heavy cannon. Roundels were built of both earth and brickwork; in the latter case, vaulted rooms (casemates) were built on the inside.
In 2009, councillors became concerned about cracks in the bridge's supporting brickwork. An inspection by Network Rail determined it was safe and the damage was largely aesthetic.“Rail bosses reassure Hawarden bridge is safe.” The Chester Chronicle, 23 July 2013.
The "four adjacent buildings constitute a solid front of excellent early turn-of-the-century commercial structures, displaying a continuity of fenestration and decorative brickwork." and The listed property includes just the four contributing buildings, on an area of less than .
The house was built in the style of the Arts & Crafts movement, with a brick, tile-hung and terracotta facade with large bay windows, balconies, ornate pediments, decorative brickwork, carved brackets, terracotta gabling, feature chimneys and hand-crafted entrance porticos (3).
Polychrome brick standing 36 metres tall. Square base translating through an octagonal section to become a tapering cylinder, terminating in finely corbelled brickwork. A flue leads to the chimney from the centre of the western wall of the boiler room.
Georgian in style, rectangular in plan with a square tower at the west end. Roof to tower is a flat membrane, with battlemented parapet. Constructed of Flemish Bond face brickwork with lancet windows. Gabled roof form is in terracotta tile.
Side and rear view A two-storey building of simple mid Victorian Colonial design of 3 bays originally having a 2-storey verandah and balcony (now removed). The central entrance door is of 4 panels with fanlight flanked by a large shop window either side containing 6 equal panes of glass surrounding by a deep timber architrave. Symmetrically arranged above a 3 identical pairs of French windows having decorative transoms above. Construction is of English bond brickwork on coursed rubble bluestone foundation with the upper part of the front façade having tuck pointed Flemish bonded brickwork.
Window sills are brick-on-edge. There are two large swing doors on the stable end of the structure, two large roller doors on the north west side, and standard hinged doors on the north east and south west sides. There is clear evidence of an extension to the brickwork to the north west, and modification to the window brickwork on the north east side. The internal space can be considered to be divided into three separate areas, a motor garage on the north west side, domestic flats in the middle and stables on the south east side.
The building was constructed as mixed use, with the main floor including storefront space. Details making it typical of late Victorian architecture include its four arched, vertically-coupled recessed double-hung windows; its rusticated stone stringcourse and sills; its front elevation with decorative brickwork, including stepped brick dentil below cornice level, semi-circular arches over fourth-storey double-hung sash windows, and moulded brickwork under rusticated stone string course. It may have been designed by George William Grant, whose nearby Ormidale Block bears some similar features. In 2003, the city of Vancouver recognized the building as one of historical significance.
Ground up construction began in 1898 on a new site. Most of the buildings of the colliery were built in solid brickwork by the architect Paul Knobbe and were completed in 1904 with the central engine house, in which the most up-to-date generators and machinery used in the colliery were housed. The architecture and state-of-the-art technology support the transition of Gothic-revival to Art Nouveau and the industrialization of the early 1900s. Due to deadline pressure, the central engine house was built in iron framework construction with infilling of red brickwork, planned and executed by the Gutehoffnungshütte.
The 1910 extension to the Bathurst Street facade adding an additional window bay matches the 1895 facade and brickwork, and is unobtrusively identified by a minimal vertical joint through brickwork. The roof has had a number of structures built since 1910 to provide servants accommodation, a lift motor room with lift overrun, a small flat, as well as a spa. Earlier structures sit behind the parapet and are sympathetically assembled to match the original 1894/1895 building in both materials and style. Smaller structures on the roof built in 1981 provide an enclosure for a spa and other facilities.
The church is a simple Wesleyan Chapel extended at the eastern end to provide an entrance lobby and side rooms with gallery above, and at the western end to form a sanctuary and transepts. The Revival Gothic form includes a steeply-gabled roof clad in corrugated galvanised iron and with a timber louvred roof ridge ventilator. The earlier portions of the building are of painted rendered brickwork with projecting buttresses and tall lancet windows. The rear portion is of English bond face brickwork with painted window and door dressings, string courses, gable decoration and buttress cappings.
Supervision of the construction was lax, which enabled the contractors to skimp on the lining of the tunnels. This manifested itself in March 1855 when part of the brickwork of Mountfield Tunnel collapsed. An inspection of Grove Hill, Strawberry Hill and Wells tunnels revealed that they too had been constructed with too few layers of bricks. Grove Hill Tunnel had been built with just a single ring of bricks and no filling above the crown of the brickwork. The SER took the contractors to court and were awarded £3,500 in damages. However, rectifying the situation cost the company £4,700.
It has frontage to Clarence Street on the east, and a small part of the west and south perimeter walls are exposed in a lightwell at the southwest corner, but the for the rest of the perimeter there are adjacent buildings which are higher than the subject building. There are no windows from this building overlooking the lightwell. The construction is of brickwork, rendered and painted, with timber floors at most levels as far as could be determined. The ceilings of much of the ground floor, in rooms which used to be the police cells, are barrel vaulted brickwork.
The largest section has a hip roof, from which eyebrow dormers project, while the smaller section, also with a hip roof, has a single hip-roof dormer. Entrances are set in round-arch openings in each tower, with tripled narrow round-arch windows above. A stringcourse of corbelled brickwork separates the two floors, and there is decorative paneled brickwork between the second floor and the roofline, with blind arches above some of the windows. The school was built in 1893, when Worcester architect George Clemence was in the first year of what would be a highly successful practice.
The west tower is across externally and internally, made of simple patterned brickwork, with three floors and two, slightly taller, turrets on the inside corners.; ; Each floor had a single chamber, with a fireplace and an adjacent garderobe, which would have formed lodgings for senior members of the household.; ; The castle was primarily built from bricks, with stone used for the detailing, such as doorways. The brickwork was decorated with patterns of darker bricks, called diapering, which was used to show symbols associated with Lord Hastings, as well as objects such as a jug and a ship.
It also incorporates unusually decorative features for a building of its type, such as feature brickwork and decorative glazing bars to the front windows. The place is important in demonstrating the principal characteristics of a particular class of cultural places. The Thomas Dixon Centre is a rare surviving example of an early twentieth century industrial factory in West End and demonstrates the principal characteristics of a building of its type through its form and use of materials. It also incorporates unusually decorative features for a building of its type, such as feature brickwork and decorative glazing bars to the front windows.
It comprises the essential elements of a typical 20th century Catholic church including a collection of religious furniture and icons, in particular altars, statues and stations of the cross. The place is important because of its aesthetic significance. A prominent landmark on the elevated ridge of St Paul's Terrace, Spring Hill and visible from many parts of the immediate neighbourhoods of Fortitude Valley and the Brisbane CBD, Villa Maria is distinguished by its distinctive picturesque massing and fine polychromatic brickwork. It is distinguished by restrained embellishment including geometric patterning in the brickwork, decorative entrance porches and decorative corbelling.
Early fabric that survives include the majority of the perimeter walls which are constructed of English bonded brickwork. These walls have arrised corners to openings and engaged piers in the form of bull nosed brickwork to prevent injury. Several of the original openings in external walls are apparent including the bricked in windows to the Petrie Terrace elevation which correspond and provide evidence of the location of the stalls and loose boxes that were positioned along that elevation. Other elements include the roof structure of substantial timber trusses and large timber framed louvred ventilators to each of the ridges.
The floor of the eastern room is at the adjacent ground level, and the room is accessed via a low opening to the east, with a window with arched header to the south. A flight of stone steps is located against the northern wall at the rear of the western room, and leads to the underside of the enclosed courtyard floor. A masonry room is located below the "museum" wing. This room is constructed of mostly unpainted brickwork, with some rendered brickwork at the front, and has tall sash windows opening to the surrounding below floor space.
Polychrome brickwork also became popular in Europe in the later 19th century as part of the various medieval and Romanesque revivals. In France the Menier Chocolate Factory in Noisiel, designed by Jules Saulnier and completed in 1872, is an early and very elaborate example, which is also noted for its early use of iron structure. Later the use of two tone brickwork was popular in eclectic picturesque villas, as well as other building types. Examples, again usually restrained use of two colours, can also be found in Belgium, the Netherlands, and Germany 'Gründerzeit' style buildings sometimes employed decorative brick.
A projecting bay window on the front (east) elevation features 2x2 pane double hung sash windows with sandstone sills and heads; first floor windows on the bay feature "four-centred" arch heads. The original verandah was replaced by later (probably inter-war period) two storey verandah to the front and side (south) elevations with brickwork columns, first floor balustrade and paired "stump" columns. Various additions including single storey block of rendered masonry and a recent two-storey wing of face brickwork with metal framed sliding windows.Holroyd LEP A 1990 classroom extension was made on the house's western side.
The upper floor bays are all sash windows, and are divided into groups of varying size by projecting piers that rise to the roof. A band of corbelled brickwork separates the second and third levels, and the third level is topped by a band of limestone, above which is a row of blind arches, giving the third-floor windows the appearance of being set in arched openings. This row of arches is separated from the roof by a band of more heavily corbelled brickwork. The block was built in 1894, displacing a private residence that was disassembled and relocated.
William Wigginton (1826–1890) was an English architect. Born in Eton, Berkshire, he worked in Derby and Dudley before moving to London in 1860. He published proposals for working-class housing, and designed several Gothic Revival churches in London, often featuring polychrome brickwork.
The ECC focuses on construction and building trade services, teaching courses such as carpentry, plumbing, electrical, brickwork, engineering, and painting and decorating. In 2011, the centre expanded with a new welding course offer which was officially opened by Skills Minister Matthew Hancock.
These decoration covers a circular vent formed in the brickwork. The verandah iron has a bull-nose profile. The eaves are decorated with paired timber brackets and all guttering is of galvanised iron or splayed aluminum profiles. There are some ogee rainwater heads.
A large, sunburst, stained-glass window fills the huge Byzantine arch of the facade. The brickwork is coursed with alternating beige and red stripes.Sharman Kadish, Jewish Heritage in England: an architectural guide, English Heritage, 2006, p. 187. The synagogue was closed in 1986.
This was a Cistercian convent founded, or perhaps re-founded, in the reign of King Malcolm IV of Scotland (1153-1165). The remains of the 15th century Haining Castle lie in the grounds of the former Manuel brickwork north-east of Whitecross.
Sycamore Dale's brickwork is laid in a Flemish bond arrangement. The bricks used in its construction were fired in the home's vicinity. Its lumber was also milled nearby. Sycamore Dale is graced with two end chimneys and a medium gable roof of tin.
The central portion of the gateway features a two story tall iwan portal that was finished with stucco work, with four smaller iwans flanking the central portal, divided into two levels. The flooring of the gateway features brickwork laid in a geometric design.
In 1993 work was undertaken on the buildings exterior including fixing the roof, repointing the brickwork, repairing decorative elements like the gargoyles, painting woodwork and protecting the stained glass. In 2001 funding was approved to reinstate the painted decoration in the dining room.
Kyōwa's main economic activity is farming, with watermelon, Japanese melon, and sweet corn as major crops. In line with the agricultural theme, the town's mascot is the kakashi, or scarecrow, images of which adorn features of the town including brickwork and light posts.
Large alterations were carried out in 1875 by Philip John Budworth, the east front was largely rebuilt, including the central pedimented feature in moulded brickwork. The east and south fronts were faced with red brick, and one of the south wings was extended.
This simplicity is relieved, in part, by patterning the brickwork. Of particular note, the repetitive triangular pattern at the roofline is called “mousetooth.” The brick patterning gives the impression of finely woven fabric. The sharply incised windows and doors produce dramatic voids.
A brickwork plinth, approximately 1m in height. is used on the front of Kirkham Lane elevations. The building is buttressed along the rear elevation, at each end and at third points. The Stables have a hipped roof, pitched at approximately 33.5 degrees.
A simple Victorian painted brick cottage with hipped corrugated iron roofs to main structure and front verandah. Extant original windows are 2 x 6 pane double hung sashes. Chimneys to main residence and service wing feature simple corbelled brickwork tops and strings.
Also in the 1980s, Burman painted a number of fine streetscenes (including 'Angel Alley') and doorways in Whitechapel: "The area's blistered paint and cancerous brickwork ... offered him visual stimuli - and nobody could suggest more menace in a wall or cracked window than Burman".
However, its predominantly white walls and geometry look forward to art nouveau and modernist design, while its brickwork quoins complete the unusual design. The Quaintance Block was designed and constructed by architect James H. Gow, locally raised and educated at Jarvis Hall college.
The lot at Köpenicker Straße 18–20 is approximately 10,000m² (107,640sq.ft) large and features two historical structures, built between 1852 and 1881. This was the former site of the Berlin Velvet Factory. Distinguishing features include high ceilings, cast-iron supports and exposed brickwork.
Further, side walls of the tower featured large Christian motifs in raised brickwork. Langer's exploration of Modernism was heavily influenced by context. He studied the local fauna and flora in Queensland and the climate. His work interprets this information in a Modernist manner.
While its terra cotta clad storefronts and metal cornice are typical of the former style, its use of decorative brickwork and stone is inspired by the latter. The building was added to the National Register of Historic Places on November 13, 1984.
The south- west buttress carries the date 1588. The bell tower was hit by lightning damaging the upper part, firstly in 1774 and then 1951, but the damage was repaired though the variation in brickwork does detract from the tower's overall appeal.
The library was transferred in 1959 and Heritage was to accommodate offices and classrooms. The deteriorated chimneys were removed. The exterior brickwork was sandblasted and repaired. Heritage Hall, named for Professor Richard Heritage of the music department, was originally known as Flint Hall.
The Alameda is a historic apartment building located at Indianapolis, Indiana. It was built about 1925, and is a three-story, rough cast buff brick building. It has commercial storefronts on the first floor. It features distinctive spandrels with basketweave pattern brickwork.
This area is defined with a faux palisade fence on a new brick base. A path leads to the "side" doorway. The blind door beside the side door would lead to the main chamber. The brickwork is executed in garden wall bond.
The station, which is unstaffed, consists of two opposed side platforms serving two tracks. A modern brickwork building serves as a waiting room and also houses an automatic ticket vending machine. Access to the opposite side platform is by means of a footbridge.
Cedar Springs ARP Church Cedar Springs ARP Church is a rectangular, brick church with hip roof. The brickwork is common bond with bonding every sixth course. The foundation is stone. This church was built circa 1853 to replace an earlier framed church.
As at 8 November 2000, most of the external brickwork of the cell wings have been painted and unsympathetic alterations and additions have occurred over the years. However, most of the original fabric remains intact. All buildings appear to be in good condition.
Also on the southern side is the unfinished Renaissance bell tower, in white and pink marble, attributed to Leon Battista Alberti and built in 1451-1493. The apse, in brickwork, has arches and marble capitals, and was designed by the Ferrarese architect Biagio Rossetti.
The mint’s construction started in 1598 and ended in 1625. The interior decorations consist of ochre plasterwork and brickwork. The building has a tall dome crowned by a cupola to admit light and vent air. The mint was converted into a numismatics museum in 1970.
The West Chatham bungalows are all brick and feature similar designs, giving the neighborhood a uniform appearance; however, decorative features such as patterned brickwork provide diversity among the homes. The district was added to the National Register of Historic Places on April 19, 2010.
Boye was mainly active in Frederiksberg. He designed a number of robust apartment building for the upper middle class. His early works are characterized by dressed masonry and stucco decorations. In the late 1880s, he started to experiment with patterned brickwork and majolica ornamentation.
Above these are two modern rectangular windows. Before reaching the crenelated parapet, there is a course of brickwork marking the level. Inside the archway, the rib vaulting matches the dimensions of the arches and is built in two bays. There is a portcullis groove.
The house in 2020, after the completion of upkeep on its brickwork and paintwork. Doorway detail. The red- brick property is three stories, including a basement, where Williams' restoration workshop was. It consists of a front yard, the house, a courtyard and a carriage house.
It features ornamental terra cotta and brickwork and towers. Note: This includes The city closed the market in the late 1980s, and has since housed Lancaster's Visitors Bureau, offices and Council Chambers. It was listed on the National Register of Historic Places in 1986.
Each window features a segmentally arched header and a stone sill. The cornice is composed of patterned brickwork. The stone structure in the back is a rectangular vernacular structure that features a hipped roof. The double-hung windows are the dominant feature of the structure.
The rectangular structure is principally of flint with some red brickwork on the quoins and elsewhere. The east, west and north faces have respectively one, two and three brick-dressed arches (now blocked); the south side cannot be seen. A brick wall surrounds the structure.
Window fenestrations were redesigned with arched, keystoned brickwork. The corner entry was retained, although it was redesigned to include an arch and triple keystone. The renovation may have happened while Elite Cleaners occupied the building. The Vault cigar shop opened in the building in 2014.
The Palmer arms are represented in stained glass on the half-landing of the staircase. Nikolaus Pevsner called it the "best house in town". It has also been described as "a most interesting example of brickwork subordinated to a Palladian treatment of pilasters and cornice".
The historic Goodlet and Smith Brickpit sites have now been redeveloped into Holroyd Gardens Park on the site of a clay pit that was later filled. Holroyd Gardens Estate which is a medium density development that includes the remaining heritage brickwork kilns and associated buildings.
He stated that originally on the garden walls were railings that consisted of widely spaced uprights with forked bases. Hubbard considered that the most characteristic features of Douglas on the houses are the timber-framed porches, the polychromic brickwork, and the ribbed brick chimneystacks.
Tyson & Boyd received the contract build the hotel's foundation and excavation began in early April 1890. Foundation work was completed in late May and brickwork began soon thereafter.Heppner weekly gazette., February 06, 1890, Image 3; Image provided by: Morrow County Museum; Heppner, ORHeppner weekly gazette.
Although the contractors had charged for six rings of bricks, they had only used four. Due to the cost of reboring the tunnels, this had to be rectified by the addition of a further two rings of brickwork, reducing the width of the tunnels by .
Due to its bigger size, a relieving arch [link to discharging arch] was built in to support the brickwork. Four rooms extend one by one to complete the facade. The north facade is similar to the south facade. However, five rooms have been added.
The mosque and the relic storage building are constructed in limestone ashlar. Their domes are of lead-covered brickwork. The mosque and the relic chamber underwent conservation and restoration works several times in the past. As of 2017, the mosque is closed to prayer.
The Tannehill House is a weatherboarded building with a slate roof, a foundation of sandstone, and elements of brickwork. Featuring a large front gable, the house is three stories tall and has a large front porch., Ohio Historical Society, 2007. Accessed 2011-04-25.
The windows have carved brackets. There are open pediments with cartouches and brick parapets with molded stone coping. The taller auditorium, to the northwest, features a banded chimney and decorative brickwork facing the south. The east elevation, along Pearl, has circular arcading and banded pilasters.
The former Singleton Post Office is a large two-storey building in the Victorian Italianate style with an arched colonnade and upper storey verandah at street face. It features rendered brickwork, a hipped slate roof and stone detailing in the footing, keystones and sills.
It has a brick parapet with stone capstones. With . Its NRHP nomination asserts: > The State Bank of Kooskia is architecturally significant as a good example > of a rural community's bank building. Its compact and concise design has > charm and its brickwork exhibits good craftsmanship.
Cast iron pillars support the brickwork and wagon roof. It contained several feed stores, two bullock yards with fountains, a flax mill, cider press and threshing machine. The machinery was powered by a water mill which was replaced by steam, oil and diesel engines.
Situated on the right bank of the Tigris, it is known for its conical dome, decorative brickwork and calligraphy engraved in Mosul blue marble of the 13th century. On 23 July 2014, the Mausoleum of Yahya Abu al-Qasim was destroyed by Islamic State.
The brickwork is a Flemish bond, with decorative coursing in the foundation area. The double chimney is corbelled on the east facade. The main entry is on the south next to the bay window. A small porch extends from the main roof over the door.
The house is built partly in timber framing and partly in brick, with a slate roof. It has two storeys and six bays. The timber-framed areas are decorated with herringbone bracing, quatrefoils and cusped concave-sided lozenges. The rear elevation is mainly in brickwork.
The Redcoats Mess House is a two-storey gabled building with a rectangular plan running north-south. It has painted Flemish bond brickwork with iron roof. The southern portion is slightly higher than the rest of the building. It has small paned sash windows.
A rendered masonry portico with pediment distinguishes the arched front entrance, and from each room French doors with arched lights, fanlights and shutters open onto the verandahs. Convex iron verandah roofs are separated from the main roof by a small cornice and timber console brackets, and are supported by paired wooden posts with cross-braced capitals and timber brackets. The 1880s brick renovations are rendered to resemble ashlar, and it is likely the face brickwork was first painted at this time. Wilston House presents a highly intact facade, with a recent kalsomine coating to the exterior brickwork and render and a Welsh slate roof.
It addressed brickwork defects and prepared the viaduct for a long-term strengthening scheme aimed at raising its restrictive load capacity rating from RA0 (the lowest rating) to RA10 (the highest rating) so that traffic can cross more quickly. Freight trains with a 25-tonne axle- load were limited to 20mph when crossing, a major goal of the strengthening measures was to increase this to 60mph. The parapets had 20mm joints saw-cut through them to allow for sheer movement, reducing the rate of cracking, while over 2,300 20mm-diameter vertical reinforcement bars were installed at one- metre intervals through the brickwork to anchor the parapets to the structure.
With the development of the horizontal stationary engine in the mid 19th century, the requirements were no longer to support a single heavy beam but now to provide accurate alignment between the cylinders and crankshaft of a medium-speed engine. These foundations were substantial, going down perhaps three-dozen courses of brickwork below the engine bed. Deep iron anchors were provided within the brickwork for the engine to be bolted down. Rough local stone was no longer rigid enough and so foundations were constructed of many layers of hard engineering brick, as this was cheaper and more easily available than a cut ashlar stone of equal rigidity.
To the west of this were two windows but have been blocked up, but replaced with windows beneath it in the 18th or 19th century to light the kitchen. The east end of the block is also made of red brickwork and is about wide with a large three-sided bay window. The south side of the building was mostly constructed in the 17th century and consists of a variety of materials that meet with vertical seams and straight joints. The east end has about of the original brickwork which meets with a yellow ashlar walling, which extends , the same length as the original higher part of the north front.
Front of the building, 2016 The building contains three levels - basement, ground and first floors constructed of load bearing brickwork and timber floor framing, and stands prominently within a small central city park. The elaborate pedimented front pavilion of the building is surmounted by a formal raised parapet which together with the rusticated voussoirs, projecting cornice, pilasters, and rising sun motif, give the front of the building an impressive street presence. To give further emphasis to the front, this pavilion is constructed with slightly-contrasting coloured tuck-pointed brickwork. The entrance portico is approached by flanking balustrade quadrant walls at street level, with stairs leading up to the ground floor.
The remaining windows were supplied by Sydney firm of Lyon, Wells Cottier & Co. and were chosen to reflect the use of the room, English farming scenes and traditional meats in the dining room, for example. Andrew Wells, of the aforementioned firm, designed and painted the interior decoration and Booloominbah is an excellent example of his ten-year Australian career. A second element of the building's State aesthetic significance is the northern elevation, which includes finely detailed brickwork consisting of a three-ring arch and four receding orders around a doorway of cathedral proportions. Detailed, carefully executed brickwork is a hallmark of Hunt's designs and attention during supervision of the construction.
Of the locally listed buildings, Burstow Hall is a mid-19th-century mansion of stone and brick (including some multicoloured glazed brickwork); Gatwick House is a large block of serviced offices which was built in 1876 as a country house and which combines the Gothic Revival and Neo-Georgian styles; Poplars is a slightly altered three-bay house of the mid-19th century; Number 1 Pullcotts Farm Cottages has ground-floor brickwork in various colours, tile-hanging above and old sash windows; Royal Oak House is a large stuccoed villa of the 1880s; and Touchwood Chapel is the hamlet's former Baptist chapel, built in 1885 and now in residential use.
Brickwork of 10 Downing Street, showing fine white fillets in carefully matched dark mortarTuckpointing (also called tuck pointing or tuck-pointing) is a way of using two contrasting colours of mortar in the mortar joints of brickwork, with one colour matching the bricks themselves to give an artificial impression that very fine joints have been made. In some parts of the United States and Canada, some confusion may result as the term is often used interchangeably with pointing (to correct defects or finish off joints in newly laid masonry) and repointing (to place wet mortar into cut or raked joints to repair weathered joints in old masonry).
The church is constructed in dark-red-brown Flemish bond brickwork, with painted render dressings defining features such as string courses, copings, lintels and sills (internally and externally). Stepped and plain buttresses support the exterior walls, and arched openings are constructed from multiple rowlock (brick-on-edge) courses. The prominent roof form is clad with rib-and-pan profile metal sheeting (replaced in 1997), and features flared eaves supported on decoratively trimmed rafters with a raked soffit of tongue-and-groove boards. The nave end walls are topped with stone cross finials, and gable ends to the vestries and entrance porch are finished with basket weave patterned brickwork.
A cantilevered horizontal awning is located above the entrance doors covering a driveway, and the central window has a large reinforced concrete cross clad in ceramic tiles. The central window is flanked by brick piers with a narrower reinforced concrete arched window to either side. The three windows have been reglazed with stained/painted glass forming the commemorative "Peace Window". The Abbott Street elevation is framed by wide panels of brickwork to parapet height, which are flanked by the enclosed ends of the single- storeyed side verandahs each of which have a brickwork panel separated from the main body of the cathedral by a vertical strip of glazing.
This is essentially a large single storey structure with a major internal storage space and flanked on the north and south by small single storey annexes. Construction is of load bearing English bond face brickwork with attached piers to all four facades, the open end is supported now by steel RSJ posts and in-filled with corrugated steel vertical sheets on steel frames. The north and south brick gables enclose the iron sawtooth roof structure and has a series of large circular vents bordered by polychromatic brickwork. The vents enclosing the interior roof structure are fitted with timber louvres while the adjoining ones are completely open.
Broadbent 1997, p.314 The walls of the farmhouse are rendered brickwork. A partition wall within the kitchen wing is constructed of pise. The original windows on the farmhouse are timber-framed, double-hung with six lights per pane, fine glazing bars and mostly original glass.
The main building material used is flint rubble with stone dressings. There is brickwork in the northeast chapel and in the east wall of the chancel. Some Roman tiles have been incorporated in the flint walls. The roofs are tiled, and the porch is timber-framed.
The site passed to the Rotheram family. It was partly demolished in the 18th century. The brickwork can still be seen in the remains of the gatehouse, incorporating the chapel and lodge, which still stands today.Anthony Emery, Greater Medieval Houses of England and Wales, 1300-1500, vol.
It was built between 1939 and 1953; the architects were W. Braxton Sinclair (who also designed the Grade II listed First Church of Christ Scientist, Bromley) and Barton. Bridget Cherry and Nikolaus Pevsner describe it as having "heavily modelled red brickwork, with some free Baroque details".
Service began at this station when the Blue Line opened on June 26, 2004, and this station is where the opening ceremony was held. The first train departed at 11:00 a.m. on that day. To reflect its neighborhood, the station incorporates some brickwork into the design.
Beeches Farm is a farm and country house in Bexhill, Rother in East Sussex, England. A Grade II listed building, it dates to at least the 18th century, and is a two-storey building with stuccoed brickwork on the ground floor, and a hipped tiled roof.
Under the pantry and servants stair is a cellar with exterior access. On the east side of the central service courtyard is a single storey wing containing a store and small kitchen. Walls: The ground floor walls are of Flemish bond brickwork. The bricks are "Armidale Blue".
The solid rocket booster of the warhead in question was taken from the RPG-26 and the fuse taken from the TBG-7 warhead used by the RPG-7. The warhead has a stated penetration capability of 300 millimeters of concrete and 500 millimeters of brickwork.
The detention hospital, also designed by C. S. Haire, is rectangular and was built in 1901. It has decorative brickwork, a basement, green asphalt shingles, and overhangs. The south side has three bays. Some of the windows are modern replacements, though true to the original style.
The base housing the pool slopes from a 15 ft circle into a 25 ft (diameter) circle made from brickwork/paving stones. The overall setting is a paving stone surfaced plaza with benches and a circle of locust trees set 15 ft away, surrounding the fountain.
The new station was to be called Sydenham, of which the name itself was built into the brickwork of the station building. However, naming rights were sold to the adjacent Watergardens Shopping Centre. A stabling yard is located at the Down (Sunbury) end of the station.
It is a two-story Victorian-style building with "elaborately moulded brickwork and functional thick plastered brick walls", and is "An excellent and well-preserved example of public Victorian architecture in rural Texas." It is a Texas State Antiquities Landmark and a Recorded Texas Historic Landmark.
Serpentine from a local quarry was used as construction material, as well as granite, sandstone and brickwork. Total cost of construction was 18,000 marks. The tower was inaugurated on 18 October 1869. Over the entrance were inscribed in golden letters the words "IN HONOUR OF BISMARCK - 1869".
The courtyards illustrate clearly the usage of the rear yards in connection with the early commercial buildings, i.e. the construction of cellars, fireplaces, stores, and covered ways. The treatment of the original and later fabric used in the construction, i.e. rough coursed stonework and stretcher bond brickwork.
Ticket Vending Machines Concourse The building is approximately 8,000 square meters in size, and the station's platform area is approximately 12,000 square meters. The railway station was designed to replicate the original design of the Xinning Railway Station, with Western-style brickwork and Chinese-styled roofing.
Philip Carey Building is a historic warehouse building located at Charlotte, Mecklenburg County, North Carolina. It was built in 1907–1908, and is a two- story, brick building with elaborate Victorian Romanesque style brickwork. It was added to the National Register of Historic Places in 1984.
The rear of the building is built in Flemish bond brickwork. Immediately inside the entrance there is a vestibule, with stairs on either side leading up to the gallery. Inside the main body of the chapel is a continuous tiered gallery carried on cast iron columns.
The house's design features vertical half-timbering on the upper stories, decorative brickwork on the first floor, two steep cross gables and multiple dormers projecting from the roof, and multiple brick chimneys. The house was added to the National Register of Historic Places on August 28, 1989.
The house is a -story, brick house with a gambrel roof. At that time, a gambrel roof was unusual in upstate South Carolina. The thick brickwork on the house is Flemish bond with darkened headers. The rooms are paneled with wood on the walls and ceilings.
The walls are plastered brickwork. Within most of the bays are arched recesses above the gallery level and square ones below. The main cornice to the walls has fine moulded plaster medallions, some of the recesses are pierced by original windows (some sheeted externally). Or later windows.
The tower is high, having been raised by some at some time. The mill is high to the top of the cap. The brickwork is thick at ground level and thick at curb level. The cast-iron windshaft carries a clasp arm brake wheel with 88 cogs.
Examples of such schemes include blue-grey headers among otherwise red bricks—seen in the south of England—and light brown headers in a dark brown wall, more often found in parts of the north of England.Arch. Review, p. 242. THE BONDING OF BRICKWORK. P.M. Stratton.
Note the flying roll, trumpet and Prince of Wales feathers embossed on the brickwork. Jezreels tower Jezreel's Tower (also known as Jezreel's Temple) was built in Gillingham, Kent, England, by a religious sect founded by James Jershom Jezreel in the 1880s. It was demolished in 1961.
Eastern section of the neighborhood is mostly residential, while western was mostly industrial: factories and depots of Navip, Inos Metal, brickwork, etc., which all went bankrupt by the early 21st century. "Bruno Mozer Vinery" was built at modern 7 Mozerova Street. It produced wine and champagne.
It is set behind a substantial parapet wall on all four sides. Four prominent, sheet metal rain water heads are set symmetrically on the surface of the brickwork on both of the north and south elevations and drain into sheet metal, rectangular section, surface mounted downpipes.
Fragments of statuary of the two torch bearers were also found .CIMRM, p. 342 One of the rooms adjoining the main chamber has two oblong brickwork enclosures,CIMRM, p. 346 one of which was used as a ritual refuse pit for remnants of the cult meal.
The house features diapered brickwork. A frame rear wing was added in the second half of the 19th century. The Dilworth House is a rare surviving specimen of an early Delaware yeoman's house. and It was listed on the National Register of Historic Places in 1973.
Exterior of Schuster's Department Store on King Drive in Milwaukee when it was temporarily unclad in 2015 Exterior of Schuster's Department Store, showing decorative brickwork Schuster's, officially Ed. Schuster & Co., was a department store chain, founded in 1883, in Milwaukee, Wisconsin, and it is now defunct.
Grueber also designed the new interior, such as the altar partition, doors, altars, pulpit, candlesticks and monstrance. The last major reconstruction of the church was in years 1914-1916 when the inner plastering was replaced with the brickwork. The reconstruction was directed by the builder František Schlaffer.
East of the entry is a polygonal bay window, with five, large, leaded glass windows. Each window has a stained glass flower decoration. The brickwork is intricate limestone trim. The bay window is topped by a gable in a half-timbered design with quatrefoil decorative elements.
Every building was surrounded by a two-meter fence. Nowadays only one «standard» building still stands. Its original layout has been changed a little since the time of construction. The walls of barracks are made of brick, and the brickwork is as thick as 2,5 bricks.
Each is a mirror image of the other and they share a central chimney stack; the cottages are divided by a buttress in the lower storey. They have gables containing a lozenge pattern in the brickwork. Both cottages have rear extensions added in the 20th century.
Suspended floors have prestressed concrete beams with foam slag infill panels. Roofs were timber units with cork and three layers of felt. The windows had varnished Columbian pine frames with metal projector opening lights. Brickwork was used inside and outside of the building and left unfaced.
The place is important in demonstrating the principal characteristics of a particular class of cultural places. Villa Maria is significant for its considerable architectural merit, particularly the well-composed exterior and chapel, and is a fine example of the work of Hennessy & Hennessy, Keesing and Co and J.P. Donoghue, prominent architects in Brisbane and Sydney who undertook many projects for the Catholic church during Archbishop Duhig's time. With is picturesque massing and finely crafted polychromatic brickwork, distinctive round arches, arcading, prominent tower, restrained ornamentation, geometric patterning in the brickwork and use of corbelling in a machicolation motif, Villa Maria is a fine example of a building in the Romanesque idiom, a style commonly employed in the design of religious places during the inter-war period. The principal architectural component of the Villa Maria complex, the chapel, incorporates defining elements of the Romanesque most notably masonry construction, round arched windows, patterned brickwork, brick detailing including the machicolation motif; and within a towering vaulted ceiling, restrained embellishment and narrow coloured glass windows.
A single door provides access on the south west end. The floor is concrete in the centre and dirt on the outer edges. Timber shelves provide support for plants on three sides of the structure. The render on the brickwork is the same as that on the main building.
The place has potential to yield information that will contribute to an understanding of the cultural or natural history of New South Wales. The buildings are of scientific interest because of their method of construction, a combination of random rubble and brickwork, a method uncommon in the state.
The building is designed to be used as an architect's office. It is not a conventional office building. Aalto is reported to have said that “architectural art can not be created in an office- like environment.” The façade is built in plain style, in white-painted, lightly rendered brickwork.
The walls of Gedung Kuning are constructed using brickwork construction method and plastered for a smooth finish and painted over. The wall has a uniform thickness throughout the two levels. The load- bearing walls are supported on the foundation. There are several non- structural wall used to partition room.
In August 2016, Zippo's Restaurant closed its doors. The Club, which has changed its name to "The Kyle Bay", was refurbished in 2016. The exterior brickwork was painted white and a cafe/restaurant area was added to the back of the building. It re- opened in January, 2017.
The Col. Jacob Yoes Building is a historic commercial building on Front Street in Chester, Arkansas. It is a two-story brick structure, with styling typical to its 1887 construction date. It has segmented-arch windows, a band of corbelled brickwork at the cornice, below the flat sloping roof.
A continuous modillioned cornice forms the sill of the fourth-story windows. Raised brickwork at the corners suggests quoins. At the top of the facade is an entablature with a wide dentilled and modillioned frieze below a molded overhanging cornice. Inside, the interiors are continuous with the Pritchard Building.
A further Woolstore was built in 1901. Similar to Strachan’s Woolstore, it was constructed using red brick. However the building reflects a very different design. The north east side of the Woolstore consists of small windows with the façade unified by the use of giant arched panels of brickwork.
All other external and internal walls were built in massive brickwork. The building was completed and occupied from early 1887. The whole of ground and basement floor was used as business premises of the bank. The upper floor were leased to a firm of solicitors and various other organisations.
It is constructed in orange brick in Flemish bond brickwork with pink sandstone dressings. It is roofed in Welsh slates, and has octagonal brick chimney stacks. The architectural style is Elizabethan. It has an irregular plan, and is in 2½ storeys with a south front of four bays.
It is a 2 1/2-story, five bay, gable roofed brick dwelling in the Georgian style. A 1 1/2-story frame wing was added in 1954. It has a single pile plan and two interior end chimneys. The brickwork is Flemish Bond with few glazed headers.
Dating from the mid-eighteenth century, it was restored in 1992. The work included the removal of brickwork and restoration of the original granite, replacement of the clock, consolidation of the structure, recasting of the bells and their electrification, cleaning of the exterior and interior and replacement of ornaments.
Loretz House is a historic home located near Lincolnton, Lincoln County, North Carolina. It was built in 1793, and is a two-story, five bay by two bay, brick dwelling. It has a gable roof and features patterned brickwork. The interior has a number of Georgian style decorative elements.
The Feltham Skills Centre was officially opened in 2003 by former Prime Minister Gordon Brown, then Chancellor of the Exchequer. Around 650 students study practical vocational skills and training at the Skills Centre, including catering, plumbing, brickwork, painting and decorating, electrical installation, engineering, carpentry and motor vehicle maintenance.
Interior finishes and fixtures were restored, while the exterior stone and brickwork was conserved and repaired. Renovations created more comfortable work spaces and energy-efficient HVAC systems. Through the effort of many collaborators, the building remains one of the most venerable displays of architecture in the Milwaukee area.
Decorative embellishments are a feature of many industrial chimneys from the 1860s, with over-sailing caps and patterned brickwork. The invention of fan-assisted forced draft in the early 20th century removed the industrial chimney's original function, that of drawing air into the steam-generating boilers or other furnaces.
Rahim Bakhsh Pirjha and Elahi Bakhsh Pirjha, masters in the manabat kari style of wood carving, carried out much of the mansion's woodworking. Ahmad Din, completed the brickwork, while the celebrated artist Niaz Ahmad Jalandari did the stucco-work. Another celebrated artist, Jan Muhammad, painted the mansion's frescoes.
The brickwork includes a round-headed archway that has since been blocked. The paving in front of the entrance, between the curved section of wall to the west and the remains of the historic brick to the east (abutting the public house) is cobbled with a central brick path.
The completed arches of the station viaduct were partially demolished in the 1960s leaving stumps of brickwork in a field and part of the north abutment of the bridge adjacent to Edgware Way. Earthworks north of the station site parallel with the bypass indicate the route towards Elstree South.
There are paired and single windows on the second floor, and a tall attic containing arches filled with basketweave brickwork. The original theater sat 1000 people; the interior space was divided to install twin screens in the 1970s with a loss of nearly all the interior historical finish.
Substantial restoration work was carried out in 2006, including extensive replacement of much of the brickwork. The castle is protected under UK law as a Grade I listed building, and Historic England considers it to be a "spectacular example of a late medieval quadrangular castle of the highest status".
These columns support the curving arches that are overlaid by the domes. The west wall in the interior has eleven mihrabs that are decorated with stonework and terracotta and the flooring is brickwork. The walls and the mihrabs were affected by sulphates. Most of the damage has been rectified.
The high medieval masonry consists of powerful conglomerate ashlars. Particularly striking is the shield wall-like reinforcement of the crescent-shaped northwest side. The post-medieval components are easy to recognize in places from their brickwork. Off the west side is a Zwinger flanked by two massive round towers.
Rice Hall is a building on the Cornell University campus that was listed on the National Register of Historic Places in 1984. It is a three-story rectangular building. Its first floor is built with rusticated brick imitating clapboards, and has coursed brickwork above. It has a slate roof.
The parapet is surmounted by a rendered Celtic cross. Decorative relief work is located along the parapet and on the piers on either side of the central section. Paired round arched openings are located in the upper section of the facade. The openings are surrounded by decorative blue brickwork.
The external brickwork was tiled over. A new readograph was installed above the entrance displaying what films were showing. The original proscenium was removed along with the orchestra pit. The auditorium was painted black and 392 new seats were installed with red carpets and drapes to complement the decor.
This addition includes recessed panels of rough cast stucco to the brickwork and is framed with a brick coping. The main entrance bay is set slightly forward of the flanking bays. The entry door has a fanlight and fixed sidelights. A concrete ramp and steps are a later addition.
An old terrace with most of the brickwork obscured by rendering, paint and "stone" cladding. Image: Andrew Tatlow Lime render is the first coat of lime "plaster or the like"Oxford English Dictionary Second Edition on CD-ROM (v. 4.0) © Oxford University Press 2009. Render, n2, 5.
The windows and doors appear to be original. Windows have flat arch brickwork with bricks rubbed to fit. The roof is corrugated steel. ;Shed A corrugated steel shed clad in characteristic short lengths was constructed in the rear of the hotel, possibly around the turn of the twentieth century.
In Lothal all houses had their own private toilet which was connected to a covered sewer network constructed of brickwork held together with a gypsum-based mortar that emptied either into the surrounding water bodies or alternatively into cesspits, the latter of which were regularly emptied and cleaned.
A two- story porch extends from the side of the projecting section across the remainder of the front. Other details of the exterior include bargeboard accents in the gables, and terra cotta insets in the brickwork. The house was listed on the National Register of Historic Places in 1989.
Like the concave joint, the V-joint is water-resistant because its formation compacts the mortar and its shape directs water away from the seal. ;Weather joint :Mortar is recessed increasingly from the bottom to the top of the joint, with the top end not receding more than 3/8-inch into the wall. The straight, inclined surfaces of the bed (horizontal) joints tend to catch the light and give the brickwork a neat, ordered appearance. This joint is less compacted than the concave and V-joints, although it is still suitable for exterior building walls. ;Grapevine joint :While most popular during America’s Colonial period, this design is often replicated in newer brickwork.
This style of decorative brickwork and stonework was popular across England at this time, but particularly so at Eton College, where John Cowper, the master mason on the project, had been an apprentice.; Although the castle was not extensively decorated, the brickwork at Kirby Muxloe was skillfully executed, with the bricklayers cutting and shaping the kiln-fired bricks to produce spiral and domed vaulting.; Gunports for early gunpowder artillery had begun to be installed in English castles during the 15th century. At Kirby Muxloe, six gunports were constructed in the ground floor walls of both the gatehouse and west tower; these were then temporarily filled with bricks, probably to prevent vermin and to limit the draughts.
The southern end of the Bolsover Street elevation has brickwork to the upper two floors surmounting the principal entrance, which comprises a recessed metal framed glass door with cantilevered awning accessed via an L-shaped granite stair and landing with metal balustrade. The southern end also has a narrow penthouse plantroom which is recessed from the exterior of the building, with rendered walls, and a curved roof facing Bolsover Street with a series of recessed circular details. The northern end of the elevation has a four- storeyed brickwork facade with three windows to each of the first three floors. The fourth floor partly extends above the curtain wall glazing, with a large recessed window unit and spandrel panel.
Currently, the majority of rooms have been retained to certain eras, based on the information and history known about the families and also the surviving details. The houses are a source of the changes of technology in the area, as seen by the ‘shift from dependence for water upon community pumps in the streets to piped water; and from the used of oil, candles, wood and coal to gas and electricity for light, cooking and heating.’ Susannah Place is built of colonial bond brickwork on a rock-faced sandstone site. The basements are cut into the bedrock of the sloping site, The brickwork to the Cumberland Place elevation and the splay to the south western corner have been rendered.
The cathedral has a reinforced concrete frame clad externally with red brickwork and internally with cream brickwork. The dominant external expression is of a large rectangular box articulated by regularly spaced reinforced concrete arched window units surmounted by reinforced concrete spandrel panels and separated by brick piers to parapet height concealing a shallow pitched hipped roof. A single-storeyed verandah with a deep fascia to a horizontal awning supported by concrete columns is located along either side of the cathedral. The Abbott Street elevation comprises a wide central reinforced concrete arched window surmounting paired timber panelled entrance doors on which are housed the Coat of Arms of the previous Bishops of Cairns.
East Bend Church, also known as the Methodist Episcopal Church (South), is a historic church in Boone County, Kentucky near Rabbit Hash. It was added to the National Register of Historic Places in 1989. It is a gable-front building with four windows on each side. It has common bond brickwork.
The windows all have arches of contrasting tuck pointed brickwork. A rear addition exists with a low pitched gable roof. Internally the hall has its original floor of wide timber boards, painted brick walls, exposed king post trusses and boarded timber ceiling. The original fireplace in the east wall survives.
Below the apex is a panel with the rendered letters "D S & Co." (Daking-Smith & Co.). The brick piers divide the parapet and the window into three. The upper sashes of this window have leadlight stained glass. To each side of the window are small circular recesses in the brickwork.
The closed-in mass of the building conceals a garden shaped like an amphitheatre in its inner courtyard. The slender mass of the office wing is in white-painted, lightly rendered brickwork. From the working space upstairs, large windows give a view to both east and west. Upstairs working space.
The house was designed to be both a home for the family and the studio of an architect. The slender office wing is in white-painted, lightly rendered brickwork. The positioning of the windows still shows clear hints of functionalism. The residential part is clad with slender, dark-stained timber battens.
Each bay features three vertical sets of windows, with one wide set in the middle of each bay and narrower sets on its sides. Limestone coursing marks the top and bottom of the second-story windows and separates the clerestory windows from the rest. The parapet roof features ornamental brickwork.
The church of Borgolavezzaro (1858–1862) was also finished without the cupola, due to high costs. Noteworthy is the Basilica of San Gaudenzio in Novara, finished in 1887. It is an audacious construction in brickwork, standing 121 m tall. Also from him in Novara are the Casa Bossi and the Cathadral.
The other three facades are faced in red brick and fenestrated with nine-over-one double-hung sash trimmed with brownstone lintels. There are two bay windows on the north and south faces, toward the west corners. Around the base of the hipped roof is a cornice of corbeled brickwork.
In the service courtyard the ground floor window and door heads have been painted imitation tuck-pointed brickwork. Over the upper bay windows are elaborate twin gabled bracketed timber hoods. The windows below at ground level have louvered panels set into the arched heads. Internally the walls are of plaster.
The foundation is locally quarried rock-faced stone. There is a central entrance tower, which rises , and was the tallest structure in Keokuk County when it was built. The exterior features decorative brickwork pilasters and a mock cornice with denticulation. Two sacristies are located on either side of the apse.
A 1960s improvements scheme widened the entrance to the High Street from River Hill to the south which was very narrow, removing a few historic and picturesque buildings, replacing some with less ornate brickwork glass-fronted buildings suitable as shops. Subsequently, the High Street has developed into a local shopping centre.
Wirt C. Rowland, of the Smith, Hinchman & Grylls firm, was the building's architect. The building rises from a granite and stone six story base with two Corrado Parducci created sculptures flanking the Griswold Street entrance. The exterior blends brickwork with tile, limestone, and terra cotta. Rowland's attention to detail was meticulous.
Lady Dixon died in 1964, aged 92. The fountain situated in the park was renovated and a new fountain commissioned for the Queen's Golden Jubilee year. The Walled Garden used to provide fruit and vegetables for the house, which has a dummy window, painted on the brickwork to balance the exterior.
Much of its original form and detailing remain, including poly-chromatic decorative brickwork around the windows and doors, and masonry retaining walls that extend north to the railroad where they form the abutments of the Webster A venue Bridge. The words "The Knickerbocker Press" are still visible on the roof.
This photograph is circa 1938. The walls are of granite, the floors and ceilings of poured concrete with steel reinforcement, the roof is lined with copper. Woodwork, plaster, brickwork, and concrete were all specced to be of "first class materials and workmanship". Himmelwright estimated its lifespan at 400–500 years.
Apart from the parish church, the oldest remaining structure in Over now is believed to be the wall running down Fen End from the Willingham Road corner. The small patch of wall, now incorporated into newer brickwork, was believed by the late Ernie Papworth to have stood for over 500 years.
There are windows on each floor, with three windows on the south elevation. At its top there is a sawtooth cornice in brickwork, below curb track. The tower was topped with a white ogee cap which has been removed. A set of railings was installed around the top in 1980.
Portions of the Brookville tunnel were lined with brick for added strength, with the brickwork originally contracted to Joseph Dettor, a local brickmaker. Because of the poor quality of Dettor's bricks, Crozet decided to use these bricks on the Greenwood Tunnel to the east, which was a stronger bore than Brookville.
Interior of Saint-Jean-de-Montmartre Paul Cottancin (12 January 1865 - 1928) was a French engineer and a pioneer in the use of reinforced brickwork and concrete. He is known for the church of Saint-Jean-de-Montmartre in Paris, which he designed in collaboration with the architect Anatole de Baudot.
Load bearing brickwork supports partition walls. Ceilings are rendered flush based on half inch plaster blocks, attached to the soffit of the terra-cotta blocks. Flat roof structure similar to floor structure above. The building is in the Federation Romanesque style, an early example of the influence of American Romanesque.
Maisons Jaoul are a celebrated pair of houses in the upmarket Paris suburb of Neuilly-sur-Seine, designed by Le Corbusier and built in 1954–56. They are among his most important post-war buildings and feature a rugged aesthetic of unpainted cast concrete "béton brut" and roughly detailed brickwork.
The food shops have metal security doors that open upwards. The first floor level is delineated on the facade by a rendered stringcourse. All the windows on the upper level have round headed windows containing steel framed eight pane casements. The panels below the windows contain a decorative pattern of brickwork.
Above this, there is a choral window flanked by small pilasters with pinnacles. The bell tower was never completed and its brickwork can still be seen. The interior has a Latin cross layout, with a short principal nave and a cupola. There are a number of paintings along with altarpieces.
The adjacent Sunday school was added by a different architect. In the late 20th century, the founder of the Newfrontiers church Terry Virgo was minister at the church, which by then was called Clarendon Church. The building is Renaissance Revival in style and has yellow and red brickwork with terracotta decoration.
The steep roof descends to low sidewalls. The cornice has a three-course corbel at the eaves. Three low dormers protrude about one-third up the gable roof on the east and west elevations. The entrance facade is on the north side with an unadorned high gable and subtly patterned brickwork.
The north facing facade leads to a masjid, and the south facing facade leads to the Jamaat Khana. The facade is lit by a window in each of four recesses on each side. A white marble ledge projects from the lower portion of the brickwork. The walls here are vibrantly colored.
The advent during the mid twentieth century of the cavity wall saw the popularisation and development of another method of strengthening brickwork—the wall tie. A cavity wall comprises two totally discrete walls, separated by an air gap, which serves both as barrier to moisture and heat.Denzil Nield. Walls & Wall Facings.
The original power station from 1898 as well as all later extension have been constructed in red brick. Some existing roofs had to be raised to make space for technical installations in connection with the conversion 2011-14 conversion into a district cooling plant, creating a new superstructure in patterned brickwork.
There are moulded brick dripstones rising from plaster and terra cotta corbels. The window sills, plinths, mouldings and steps of buttresses are rendered in cement stucco. The buildings exterior is rough stone and brickwork with the brick pointed, in black and white mortar. The tower is tall with an octagonal spire.
In 1910 work commenced on extensions to the hotel. The top storey was added along with a front balcony with cast iron lacework. The walls were made of tuck-pointed brickwork with stucco bands and sills. The first floor level had 18 bedrooms, 5 bathrooms and toilets and a sitting room.
The four-storey building is in Queen Anne Revival style that was popular in the British Empire during the late Victorian and early Edwardian periods. The brickwork on the four corner towers is "bandaged", giving a polychromatic effect. It was blue, but was later painted red to suit the architectural style.
By contrast, extremely wealthy individuals would sometimes parade their ability to pay the tax, as a way of showing off their wealth, by flooding their properties with windows - even to the point of installing fake ones - using fine brickwork, covering their interiors with wallpaper, and having several fireplaces in each room.
Church of San Giuseppe San Giuseppe is a Roman Catholic church in Siena, Tuscany, Italy. The church was commissioned by the contrada dell'Onda and begun in 1521. Construction continued for the whole century. The façade, finished in 1653, is mostly in brickwork, with two superimposed orders divided by pilaster strips.
Canonbury Tower, photographed c. 1879, prior to the 1907–08 restoration. Before removal, one main trunk of ivy was thick and the growth had made holes square in the brickwork. In 1907–08 the 5th Marquess of Northampton completely restored the tower, preserving the original features where rebuilding was necessary.
The angled corner belfry tower and decorative brickwork are additional hallmarks of Mix's design. Perhaps the most striking feature is the rose window with elaborate tracery on the front facade, composed of teardrop-shaped stained-glass panes. The building was added to the National Register of Historic Places in 1975.
The brickwork throughout the hotel was built at a cost of $6,173. In April 1890, finishing touches were being applied to the Hotel. Even though the official opening wasn’t for another month, guests had already started occupying rooms. On May 1, 1890, The Hotel Redondo opened its doors to the public.
Wagner also designed 140 Franklin Street (1887), a building later converted to lofts, and 134-136 Spring Street, where clothing businesses were housed. He used terra cotta, Romanesque style stone and brickwork, and ornate ironwork in his buildings. Wagner's office was at 67 University Place. Frederick Lewis Wagner was his son.
6, 7, 8 and 9) and two workrooms (no. 3 and 4). The storage room walls were made of 0.2 m thick unreinforced concrete blocks, while the ceiling consisted of concrete hollow core slabs. The inner wall of the cavity walls were also concrete blocks while the outer wall was brickwork.
Architect M. Papandréou designed the pavilion, which was built between 1933 and 1934. Brenno Del Giudice, who led the Biennale's Sant'Elena expansion, also collaborated on the project. The pavilion's simple layout includes a T-shaped hall. Greek and diamond patterns adorn the brickwork, and Greco-Byzantine pointed arches line the portico.
More problems arose in the 1972 with the introduction of double deck carriages, which required the removal of brickwork in the top corners of the circular tunnel profile with the roadbed lowered. In the 1990s so-called medium width stock of , such as the Tangara trains, were allowed through Woy Woy Tunnel.
Fred Geiger and Sons National Biscuit Company is a historic biscuit factory building located in downtown Evansville, Indiana. It was built in 1894, and is a two-story, brick building. It features decorative brickwork, segemental arched openings, and limestone detailing. It housed Fred Geiger and Sons, a manufacturer for the National Biscuit Company.
The H.G. Newman Building is a historic commercial building located in downtown Evansville, Indiana. It was built in 1900, and is a two-story, Late Victorian style brick building. The building features decorative brickwork and parapet, and round arched openings. It was originally built to house a wholesale grocery and farmers' supply.
The main house is in the Queen Anne style, and has two stories plus an attic. It has red Flemish bond ashlar brickwork, with a tiled hipped roof, and large brick chimney stacks. The main house was listed by English Heritage on 29 December 1952, and is a Grade I listed building.
The Bladstrup Brickwork dates from 1893. In addition to the buildings, the landscape contains examples ornamental gardens, with fruit trees of old Funen varieties. The village also features livestock, most often of Danish breeds: Danish Red cattle, Frederiksborg horses, Danish Landrace goats, Danish Landrace sheep, Danish Landrace pigs and Danish landrace geese.
The building was rebuilt to the exact specifications of the original building and was reopened by Christmas of the same year and is still in operation. Today, when looking at the rear wall, lower left(Northern) portion of the structure, a distinct brick line exists that outlines surviving brickwork dating before 1899.
Considerable remains of a theatre in concrete faced with brickwork, erected, according to an inscription, in 43 BC, and in diameter, were excavated in 1838 and are still visible. An amphitheatre, less well preserved, also exists. Between the two is a water reservoir (called Bagno della Regina) connected with remains of baths.
The mansion was designed by Johan Wilhelm Hanrath, a Dutch architect from Hilversum in the traditionalist and rationalist styles. It has two above-ground floors, a basement, and an attic below its hip roof. The roof is covered with red roof tiles, and features two masonry chimneys. The mansion has Flemish bond brickwork.
Denman is depicted holding an architectural plan in this relief by Joseph Cribb above one of the ground- floor windows. Denman designed the building in a "well-mannered but individual Neo-Georgian style". The walls are of red brick with some Portland stonework. The brickwork is laid in the stretcher bond pattern.
The main facade faces Illinois Route 38 to the north, and the east facade faces South Fifth Street. The exterior is brick, covered in white paint. The east section of the building serviced pedestrians and the west section serviced vehicles. The brickwork is decoratively skintled (bricks are irregularly projecting at varying degrees).
The castle is constructed from stone masonry and brickwork. The curtain walls have ten towers in total. Four of the towers are circular and the other six are rectangular in shape. The towers are constructed of solid stone and rise to the height of the parapet at which there is a vaulted chamber.
The walls of the eastern office are of painted brickwork, while those in the western office are plaster. Timber skirtings and architraves within the western office are of a simple profile. Walls in the dangerous goods store are facebrick. The ceilings within all enclosures are lined with flat sheeting with rounded cover strips.
A steel roof with unique ventilation monitors tops the building. Other important features include unpainted decorative bricks with contrasting colours for pilasters and horizontal banding at first and second floor levels, which create a visual separation between floors. However, on the side elevation, the brickwork is uniform across all pilasters and banding.
The new section was named Lee Street and necessitated the extension of the overbridge to the east. Both these extensions were constructed using sandstone for the walls and vaulted arched brickwork. The tunnel and original overbridge are in good to moderate condition. There is evidence of damp and some cracking of masonry.
All have applied Stick style elements at the gable ends. The main floors are separated by a projecting belt course of brick. The upper level windows are set in segmented-arch openings, with flanking brickwork bracketed framing. The main entrance is sheltered by an elaborate porte-cochere with a shallow-pitch pyramidal roof.
Reconstruction work by the Victorians in the 19th century added some detailed brickwork to the building along with, most probably, some of the more ornate decoration to the outside. Specifically it replaced the 3 dormer windows with 6, and the porch was also reconstructed, along with other minor alterations and stone coping.
The Hawthorne Leslie building still standing in Hebburn has been the target of numerous arson attacks in recent years. This, combined with the presence of asbestos in the brickwork and the ease of access to children, has led to repeated calls from Hebburn residents and councillors for the building to be demolished.
The building was rebuilt to the exact specifications of the original building and was reopened by Christmas of the same year and is still in operation. Today, when looking at the rear wall, lower left (northern) portion of the structure, a distinct brick line exists that outlines surviving brickwork dating before 1899.
Sections of the original dressed stone from the pavilions and collapsed stone chimneys post 1989 earthquake, had been used as garden edging. Some of these elements have been able to be refixed in their original position. The chimneys were rebuilt in brickwork post earthquake, and have not been subject of further intervention.
He developed the Garreg Lwyd quarries, located on Court Farm land, as a brickworks, and used material from the quarry for his brick mixture. The brickwork project failed when the brick making machinery ran into technical difficulties. Probably as a result of these activities, a large front section of the quarry collapsed.
These are hardened bricks that are capable of withstanding enemy onslaught during sieges. The bricks have been laid smooth with the mortar, so the lines of the brickwork are clearly visible along with the mortar. This creates a distinctive pattern on the castle. The castle has been constructed in classic Mudéjar fashion.
The house reflects the construction methods and dwelling culture of its time. It was built in bondruk, consisting of timber framing filled in with brickwork, in this case mud brick. It has a basement, ground floor, mezzanine and first floor. The layout of its rooms is the result of regulation and uneven terrain.
The front facade features emphatic vertical piers and horizontal parallel lines, with concentration of ornament on upper part of the building. The monumental entrance is of textured face brickwork, with double sets of ornate double doors. The external windows are metal-framed. Internally, many of the original joinery and ornamental features remain intact.
Hobbs & Sons fish and chip shop and H Morrall's gentlemen's outfitters have been returned to 1935 condition. The shops come from Hall Street, Dudley and date from the late-18th century and refaced with bright red pressed brickwork in 1889. The tiled interior of Hobbs features restored hand-painted tiled wall panels.
There is no tower, spire or bell-turret. The style is Early English Gothic Revival. The only use of stone is on some of the exterior dressings and the corbels and capitals of the arcade piers. The brickwork is laid in the Flemish bond pattern, and the roof is of clay tiles.
The façade as built was entirely modern in form. Large metalframed windows provided light for each floor, separated by a possibly metal infill strip. The walls were constructed in mid-dark red brickwork. The stairwell and amenities on the southern side are highlighted with a strong vertical surround and smaller panel infill.
After about eighteen months in Australia his parents separated. His mother remarried but died of cancer when Mangels was fifteen. He left school at fourteen. Mangels had a large variety of jobs, being a chicken farmer before and after his first World Safari and his last being in Murray Bridge doing brickwork.
Seal of Shrewsbury Abbey, 1539. The original north and south transepts were demolished in 1540. The brickwork shows where they would have extended out from the body of the church. Evidence from the reign of King Henry VIII seems to show the abbey suffering from neglect and maladministration in its later years.
Smith Building was a historic commercial building located at Parkersburg, Wood County, West Virginia. It was built in 1898, and is a three-story, 18 bay, brick building. It featured corbeled hanging buttresses at the corners and curved brickwork. It once housed a bowling alley, but storefronts later occupied the first floor.
The exterior was of a neo-classical architecture, so consequently, did not look like the average cinema from the front. Now, as the building stands, the ornate decorations are in good condition. Above the old main entrance, some dirt interference smothers the brickwork. This is where "THE CHILTERN" logo was once on view.
The Miller Building was a two-story brick building. The Late Victorian style structure exemplified the variety of brickwork that was found in Davenport's commercial architecture. It featured a three-bay façade, cast iron shop front, keystone depressed round-arch windows, and a corbelled cornice. An addition had been built onto the back.
The English Bond brickwork construction is of a very high quality, particularly evident in the cellars, where arches support the walls above. The bricks are made from local clay. The lime in both the mortar and render is made from crushed oyster shell, with the latter clearly visible. The joinery throughout is cedar.
Valkendorfs Kollegium in 1749 The dormitory was founded on 26 February 1589 by the nobleman Christopher Valkendorf. The building he purchased was originally a monastery. The dormitory suffered a great deal during the Great Fire of Copenhagen in 1728. Though most of the brickwork survived, the building was rendered uninhabitable for several years.
The reasoning behind the stepped designs of mastabas is connected to the idea of "accession". Lateral penetration was a concern in when constructing tombs. In order to prevent damage to the structure, brickwork layers were placed around the base of structure. Mastabas from the old empire, took upon a pyramid design structure.
Internally the building has been modified; the evidence suggests that the building housed garage space in addition to the two guardhouse cells which remain in place. The upper floor is divided into three rooms probably used as offices. There are timber stairs with corbelled brickwork to internal openings in the Art Deco style.
The brickwork has been painted the same colour as the concrete balconies, and garden walls added on the Walsh Street side. The layout of the flats is largely unchanged, except for the opening out of many of the kitchens, and the conversion of the maids room in flat 5 to a dressing room.
It was a separate building in the rear yard of one storey with a gable roof now clad with galvanised corrugated steel. The windows are twelve-pane sliding sashes. A sandstock brick gable stable also lies in the rear yard. The brickwork is in Flemish bond; the roof is clad with timber shingles.
Hajoca Corporation Headquarters and Showroom is a historic commercial building located in the University City neighborhood of Philadelphia, Pennsylvania. The original section was built in 1921, and expanded in 1930. It is a two-story, flat roofed building in the Art Deco style. It is clad in limestone and features decorative brickwork.
Nearly all the early schools were in a similar Victorian Gothic Revival style, usually picturesque, but some symmetrical, with walls of face brick, usually brown, a few in bluestone, with highlights in contrasting brickwork, pointed arch windows, steep slate roofs, prominent gables, some with jerkinhead roofs, and a small bell tower, usually over the entrance. A range of much smaller, simpler rural schools, sometimes on timber, were also designed, also in this Gothic idiom. Schools of the later 1870s and the 1880s were more elaborate, with polychrome brickwork, Gothic traceried windows and prominent towers, some with a more Queen Anne or Tudor character. By the early 1880s, the department had built over 600 schools across Victoria, and a large majority are still functioning as schools.
View of the building's remains in 1908, showing the brickwork pattern. The edifice had a rectangular plan, with sides of 6.20 m and 3.50 m, and was originally composed of two storeys, consisting of an above ground chapel and a subterranean crypt. The chapel was surmounted by a dome with pendentives insisting on two transverse arches across the walls, and ended towards North with a Bema and a polygonal apse adorned externally with niches, while the crypt was surmounted by a barrel vault and had also a simple apse. The edifice's brickwork consisted of courses of three or four rows of white stones alternating with a row of red bricks, obtaining a chromatic effect typical of the late Byzantine period.
Camden Post Office is at 135 Argyle Street, Camden, comprising the whole of Lot 15 DP751265. The original Camden Post Office dates from 1882 in the era of Colonial Architect James Barnet, and this early core was buried beneath Edwardian additions (under the aegis of architect Walter Liberty Vernon), which have been dated at 1898 (the post hall, mail and service rooms, quarters), and 1910 (telephone exchange).Warmington and Ward However, the original building is still visible from some viewpoints, albeit concealed from Argyle Street by the later addition. The brickwork of the rear single-storey section is different in colour (darker) to the brickwork on the front two- storey section, and the roof of the rear section is corrugated galvanised steel sheeting.
The cathedral design used expressed and unadorned brick (a common and under appreciated material at the time) to create layers of patterned courses with a single flying buttress, arching, toothing and moulded brickwork. The final achievement was an intricate, elaborate and imaginative building that was distinctly different from the traditional church form and character of the period. While not a large building, the cathedral was the first significant brick church construction of John Horbury Hunt and is regarded as being one of his finest works. The design deliberately complicated rather than simplified the space and detailing and by celebrating the structural and decorative nature of brickwork, Hunt and Turner created a building that was "unlike no other (sic) Gothic building that existed in Australia in the 1870s".
2 September 2006 Construction progress was hindered by repeat vandalism, with the toppling of freshly laid brickwork on several occasions.Main Line, No.107, Winter 1999 Brickwork was complete to roof level by late January 2000,Main Line, No.108, Spring 2000 with a variety of fitting-out, including connection to services and the installation of roller-shutter doors, plastering, and decoration, taking place throughout mid-2000.Main Line, No.109, Summer 2000Main Line, No.110, Autumn 2000 Shortly after, however, the contractor was unable to continue work, and further progress would not take place until July 2001 after a new contractor was assigned to complete the building and tarmac the platform.Great Central Railway on-line news, 2001 The building opened for public use soon after.
The university occupies a central location within the city of Cambridge, with the students taking up a significant proportion (nearly 20%) of the town's population and heavily affecting the age structure. Most of the older colleges are situated nearby the city centre and river Cam, along which it is traditional to punt to appreciate the buildings and surroundings. Examples of notable buildings include King's College Chapel, the history faculty building designed by James Stirling; and the Cripps Building at St John's College./ The brickwork of several of the colleges is also notable: Queens' College contains "some of the earliest patterned brickwork in the country" and the brick walls of St John's College provide examples of English bond, Flemish bond and Running bond.
MAJOR STRUCTURES - Managed by RailCorp Station Building - type 5, first class (1880, 1923) Railway Refreshment Rooms (1885, 1912) houses the Rail Journeys Museum Luggage Room (1902) Signal Box (1925) Platform face (1880) Footbridge (1893) Australian Railway Monument (2005) MAJOR STRUCTURES - Managed by ARTC Station Master's Residence (1913) Workshop, and Staff Hut Former gas retort building, Down side Former electricity generator building Down side STATION BUILDING, LUGGAGE ROOM AND RRR (1880 - 1923) The station and RRR buildings present as grand two-storey Victorian Free Classical buildings. The original facades of the 1885 buildings remain largely intact. The facade expresses the load bearing-wall construction of painted stone and a rich red face brickwork. Brickwork is Flemish bond with white tuck pointing.
Solid brickwork was generally rare and to be seen in buildings constructed from the 5th to the 12th century in Byzantium and Byzantine-influenced areas. Architecture historian Margarita Koeva considers the church one of the prime examples of the changes which ensued in the modern Bulgarian lands following the Edict of Milan of 313.
The double tenement is three and one-half stories of brick on a high brick basement. The brickwork is laid in Flemish bond on the facade with English bond on the sides. The building was acquired by Charleston County in 1967 and used for county offices. The Blake Tenements were shown on a 1788 plat.
Dhodap from Otur Dhodap from Hatti "Cow of stone" The top of the fort was built using a combination of dressed stone and brickwork. There is a tank with an idol of Lord Hanuman and a tunnel 5m wide. The fort has a pointed cliff named Shembi. One can find caves at the base.
Current renovations to Biddeford's City Theater include re- pointing the exterior brickwork and improving the stage floor and restrooms. City Theater currently runs a year-round season of theater, music and dance performances. Additionally, the theater has recently added community theater and youth opera and developed an ongoing relationship with the University of New England.
Later in that century, smooth red brickwork became more common. Yellowish stock bricks were popular in the 19th century for non- residential buildings and walls which were not readily visible. Different coloured bricks, such as brown and grey-blue, were often used in quoins and dressings on walls made of flint or red bricks.
Room 8 is of timber slab construction sheeted externally with tapered weatherboards fixed horizontally. These are handsawn and thus may date as late as 1870 but are more likely to be pre-1860. There is a good deal of subsidence particularly in the north west corner. The walls have moved away from the chimney brickwork.
The nave of the church was designed by William H. Clayton and built in 1865; the transepts and chancel, designed by William Mason were added in 1873. All Saints is an example of gothic revival architecture. A notable architectural feature is the polychrome brickwork. The bricks came from the brickworks in Filleul Street, Dunedin.
The castle interior is accessible where the newer brickwork and older stonework meet; another opening on the southwest side of the castle is located in a wall built of limestone. Tevrakar Castle is the only castle accessible in the region that was built with abnormally large stonework. It was constructed in the "Urartakannerin" style.
While thirty-two different architects designed homes in the district, the bungalows are still relatively similar, as the uniform building design was a major factor in their affordability; however, elements such as color and brickwork distinguish the individual homes. The district was added to the National Register of Historic Places on October 9, 2012.
Carr Forge Dam is a dam located in the centre of the reserve. The dam dates back to the Tudor dynasty, and most of the brickwork still remains. The dam is now mainly used as a wildlife pond, with toads, frogs and other species including the endangered Great Crested Newt breeding in the marshes.
At its highest, there were thousands of different caravanserais scattered along the Silk Road. However, most of them have been completely demolished and only the masterpieces, like Dayahatyn, are left along the Silk Road. Its artistic excellence makes Dayahatyn the most fascinating caravanserai in Turkmenistan. It represents the gorgeous brickwork of the 11th century.
Then, in 1876, the architect Ewan Christian was engaged to install bay windows and add decorative brickwork to give the house the Jacobethan appearance which can still be seen from the gardens today. Some of the exterior of the older parts of the house can be seen from the driveway next to the theatre.
The Sandcliff Hotel was designed by architect George John Skipper in 1894Pretty Villas & Capacious Hotels: By Cromer Preservation Society Guides No:3 ;Edited by F.J Weatherhead: Published:2006 and was built by Ambrose Fox and opened in 1895. The façades are of red brick interweaved with ornamental brickwork and well crafted panels of knapped flintwork.
It features a plain, shallow stepped string-course along with several tie plates. Several changes of the structure have been performed over time. The arch voussoirs, which were originally composed of stone, have been replaced with brick counterparts. Repairs to the structure have largely used red engineering bricks, somewhat similar to the original brickwork.
It can be accessed through a modern opening obtained by enlarging an ancient window. The original structure was a rotunda with an inner circle of columns supporting a dome. The central chamber is a room covered by a lowered dome constructed of brickwork with a height of and a diameter of .Eyice (1955), p. 93.
Westport, Conn: Greenwood Press, 2005. The Western wall which served as the main entrance is unique in how the arcade is articulated. This facade has a lobed arch, horseshoe arch, and a wider version of a horseshoe arch. Brickwork arches provide the decoration for the facade which are influenced by the architecture in Córdoba.
The third is painted and bagged brickwork with concrete screed on stone flagging and includes original timber window and door frames and timber lintels. Now a kitchen, this room has been suggested to have been a harness room, although evidence of this harness room does not clearly suggest that this is the correct location.
In 1942, with almost 100 staff in the Weston store, the shop was almost entirely destroyed by bombing. It was later redesigned and rebuilt, but the back stock rooms are still original brickwork. After the war, Charles’ sons Peter and Roger joined the business. In 1954 the store celebrated 50 years of trading in Weston.
The station and its sidings were officially closed as of Monday 3 October 1983. The station was demolished shortly afterwards. During an archaeological excavation in March 1994, the arched foundation brickwork of the station subway was found.Archaeological digs from 1994 The site of the station buildings has since been redeveloped with small industrial units.
Wilson Junior High School is a historic junior high school located at Muncie, Delaware County, Indiana. It was built in 1921, and is a three-story, "U"-shaped, Classical Revival style brick veneer building with a flat roof. Additions were made to the original building in 1927, 1954, and 1964. The building features ornamental brickwork.
Opening off the entrance was a library and a room known as the Endeavour Room. The new school cost £3,000. The contractor was W Betts and the brickwork was undertaken by John Mackenzie. In 1938, the Church acquired the adjoining residence Keiraville previously owned by the Cribb family who were prominent members of the church.
The building follows an irregular plan that conforms to the irregularly shaped site. It is also the terminus of a significant urban view in town. The structure features brickwork and cast concrete trim in chevron patterns there were popular in Art Deco decor. It was added to the National Register of Historic Places in 2000.
Vertical wires run through these perforations, and are interwoven with horizontal wires that run through each bed joint. Inside, a gallery wide is cantilevered from three walls. The roof has an octagonal dome with of reinforced concrete resting on an inner skin of reinforced brickwork. A decorative lantern tower and ventilation turret tops the dome.
Brickwork quoins ornament the building corners with cast stone keystones and sills at each of the window openings. On the first floor, sash is the original 12/12. On the second floor, the dormer window openings are arched with 8/8 Gothic sash. The center entry has a double leaf replacement glass and aluminum door.
The brickwork detailing has been happily adapted from the Edwardian to echo traditional construction. Inside the temple is an altar with embroidered images of Kwan Ti and his guards. Racks hold Kwan Ti's Red Hair Horse and weapons. Engraved couplets and prayers hang on the walls in front of a huge drum and gong.
Sign at Belleville Gate entrance. Many buildings on the base are made with a similar style of brickwork. In 1957, Military Air Transport Service (MATS) moved to Scott AFB to help facilitate management of its east and west coast units, and between July and October 1957, ATC transferred its headquarters to Randolph AFB, Texas.
Pictures of Masjid Agung Demak at the end of the 19th century Its walls contain Vietnamese ceramics. With their shapes derived from conventions of Javanese woodcarving and brickwork, they are thought to have been specially ordered. The use of ceramic rather than stone is thought to have been in imitation of the mosques of Persia.
Kilsyth Terrace is a historic series of townhouses at 15–27 Kilsyth Road in Brookline, Massachusetts. The Chateau-style townhouses were designed by J. Williams Beal and built in 1892. They are 3-1/2 story townhouses, built of yellow brick with Roxbury stone trim. Notable features include turrets, arched entrances and corbelled brickwork.
The Lyman Woodard Furniture and Casket Company Building is a large Commercial Italianate brick factory building, containing several connecting production areas, ranging from two to five stories high. The factory has simple four- over-four double hung sash windows in bowed arch openings. The brickwork features brick bandcourses and pilasters, and a trabeated brick corniceline.
Apex Leisure and Wildlife Park is an urban park and wildlife centre in Highbridge, Somerset, England. The park was created on the site of a former clay pit and brickwork manufacturing site and provides a link between Highbridge and Burnham-on-Sea. There are various facilities including an outdoor gym, a lake and birdlife.
The building has concrete foundations, staircase, verandah floors and strong room. The external and internal walls are rendered brickwork. Internally the floors are timber The terracotta tiled roof is pyramid-shaped, with wide-eaves. The principal facade of the building facing Goondoon Street has a central recessed entrance porch which leads to the banking chamber.
Its architectural features include distinctive terracotta decorations on brickwork, octagonal turrets and stacks, winged gryphons on the porch, and plaster wall panels by Kent painted in Chinese style by Belgian Jean Derraux. The old orangery (now the centre's bar), has a decorative parapet and banded piers. Many of the doors feature small paintings above them.
The main entrance is recessed in this bay, under a rounded archway. The outside of the arch is decorated with projecting brickwork, and the building corners have brick quoining. Front- facing windows have large fixed panes topped by smaller transom windows. The building was designed by Frederick W. Stickney, and built in 1895-96.
The vocational home of the college, Freemen's Park has a professional hair and beauty salon, working kitchens which supply a bistro and silver service restaurant and construction workshops where learners can train in plumbing, brickwork, woodwork, painting and decorating. A food manufacturing innovation suite was officially opened at Freemen's Park on 3 November 2009.
An unusual construction method of single skin brickwork reinforced with timber framing was used in a surviving section of the earlier kitchen wing. This was presumably used for food storage. The original section of the servant's wing, or the eastern side, has a concrete floor. The additional rooms have timber floor, walls and ceiling.
To the north are buildings that sit close to this structure. The yellow brickwork is the primary decorative element on the building. Both gables feature geometric shapes in that suggest "wings" and radiate from a circular window encircled in yellow brick. It is also used for corbels and the string course at the roof.
At the top of doors and windows, bricks are laid in decorative patterns to form hoods. More decorative brickwork is located under the second story eaves. The house has six exterior doorways, some opening onto the porch. The first and second story windows are one-over- one wood sash and frame unit with stone sills.
The western extension is of three floors entered by a separate ground floor door. The stair is housed in a turret and gives access to three floors with a single room on each floor. There is no communication between the extension and the original structure. The brickwork is in English bond with moulded string courses.
The original church consisted of a high, long brick building without much adornment, constructed of small Dutch bricks. The brickwork was laid in a cross-linking pattern of yellow and red stripes, obscured by accumulated dirt. Alterations and repairs in 1675 may have changed the building's appearance. The current exterior dates to the 1870 renovation.
Other notable remains were found in the garden of the Sisters of Jesus and Mary, which is probably planted over the hypocaust system which was used to heat the water. The building structure is made up of a core of peperino gravel cement, broken up by stretches of brickwork and faced with mattone bricks.
Bryan Ward-Perkins, The Fall of Rome: And the End of Civilization, pp. 91-92. Oxford University Press, 2005. . Little now remains of the Horrea Galbae. Walls and brickwork, dating probably from the 1st century AD, have been discovered by archaeologists along with large lead pipes bearing inscriptions from Hadrian's reign in the following century.
In the chancel is a large 14th-century seven-light east window with complex tracery. On the south side of the chancel is a low door flanked by two tall 14th-century three-light windows. There are two similar windows on the north side. The vestry is constructed in English bond brickwork on a plinth.
The openings on the ground floor are all of arched brickwork with moulded keystones. The main entrance has a pair of timber doors with a fanlight above and a prominent keystone. The division between levels is emphasised by a moulded stringcourse and cornice. This carries the wording "KURILPA LIBRARY" above the entry in bronze lettering.
After many years of remaining relatively intact (with trains still running beneath the train shed until the track layout was redesigned), it continued to operate as a car park for some years. In July 2017, Q-Park opened a brand new car park called Deansgate North, restoring the original red brickwork of the Exchange Station.
At the time of its National Register listing in 1980, most of the distinctive front bay's brickwork and mortar were original, as were the decorative woodwork elements, which were carved to fit its curve. The bricks for the house were locally made, and those for the rounded section were custom-moulded for the purpose.
Carolina Theater was a historic movie theater located at Fayetteville, Cumberland County, North Carolina. It was built in 1927, and was an oversize two-story brick rectangular building in the Moorish Revival style. The front facade featured terra cotta, clay, brickwork, and decorative stone or concrete friezework. The theater closed on October 19, 1978.
It is also rumoured that William Shakespeare spent time at Polesworth. Polesworth Hall no longer exists, as it was demolished around 1870, and replaced by the vicarage. In around 1509 Thomas Cockayne constructed Pooley Hall, which today includes some of the oldest brickwork in the country. The hall still exists and overlooks Pooley View.
Two window openings on the WNW side of the building have been bricked up however the flat arches of these window openings are still visible in the brickwork. The building and an older metal ladder at the ESE end of the front verandah. For comfort some modern features have been added to the building.
The foundation stone was laid in 1822. The oldest part of the church consists of the nave and tower which were constructed in a neo-classical style. The rooves of the nave and tower are in slate and lead respectively. The walls are of dark red handmade brickwork, with large diamond-pattern coloured windows.
The bays to either side of the first floor balcony have oriel windows with decorative mouldings. The oriel windows are framed by rendered squared Corinthian pilasters. Windows flanking the central arches are surrounded by rendered architraves with a centred decorative moulded motif. Tuck-pointed brickwork continues along the eastern end of the northern elevation.
The Brick House on Shun Pike, near Nicholasville, Kentucky, was listed on the National Register of Historic Places in 1984. The listing included four contributing buildings on . The house is a five-bay one-story brick central passage plan house, with an original brick ell and brick end chimneys. The brickwork is Flemish bond.
Between the two towers, the main nave has an attic gable. The church was built using Gothic brick in Polish brickwork. The church's architectural style is characterised by the linkage of red-bricked walls with a bright, smooth architectural design. The brick elevation contrast ideally with the light-coloured plaster and sandstone architectural feature.
Its walls were of cavity brick, and cloakroom floors were concrete. The roof over the addition was finished with a fleche. Elevations were completed to harmonise with the existing building: brickwork above a cement bank course at first floor level was roughcast; and the face bricks below were finished with white struck joints. The extension cost .
Excavation work had begun by April 4; the building hosted its first plays around November. The building is three-stories, standing above the mostly two-story buildings around it. Queen Anne style is evident in the corner tower, the dormers that break up the roofline, and the varied textures of the brickwork. Romanesque Revival shows in the round arches.
The brickwork of the exterior walls is exposed internally (some have been painted). The floors are concrete (with modern linings) and the ceilings are lined in VJ timber. Window openings are timber-framed and have tall sill heights. Most internal partitions have been altered and toilets have been replaced by modern units - these are not of cultural heritage significance.
In Hove, the Conway Redevelopment Scheme lasted from April 1966 until July 1967. Hundreds of slum houses were replaced by five towers with between 54 and 72 flats each; the ten-storey Conway Court is the tallest. Dark red and buff brickwork, small areas of blue plastic panelling and recessed balconies characterise the buildings. About £2 million was spent.
The sides and rear of the building are of unpainted brickwork. Also to the rear facade but smaller than that of the front is a semi-circular leadlight window. Service access to the rear is via a laneway. Internally, the building has a mezzanine level around a central well, with substantial columns of steel and timber.
1962, Oktyabrskaya station, also known as the "October" station was another joint design project by Aleshina with Strelkov and Vdovin. The design was reflective of in the 1960s. The station featured a wide, sloping canopy over the glass entrance. The front façade was divided into the glassed area and an open brickwork lattice with alternating vertical and horizontal holes.
In 1928 the Rialto began to show talkies. The Rialto measures by on a prominent corner site. The brick facade is plain in form but the brickwork is extensively detailed. A tall neon sign marks the corner, replacing the original metal sign and a marquee was added, covering the original leaded glass transoms over the storefronts.
The 36 m-tall bell tower has a simple brickwork appearance, but was originally also to be covered with marble plates. It was finished in the late 15th-early 16th centuries by the Florentine architect Donato Benti. In the interior is a curious helicoidal staircase. The baptistery (1786) was originally a 17th- century oratory dedicated to St. Hyacinth.
The move took place on February 14–15, 2004, and was successful in avoiding damage to the brickwork and the fragile central staircase. At its new site, the house was set on a concrete foundation which had been prepared for it. The Roundtown Conservancy plans to restore the building and possibly use it as a museum.
The armory was built in 1938 with funds provided by the Works Progress Administration. The brick building consists of a central block with tall vertical windows, two flanking sections, and two end sections. The brickwork and windows are reflective of Art Deco style architecture. It was added to the National Register of Historic Places in 1992.
Begun in 1828 and finished in 1829, the design of the home is Federal-style. The house was built on that Alsop purchased in 1821. The relatively modest-sized Kenmore is unusual for Alsop in that it was designed with a narrow central hallway and a spiral staircase. Another unusual aspect of the house is the brickwork.
The viaduct required about 30 million bricks, most of which were fired onsite. W. H. Lorden was the subcontractor for the brickwork, while the bricks themselves were produced by R. Holmes. Additional construction materials included of concrete and of stone. Barrow lime for concrete and mortar was supplied by Ellis and Sons of Mountsorrel Junction, Leicester.
A travelling timber gantry had to be constructed to take the remainder of the station roof down safely. The replacement was a utilitarian post and girder structure supporting a ridge and furrow roof. The curve of the original roof design can still be seen on the interior brickwork. The station was partially re-opened on 19 March 1906.
Cut stone frames the building's windows and entrances. Decorative tiles and brickwork accent the window openings. The building has four arched entrance portals, one on each side. The main (and most ornate) entrance is on the north side, and includes flanking Romanesque columns and the inscription "Barry County" with the date of construction carved above the arch.
But the front of the house is of exposed, apricot-brown brickwork, speckled with crushed coal. And the unusual bay window features a triangular pointed frame unique in Glebe.Smith, 1989 The decorative enframement of windows and doors is expressed with considerable vigour. The sandstone lintels are carved from one block to simulate segmental arches, some with prominent keystones.
Every bare brickwork the visitors used as a "roof over their head", as a place to sleep. Anyhow, the thefts, damages of property or even riots the inhabitants had feared held off. Accounts about the number of participating visitors at the festival vary. The number is supposed to be over 100,000, which, considering the area, is not entirely unlikely.
The current edifice dates from 1753, designed by Carlo Corbellini; the façade is from 1861. The brickwork bell tower (probably dating from the 12th century) has two thin Romanesque mullioned windows at the base. The church was damaged by Austrian shelling during their successful siege of the city in 1849 during the First Italian War of Independence.
Each fort was ringed by a ditch ten metres > wide and eight metres deep, with walls revetted with brickwork. Across the > ditch was a bridge, leading to one of the upper storeys. Among the forts, to > the rear, there were one-storey brick bunkers. These were clad in concrete > almost a full metre thick, and were used as stores.
Timber work in the house is as unusual as the brickwork. The carpenter raised the roof in common rafter pairs with rafters set flat, as is typical of early work. He spiked the rafters to a tilted false plate. While one would expect these details, the setting of the false plate directly over the brick wall is unusual.
The school was named after its major benefactor, Nathan Matthews, Esq. of Boston. Its building, designed by architect Thayer from Boston, was created to complement is sister schools Jarvis Hall and the Colorado School of Mines on campus. It was a beautiful combination Gothic and Second Empire styled brick edifice with a central bell tower entrance and ornamental brickwork.
Its door and window openings have round-arch tops highlighted by light-colored trim. A line of corbeled brickwork separates the two floors, and there is more elaborate corbelling at the cornice. A carriage house with similar styling stands to the rear. The port of Barnstable was one of the busiest in Massachusetts in the 19th century.
The brickwork of the large chedi is left mostly bare; this in contrast to the, often recently, stuccoed chedis of other temples in Chiang Mai. Of note are the finely sculptured Nāgas and wooden temple façade. The temple is aligned along a north–south axis – most Buddhist temples are orientated towards the east, towards the rising sun.
The property's ancillary buildings include an engine house, garage, waste house, and storehouse. A freestanding brick chimney rises , with corbelled brickwork at the top. The mill was organized in 1889 and built in 1890 from native Fall River granite. It had a capacity of 45,000 spindles at its peak in the 1910s, and produced printed cloth and other textiles.
Baker Street Mill has an octagonal two-storey brick base, the walls of which are almost thick at ground level. The base is across the flats and high, the brickwork at the top of the base is about thick. The smock is from sill to curb. The mill is diameter at the curb, the cant posts being about square.
A well defined cornice and a small white pedimented porch with four columns shading the front door add dignity to the facade. The central block is two stories high and wide by deep. Windows are nine-over-nine sashes, with the second floor windows somewhat smaller than the first. The brickwork is laid in Flemish bond.
Green Paddocks is constructed in brown brick with red tile roofs; it has two storeys and attics. The entrance front is symmetrical in three bays, with the central bay projecting forwards. The central bay has an arched doorway with a twelve-panelled door. Above this is panelled brickwork and a mullioned window, and over this is a pargetted gable.
The fernery enclosure has a skillion roof with steel truss framing, clad primarily with steel caging panels and shade cloth. The fernery walls are solid brickwork up to waist height with brick piers supporting the roof structure. Window openings between the piers are in-filled with steel caging panels. Two doorways open onto the park, one at either end.
Hughenden Manor, the entrance facade. Under Lamb's hand, classical Georgian features were swept away as he "dramatised" the house. Lamb worked in a hybrid baronial form of Gothic architecture, with exposed and angular juxtaposing brickwork surmounted by stepped battlements with diagonal pinnacles. The uppermost windows of the thirteen bayed garden facade were given unusual pediments – appearing almost as machicolations.
The lighthouse on a late 19th century postcard The first lighthouse in the location was built in 1828 when the town was part of the Kingdom of Prussia and called Swinemünde. The current structure is from 1857. The cross- section of the entire 1857 tower was octagonal. However, in 1902–1903 the tower was restored to repair spalled brickwork.
Some architectural features were removed. Church and Holovan house Restoring the church in 1990s, the Baptist community of Lutsk became the new owner as a result of the terms of the Church Restitution in Ukraine. The dusty brickwork was cleaned and war damage was repaired. The community restored the spire and installed a cross on the central bell spire.
The parapet is castellated and in the centre is a badge bearing the crest of the Society. The rear facade facing Burnett Lane is rendered brickwork lined to suggest stonework. There are four window openings, with sandstone sills, on each level. The window openings have Tudor arched heads which are emphasised by a continuous hood mould.
The bridge, designed by Augusto Antonelli with the name Ponte delle Milizie, was begun in 1924 and completed five years after; it was inaugurated on April 21, 1929 as Ponte del Littorio. After World War II it was dedicated to the socialist politician Giacomo Matteotti, who was kidnapped nearby. The bridge has three brickwork arches and is long.
It is created with a grapevine jointer, which is a metal blade with a raised bead that creates an indented line in the center of the mortar joint. These lines are often rough and wavy, simulating the generally straight yet slightly irregular appearance of a grapevine. It is commonly used on matte-finish and antique-finish brickwork.
The pine skirting boards are of recent construction. Fastened to the wall opposite the door are three groups of cables passing through the floor. These cables run vertically up the wall and are held in place by a long wooden beam extending the length of the wall. The beam is fastened to the brickwork by bolts.
This building (Building 50) was built in 1918 as the post firehouse. It had a capacity of one truck and seven beds. The brickwork covering the old vehicle entrance in the front can still be seen under the small portico. In 1941, it was converted into the post office and used in that capacity until December 2002.
Glenbrook tunnel has local significance as being representative of tunnels constructed on the Main Western Line from the 1890s and into the early twentieth century to cater for increasing traffic on the railway line. The tunnel is a fine example of engineering in brickwork, displaying a substantial vaulted form of elliptical cross section, double curved in plan.
It has a gate in it, leading to Austin's house. The curve of the cul-de-sac allows the play area to be roughly equal in distance from each house's back door. Not everything that appears in the imaginary world has a real-world counterpart. Often trees, boulders, brickwork, or similar objects appear where nothing originally existed.
According to historic sources site was occupied by sacred buildings from time of Principality of Halych. Archaeological excavations and analysis of brickwork confirmed existence of the church from Kievan Rus' time.Rybenchuk M. (2011) Symmetry of Architecture. Restoration of the architectural monument of 1419 - building of the catholic church and monastery of franciscanes in Horodok, Lviv region, Ukraine -P.
Urbana and Chicago: University of Illinois Press. pp. 111-112. Owing to the decay of the brickwork, the garden was restored in the summer of 2010. Large parts of the walls were entirely demolished and rebuilt. Eight stone fruit baskets and six orb finials, or globe stones, dating from 1905 were restored to the new walls.
Construction is of traditional load bearing brickwork with timber framed floors and roof. Attic rooms are lit by three dormer windows facing to the rear. Internally, it comprises a central corridor with front and back rooms opening on each side. The hallway leads to the original cedar staircase, giving access to upper level rooms and to the rear yard.
The four-story home is Queen Anne in style. The front façade is dominated by an 80-foot tower, on either side of which bay window protrude. The windows are symmetric about the front, and a large stone carrying the building's name is set between the second and third floor. Artistic brickwork and painted bandcourses finish the exterior.
Many buses travel along Broadway. A distinctive landmark in Ultimo is the former railway viaduct that now carries the light rail through Wentworth Park. The viaduct was built in 1922 and consists primarily of twenty-three brick arches. It is considered "an outstanding example of engineering brickwork" and is listed on the Register of the National Estate.
The eastern end of the building contains mainly public spaces, and from it run two parallel accommodation wings along the northern and southern boundaries. These have simple elevations of face brickwork and window penetrations. Between these wings a roof has been added enclosing the lightwell below. The rear of the site extends into an extensive public carpark.
The Boyne City Water Works Building is a single-story rectangular brick gable-roof structure measuring twenty feet in width by fifty feet in length. It sits on a concrete foundation. Buttress piers project slightly at the corners, and divide the side walls into three sections. Corbelled brickwork runs between the upper ends of the piers.
The brickwork is red sandstone which was laid down during the Triassic Period, with dressings of Hamstone. The interior includes a fan-vaulted rood screen, which was previously larger but parts of it were removed in 1803. The Anglican parish is within the benefice of Milverton with Halse, Fitzhead and Ash Priors within the archdeaconry of Taunton.
O. glaber has also been found in mountain forests, wet forests, in pastures, garden flower tubs and dried palmetto frond. It is found at altitudes of between above sea level. In buildings and structures, O. glaber nests in crevices and cavities such as rockeries, paving and in brickwork. It also nests in ceilings, walls, and subfloor areas.
Around of brickwork was built and of stairway. On 18 October 1896 the monument was inaugurated in the presence of Emperor William II and Empress Augusta Victoria during the opening ceremony in which between 15,000 and 20,000 people took part. In the Weimar Republic, the emperor had abdicated, so the monument's 25th anniversary passed without being marked.
It was built with Flemish bond brickwork and a high stone foundation. Its asymmetrical windows divide the house into two sections, but they appear to have been built at the same time. The windows are unusually large for a house of its period. The interior has retained much of its original appearance and includes fine Georgian panelling.
It has jarrah woodwork throughout. The Schoolroom (1872) is to the rear of Trinity Hall and is built of similar brickwork to Trinity Hall with a timber roof. Trinity Church (1893) has probably the most distinctive architecture style amongst the churches in the City of Perth, which are predominantly in the Gothic idiom. Trinity is of Romanesque Revival style.
At the time it was built, the stack was the tallest masonry, brickwork structure and chimney of any kind in the world and it remains the world's tallest surviving masonry structure. Taller masonry chimneys have existed but have since been demolished. Taller chimneys that still exist are made of reinforced concrete. See List of tallest chimneys.
The center wall of the portal possesses a door that leads to a dihliz, or threshold. The two walls immediately next to the doorway are niched. Three windows above the door and niches allow light into the second floor. The brickwork is glazed turquoise and black in a banai style and laid in a chevron pattern.
The Hameldon building houses the College's Construction and Motor Engineering workshops, along with several classrooms and meeting rooms. The Motor Engineering department is made up of the Carl Fogarty Technology Centre and the Motorcycle Workshop. The Construction Department has art workshops for different trade areas. These include: Painting & Decorating, Carpentry & Joinery, Brickwork, Plumbing, Gas, Floor Covering, and Plastering.
In 1674 it was described as stables and barns lately built, like unto a small Town. Some of the stone window mullions may have been re-used from the castle. The brickwork is bonded irregularly, with a decorative course consisting of a serrated band of bricks laid at an angle. The triple chimney stack is also built of brick.
The storehouse is a three-story brick structure with additional attic space within the hip roof. It measures 40 × 40 feet, plus centrally located projections, the front one of which is a tower. The building has square head entrances and limestone trim, including a second story beltcourse. The tower has a hip roof and corbelled brickwork below a frieze.
The interior of the building is lined with timber panels which are printed with words and texts created by the family. The exterior of the building is clad in black zinc. The front fence displays the two street names of the building's corner address. These are rendered in 2 metre high letters using decorative corbelled brickwork.
Constructed of red brick, the rectangular building rises three stories and has some decorative brickwork along the roofline. The property was designed with a small front lawn to blend into what was at the time a mixed commercial and residential neighborhood, owing to the early-20th-century need of workers to live close to their places of employment.
In the 19th century the buildings were in very bad condition; the Doussaut de la Primaudiere helped by their son-in-law renovated the castle with modern techniques. The main staircase was doubled in the West Dungeon. They opened a mullion window to create an extra room. The interior layout has been redefined by brickwork walls and plasterwork.
The house's exterior is decorated with brickwork patterns, a slight departure from the ornamental woodwork usually used to side Queen Anne homes. The hipped roof of the house features cross gables, a cone atop the turret, and several pinnacles and spires. The house was added to the National Register of Historic Places on September 14, 2015.
Included are the mixing proportions for mortars in masonry, brickwork and glazed tile. The book provides hand-drawn illustrations of all the practices and standards. He outlined structural carpentry in great detail, providing standard dimensional measurements for all the components. For instance, Li developed a standard 8-rank grading system for different sizes of timber elements.
The entirely ruinous interior has extensive brickwork and concrete supports; the ground floor is vaulted. The entrance door is unusually wide and low, with carvings above. The building is domestic, rather than military in style, with corbie-stepped gables and stones laid in courses. In 1895 Smith records the castle ruins as having been recently restored, suggesting consolidation work.
This Victorian warehouse has austere classical detailing in both rendered and unrendered brickwork. The building consists of four storeys and a basement level and is divided into two identical portions. The upper three floors of each portion are separated by a string course. The ground floor has tall arched openings surrounded by render that imitates rusticated stonework.
One was its architectural significance, including the overall design, the tapestry bond brickwork, the marble concrete trim, the interior brick and tile work and ornamentation, the iron work in the ticket windows. Next factor was the importance of the architect, William Hull Botsford and finally, its importance as a transportation center in the history of Montclair Township.
The church dates from 1308. In 1811 the nave, other than the west gable, was encased in brick. In 2003–2004 repairs were carried out to the timber framework, the south door and the external brickwork of the chancel. The last resting place of Helen Edwards née Macfarlane; first translator from The German into English of "The Communist Manifesto".
The scullery in the northeast corner is of painted brickwork and hardboard ceiling, with recent mosaic tiled floors. The WC, between scullery and eastern entrance, has rendered walls. There are stairs leading up at the eastern end of the hall, and adjacent to the vestibule. Balustrades are of turned cedar with monumental and elaborate newel posts.
The home was constructed 1896–97 and is heritage-listed.State Heritage Register In 1895, Kent designed his first major warehouse. The Farmers & Graziers No. 1 Woolstore building is a 3 & 4-storey Federation style warehouse constructed of face brickwork with sandstone detailing and timber windows and doors. It has in recent years been converted into residential apartments.
Steam locomotive blastpipe manhole and bridge clamp ; : A container beneath the furnace, catching ash and clinker that falls through the firebars. This may be made of brickwork for a stationary boiler, or steel sheet for a locomotive. Ashpans are often the location of the damper. They may also be shaped into hoppers, for easy cleaning during disposal.
It is a two-storey Victorian Gothic style church constructed of face brickwork on sandstone base with stone dressings, buttresses and gable roof. The building is symmetrical, with triple gothic arched leadlight windows with stone tracery above panelled doors at ground-floor level. Remnant elements of cast-iron palisade fencing and gates with sandstone gateposts survive.
This means in the time of > King Edward before the Battle of Hastings. worth eight pounds now four > pounds.“ St Andrew's Church at Twyford is an unusual sight as from the outside it appears to be of brick construction with stone extensions and steeple. In fact the brickwork is just a fascia as internal investigation reveals.
Such an arrangement appears in the picture here from the building in Solna, Sweden. Many other particular adjustments of course alignment exist in monk bond, generating a variety of visual effects which differ in detail, but often having the effect of directing a viewing eye diagonally down the wall.Arch. Review, p. 241. THE BONDING OF BRICKWORK.
Fleming, p.64 He was engaged in 1747 to provide the mason work and brickwork for Fort George near Inverness, although the project only began shortly before Adam's death.Gifford (1992), p.174 Every summer until 1760, one of his sons spent the summer at Fort George, supervising the works under Colonel Skinner, the chief engineer for North Britain.
There is an awning over the footpath, typical of those along George Street. Externally, to George Street, original wall tiles, face brickwork, rendered trim, and terrazzo thresholds remain intact. Timber doors and windows appear in good condition. Internally, the general layout of public areas appears original, including features such as wall tiles, ceilings, central bar and other joinery.
The Samuel Sanchez House, on the Sanchez Ranch near Los Brazos, New Mexico, was built in the 1880s. Now located off U.S. Route 64, it was listed on the National Register of Historic Places in 1986. It was built in Folk Territorial Style. It is a stucco over adobe building, with a wood shingle roof and brickwork chimneys.
The curve of the original roof design can still be seen on the interior brickwork. The station was re-opened on 19 March 1906. Because one undetected flaw caused such a large failure, questions were raised about the design and the safety factor against failure. A similar roof at Cannon Street station was taken down in 1958.
The building blends elements of the French Eclectic and English Arts and Crafts styles; significant details include the corner tower over its arched entrance, brick chimneys at the narrow ends of its "L"-shaped plan, decorative brickwork, and a steep tile hip roof. The house was added to the National Register of Historic Places on May 23, 1997.
At the base are two openings on opposite sides with arched brick lintels. On the eastern face is the remains of the lightning conductor. On the inside faces of the stack are recesses in the brickwork which apparently were for housing the scaffolding as the stack was constructed. Beside the stack is an open pan, some in diameter.
The tracks run north-south along the river bank and finish near the engines. The chimney stands slightly northwest of the engines. The steam engines and their foundations are relatively intact. After one hundred years the concrete steps and brickwork are deteriorating but have not yet reached a point where the security of the engines is threatened.
He organized the construction of the Greek Catholic church of the town, collecting the funds from the inhabitants. Bacsinszky even set up a brickwork in 1752 to produce building material for the church. The construction started on 2 September 1764 under the control of an architect, called Thomas from Munkács, and lasted until November 1772.Sz. Kürti (1989) p.
TR 148 580 This corn mill stood on an ancient mill site. The mill was granted to St Augustine's Abbey by King Stephen in 1144. In 1174 it was repossessed by the Crown, and granted to Rohesia, the sister of Thomas Becket. The mill stood opposite The Weavers House, and marks in the brickwork show where the waterwheel was.
Whiteside, op. cit. In later years, some additions were made to the structure, to provide for toilets and a kitchen. The different brickwork on the photo of the rear of the building shows this. The outside of the main chapel is now painted white, and is of the same brick as the "Sunday School" at the rear.
East Barsham Manor is an early Tudor manor house built in 1520. The house is constructed from red brick and tile. The roof is adorned with chimneys, some with twists and finials built in a mellow brick. Some of the brickwork is thought not to be original being from restoration work carried out in 1919 and 1938.
The interior also underwent extensive repairs. A coal-burning furnace was added and the brickwork at the front of the church was laid. The paneling for the sanctuary was designed and installed. In 1957, chimes were given to the parish in the memory of Fr. Peirce and other additions, such as the aluminum roof, were added.
There were two rooms in the interior. The 1906 addition was approximately the same size as the earlier section, and also contained two rooms. It had a high hip roof and brickwork that matched that of the earlier section. A bell tower which was originally above the front entrance to the older section had been removed.
The street-facing gable projects and is decorated with a finial and cross pieces. Chimneys with double clay pots rise above the roof line. The verandah has a skillion roof. Externally- exposed walls have been painted, while those sheltered by the verandah are unpainted, and show light-coloured splayed brick lintels, stone sills, and darker face brickwork.
The "unusual" three-bay villa is of pale brown brick "embellished in idiosyncratic ways" with multicoloured brickwork and stucco dressings. Much of its "lavish" interior decoration survives. It is a Grade II listed building. Initially, his architectural practice was based at nearby Cross Street in the town centre, but by 1878 it was based nearby at George Street.
The new warehouse would house the distribution and sales office for Chicago. All food manufacturing was relocated to Indianapolis and the existing Indianapolis plant was enlarged. The John Sexton & Co. building on the corner of Illinois and Orleans was converted to condominiums in the mid-1990s. The terra cotta "JS & Co" logos in the brickwork are still visible.
The growth of the financial and business services sector from the mid-1980s onwards resulted in a boom in office developments in the city centre. Many of the buildings constructed at this time are in the style known as the "Leeds Look", which is typified by the use of dark red brickwork and steeply pitched grey slate roofs.
It currently houses an elementary school. The palace is built in brickwork. There are three portals at the ground floor and thirteen small windows. Decorations include a row of merlons at the top, and a basrelief with the Lion of St. Mark (a modern reconstruction of the original, which was placed on every public building of the Republic).
They were traditionally made of galvanized steel, the fishtail tie being the most common. On high quality work, ties were occasionally made of bronze. In the mid-twentieth century, wire ties were widely used, again made from galvanized steel wire. As time has passed, many galvanized steel ties have deteriorated due to moisture in the outer leaf of brickwork.
This part of the tower has three floors of various heights. Above the second ledge there is another eight-sided part with two little windows with pointed arches. The thickness of the brickwork is around 80 centimetres. The Baroque onion-domed roof was replaced by Grueber with the pyramidal roof which is there up to now.
The building is octagonal with a recessed blind arch on each face. It was originally free-standing, but at a much later stage an entrance aiwan was built against the east side and a small domed tomb against the south side. Two of the original four entrances have been blocked up. Brickwork is the sole means of exterior decoration.
The palace had three stories, as shown by the remains of a staircase seen from Lugli. All the walls are made of brickwork reinforced every 80 cm: it does not appear to have used opus reticulatum suggesting a 1st c. AD or later date. The complete reconstruction of the building plan was made by Pietro Rosa.
Drăguț, p. 75 Paisie was the re-builder of Tismana Monastery, and, Iorga notes, introduced there massive borrowings from the more architecturally advanced churches of Moldavia: the brickwork of Tismana appears to have been based on Khotyn Fortress, as completed under Petru Rareș.Iorga, p. 111 Contributions from Paisie's era also include the Tismana doorway, carved in 1542.
On the east side of the complex are a series of four warehouses. The 1882 office building is one of the finest mill offices in New England of the period, retaining significant interior decorative detail. The designers of most of the mill buildings are unknown, but the office was designed by Charles E. Joy, a local architect."Decorative Brickwork".
St Mary's is constructed in a combination of greenstone, ironstone and limestone coursed rubble. The dressings are in limestone ashlar, there is some brickwork present, and part of the walls are rendered. The roofs are in lead and slate. Its plan consists of a nave with a south aisle under one roof, a smaller chancel, and a southwest tower.
The window openings are set in what were once round openings for pipes, as evidenced by infill brickwork. The interior of the building is single open space with a poured concrete floor. Equipment, most dating to the mid-20th century, is located at the southern end. It includes a gasoline motor, electric motor, and water pump.
Built in the Renaissance style, the house is an eight-bay, two-storey half-timbered structure with a shallow cellar. The red-tiled roof slopes at an angle of 60 degrees. The timbering is painted black while the panels consist of patterned brickwork. The carved door out to Fruestræde stands at the top of four steps with iron railings.
Kingo Houses is a housing development designed by architect Jørn Utzon in Helsingør, Denmark. The development consists of 60 L-shaped houses based upon the design of traditional Danish farmhouses with central courtyards and those of Chinese and Islamic dwellings.John Pardey: "Poetry from materials – Jørn Utzon’s brickwork beginnings" in Brick Bulletin, Spring 2009 . Retrieved 24 September 2011.
A cornice similar to the main storefront's caps this one. The upper story's windows are mostly one-over-one double-hung sash with brickwork sills and lintels. The two southernmost on the western facade are less decorative, recessed single-pane windows with plain surrounds between brick pilasters. Above them is a paneled frieze below the cornice.
The window openings in the upper floors feature brick segmental arches with keystones and brick sills. with The building was constructed in brick, but has subsequently been covered with siding. The cornice level of the building also features decorative brickwork that has also been covered. The building served as the local headquarters of the German Knights of Labor.
The house is open to the public on a very limited basis. The view of the house is mostly obscured by trees from Potter's Road but beyond the trees it is an open, flat, marshy, area. The house is in two stories and built with Flemish bond brickwork. A passage runs through the center of the house.
The exterior walls are all brick in a Flemish bond pattern. The north wall is different in that it is laid in an English bond pattern. It is believed that this is the only example of English bond brickwork in a building constructed in the city's first decades. The building containing the four row houses is long and wide.
According to the 1997 Conservation Management Plan, the roof appeared to be sound, though the gutters and bargeboards were poor. As at May 2001, the powerhouse brickwork was mostly in good condition, though exterior joinery and windows were poor. Apart from bird droppings, the interior was in good condition. The basement area including the pumps was flooded.
A slightly bell-cast octagonal dome and weathervane top the tower. The main facade has two symmetrically- placed entrances and a tall raised window at the center. The only ornamentation in the brickwork are projecting pillars and entablature at the corners and roofline. The church was built in 1845 to replace an earlier wood- frame building destroyed by fire.
The join in the brickwork is clearly evident, and there is a step in the rendered plinth. Two windows have bracketed sun hoods, with shingle roofs. The arches of the windows are without keystones, but the door and blind door have accentuated keystones. The first floor on this side has three evenly spaced windows with similarly treated heads.
Built of dark rubbed brickwork of fine quality, the house has two storeys and an attic and basement. The wide symmetrical front has a three bay central projection. There is a stone plinth, chamfered stone quoins, and an elaborate stone cornice. The central main entrance has a tall eight-panel door in a plain frame with a stone surround.
Brick infill panels in stretcher bond fit snugly into the spaces between the timber wall members. This kind of brickwork is known as backfilling or brick nogging. The heights between the horizontal timber members are sized to suit brick dimensions. The original bricks are soft handmade bricks, reddish brown in colour and laid with a lime mortar.
Stansted Mountfitchet Windmill is a five-storey tower mill with a domed cap winded by an eight bladed fantail. The tower is diameter at base, and diameter at curb level. The brickwork is only thick at ground level, and generally only about at higher levels. This has resulted in a weak tower which required strengthening with three iron bands.
The restorers preserved the graffiti on the brick faces but not on the repointed mortar. The brickwork in the building's rear was completely rather than selectively repointed to save money. Contemporary glass windows and Corten steel window boxes replaced their formerly closed apertures, and a minimalist Corten steel overhang signals the building's entrance on an otherwise unassuming façade.
Exterior view, southern side. On the outside, the castle essentially presents the appearance given to it by Girolamo da Carpi in the second half of the 16th century. Surrounded by a moat, it has three entrances with drawbridges fronted by brickwork ravelins. The fourth entrance, to the east, was sacrificed to make room for the kitchens.
Wise Feed Company Building, also known as the Motor Mart Garage Building, is a historic commercial building located at Springfield, Greene County, Missouri. It was built about 1930, and is a two-story, rectangular tan brick commercial building. It has a flat roof and rests on a concrete foundation. It features decorative brickwork on the front facade.
The Tavern is a brick, two storey building, sitting close to the road overlooking the Jane Brook and Railway Reserve Heritage Trail. It has large verandas and balustrades on both floors across most of the south and west facing frontages which contributes to the building's impact on its surroundings. The timber veranda detailing has arched underside veranda beams together with unflamboyant ladder friezes; the dominant projecting roof gables over the front veranda; the remnant of rough cast render combined with brickwork on the chimney are of a later 'Bungalow' style, whilst the rendered bands of brickwork, rendered sills and lintels, the double hung timber windows, Georgian mullioned in the top sash and the odd surviving elements of stained glass all express the building's character from the federation period.
The Skowhegan Fire Station is centrally located in the town center of Skowhegan, on an island in the center of the Kennebec River, joined to the rest of the town by Island Avenue, designated United States Route 2 and United States Route 201. Set on the north side of the road, it is a roughly square 2-1/2 story brick structure, with three original vehicle bays, and a fourth added on to the right in a modern single-story addition. The main block bays are highlighted by brickwork arches that rise to including paired round-arch windows at the second level, which have a raised brickwork field with a round brick panel at its center. A tall entablature includes terra cotta signage identifying the building with flanking broadfoot crosses.
Bronze statue of a smiling cherub holding a fish The civic centre was commissioned to replace the aging former offices of the local board of health in Gentleman's Row. The site selected for the new building, which had previously been occupied by open land, was acquired by the Municipal Borough of Enfield in 1939. The new building, which was designed by Eric G Broughton & Associates in the postmodern style, was completed in 1961. The design involved an asymmetrical main frontage with nine bays facing onto Silver Street; there were a series of small square windows amidst blue brickwork with a simple revolving door in the bay furthest north on the ground floor; there were nine larger windows amidst brown brickwork with two flagpoles below the window in the bay furthest north on the first floor.
The Victorian Academic Classical style building consists of three distinct building forms being the centre church structure with splayed southern walls flanked at each end by taller wings, the south wing being the two-storey main entrance and stair towers and the north wing being the three-storey wing containing the vestry and classrooms. The structure consists of load-bearing decorative brickwork in English Bond relieved at the Entrance Wing with sandstone attached columns, carved architraves and pediments to the main windows and doors and string courses, cornice moulds and balustrading at the upper levels. Elsewhere on the other wings, the window architraves, sills and the horizontal mouldings are of painted cement which relieve the face brickwork walls. The ribbed galvanised steel roofing is placed behind horizontal parapets in either pitched or skillion roof forms.
Other than shutters there is little decoration on any of the windows. Shutters are not fixed to every window, although there is evidence in the brickwork that this may have been the case. Some smaller shutters are painted cream with a green surround. Windows are all single-pane sash with curved heads, typical of the late Victoria period and Italianate style.
River Street Firehouse is an historic firehouse at 176 River Street in Cambridge, Massachusetts. It is a two-story brick building, with a hip roof and two vehicle bays. It was designed by George Fogerty in the Queen Anne style, and was completed in 1890. It has short towers with pyramidal roofs at the front corners, and has decorative herringbone brickwork.
Montpelier House, 2015 Montpelier is elevated above, and set back from Wickham Terrace. It is a three-storey building with a basement, and is constructed of stone and brick, with a gabled corrugated iron roof. The front elevation faces south and addresses Wickham Terrace. The facade combines face brickwork and stucco finish, with brick piers dividing the elevation into seven sections.
Guardian Angel Church 1906 Guardian Angels Church is a Gothic Revival brick structure. The brickwork is highly decorative, and contains multiple patterns, banding, and corbelling. The main facade is dominated by a large centrally located bell tower, which at 180 feet is the tallest structure in Manistee. The tower contains an integrated four-sided clock and a large rose window.
At the crossing is a tall octagonal lantern tower, surmounted by a belfry, also octagonal, which ends with a pyramidal cusp in brickwork. The apse has a rectangular plan, a typical feature of Cistercian Gothic edifices. Lunette with the "Martyrdom of St. Andrew". The façade features stones of different types: green stone from Pralungo, calcarenite from Montferrat and serpentine from Oria.
Fowler's concern with saving space is seen to typical effect here. There are four generously sized rooms on each floor, nearly 18 foot square, with connecting doors all round. The subsidiary rooms are less satisfactory, being triangular. The arrangement of rooms is rigidly the same on all floors because the partition walls are of brickwork, so they must stack one above the other.
Butterly House is a six roomed Victorian Georgian styled dwelling. It has a U-shaped hipped roof, originally shingled and now corrugated iron, with symmetrically placed brick chimneys, and is encircled by a hipped bullnosed iron verandah with simple timber columns.Physical Description, Butterly House, StateHeritage.wa.gov, retrieved 9 January 2014 Brickwork is in Flemish bond, the earliest surviving example of this type in Toodyay.
The house was built in 1734 for Judge William and Sarah Hancock and features Flemish bond brickwork detailed with blue-glazed bricks, which gives the year of construction (1734) and the initials of the couple for whom it was built: W S for William and Sarah. William died in 1762 and passed the house to his son William, also a judge.
It was at this stage that two extra storeys were added. The two reservoirs were filled in- it operated under steam. Then in October 1892, the mill was sold to Baxendale and Co., a firm of engineers and plumbers' merchants. They described 'the structure, of the mill, was massive brickwork with very heavy wooden floors supported by corbels in the walls.
Ifield Water Mill is a tall, externally weatherboarded structure of three storeys, consisting of a brick-built ground floor and two gabled upper floors of timber. The slate roof has eaves carried out beyond the walls on brackets. The mill hoist, whose surrounding timberwork and brickwork was found to be very badly corroded during the restoration, projects from the north face.
18th century Custom House The Starr Center for the Study of the American Experience is headquartered in Chestertown’s Custom House, a building constructed in the 1740s by Samuel Massey as a residence for the Ringgold family and known for its detailed Flemish bond brickwork with glazed headers.,"National Trust Names Chestertown, Md., One of America’s Dozen Distinctive Destinations" . Chestertown, Maryland. March 7, 2007.
The building is again crowned by an eagle carved out of porcelain, and coloured red. As with the station reception building, the wall surfaces consist of red clay bricks laid horizontally and broken by bands of yellow clay bricks. All joints are mortared with red mortar. The straight lines and the regularity of the brickwork are emphasised by the joint line.
The Judson is a historic apartment building at 1243-1249 Judson Avenue in Evanston, Illinois. Built in 1911, the three-story brick building has eighteen units. Architect Francis M. Barton designed the building in a style inspired by the Prairie School. The building's design features segmental arched entrances, egg-and-dart decoration, patterned brickwork with horizontal themes, and overhanging bracketed eaves.
Land for its firehouse was purchased that year, and this building was completed soon afterward. Its architect is unknown; the brickwork was laid by Joseph Jetner, a local mason. The building and the hand-drawn hose reel that first occupied it cost the company $4,000. In addition being used by the fire company, the building has also historically been used for social events.
View from the west with garage addition on left The Lincoln Branch Library is a rectangular, single-story building in Late Gothic Revival style. The original structure measures , with a addition. The exterior facade is brown and dark red brickwork, arranged in Flemish bond, contrasted with limestone trim. The southeast face of the building is symmetrical and features the library's main entrance.
Fowler's building was demolished and reconstructed to a design by the MR's architect Charles W Clark in 1914 with a cladding of white faïence blocks. The building is listed Grade II by Historic England. The brickwork of the platform retaining walls was restored in 1986 during a renovation of the station. The station was the second opened by the MR at Paddington.
The former depot is a rectangular, gable-roofed, Tudor Revival structure constructed of red-brown brick with a slate roof. The structure has a concrete foundation and structural steel framing. The front facade has a projecting gabled entryway of white limestone, with a recessed round-head entrance. Several half-timbered gables are in the roof, with decorative herringbone and basketweave brickwork.
Gardens at Great Fosters In about 1550, the original house was built as a symmetrical U-shaped Elizabethan homestead. It is probable that it was extended in the early 17th century because there is slightly larger brickwork in the porch. It was at this time the initial tall chimneys were built. However, these were removed during World War II after a bomb blast.
Herrebøe was founded in 1759 by Peter Hofnagel (1721–1781) as a continuation of a brickwork, pottery and cocklestove factory. It was in operation for approximately 20 years. Bad economic conditions and competition led to the end of production shortly after 1770. The production consisted principally of tea and coffee sets, punch balls, plates and dishes, candlesticks and flower vases.
An enclosed 533mm high drainage channel, in the form of an upturned semi-circular tunnel, is built onto the tunnel invert, 1.4 meters below the rails. Around 76.4 million bricks were used in the tunnel's construction. The brickwork is between 686mm and 914mm thick. At the deepest part of the tunnel, the roof is a maximum of 15.2 meters beneath the river bed.
In 1808, three new altars were built. In 1835, the church underwent an important restoration. Part of the pavement was replaced, a new set of furniture was put in, the altars transformed and the master altar re- dedicated. In the brickwork of the master altar, removed during the 1968 restorations, a wooden reliquary casket with a glass lid was discovered.
The curved front elevation was designed to make better use of the narrow strip of land restricted by the road junction. In terms of structure, the external walls of the building are made of plastered red brickwork with columns and beams of reinforced concrete. Lui Seng Chun is regarded as the representative of "Kee-lau" of the pre-war period in Hong Kong.
While retaining the use of the linear plan (but also featuring 'U' shaped plans), Dalton placed emphasis on the roof of the house by utilising steeper pitched skillion roofs, often crippled to provide high level ventilation with timber rafters exposed internally. Brickwork is bagged and painted white, which contrasted with the dark stained timbers expressed externally giving a warmer feeling to the house.
The cottage is a single storey, face brick structure with gabled, iron sheeted roof. The sandstock bricks are laid in English bond and the timber highlight hopper and double hung windows are set on stone sills with rubbed brick arch lintels. The building is divided into three separate rooms. One room is lined with cement render and painted, one has exposed brickwork.
The home was built and operated using the funds from her estate and is still funded by the income provided by Mark's real estate holdings. The building has a Craftsman design with buttered masonry joints, corbelled brickwork, and reinforced concrete floors to provide long-term structural integrity. The home was added to the National Register of Historic Places on August 11, 1983.
The church has a plan with a single nave with two polygonal apses, with chapels in the buttresses. The tower, with a square plan, is in brickwork like the rest of the church. The main entrance was built in 1640. The interior style dates to the Baroque renovation from 1719 and 1725, when also the orientation of the temple was changed.
The Church of St Demetrius in Patalenitsa was built of stone, though the dome and side bays also exhibit brickwork. The church is long and wide, and is among the relatively few medieval churches of the crossed-dome type still standing in Bulgaria. It has an octagonal dome and a five-sided apse. The south facade features three bays with narrow windows attached.
The Reuben Sale House, at 3700 Smith Lane in Oldham County, Kentucky near La Grange, was built around 1833. It was listed on the National Register of Historic Places in 1982. It is a two-story, single-pile brick house with four bays and Flemish bond brickwork on its front facade. A " fine double-crib log barn" is a second contributing building.
Brick pilasters topped with terra cotta divide the building into entrance and window bays. Terra cotta panels surrounded by ornamental brickwork decorate the entrance bay, and a flat terra cotta course runs along the roof line. (Also available here from the Idaho State Historical Society.) With The courthouse was added to the National Register of Historic Places on September 27, 1987.
The emphasis on proper lighting was a recurring theme in Wilson's work, as he had also designed some of Chicago's first apartments with sun parlors. The design also used brickwork to add decorative features, such as piers and a cornice, to an otherwise functional and unadorned design. The building was added to the National Register of Historic Places on November 14, 1985.
The interior follows a central hall plan, with parlor spaces on either side of a truncated hall, and the kitchen at the rear. Stairs to the attic are located in the hall, on the right side. It retains a number of original features, including woodwork, plaster, and brickwork. A modern wood-frame wing extends to the rear and right side.
Sobolivka (; also referred to as Sobolivka) is a village in Teplyk Raion of Vinnytsia Oblast in west-central Ukraine. Population is 3,752 (2004). On territory of village is: railway station of Duklya, saccharine (does not work) brickwork, 2 schools, 2 children garden, house of culture, hospital, church (Rizdvyano-bogoroditskiy temple - 1790, 1852 reconstructed). The river of Derkachka flows through the village.
The house and gardens are open to the public and receive around 30,000 of the 350,000 visitors to the surrounding park. The park is the site of a weekly 5k Parkrun. Currently the house is undergoing a restoration project which is hoped to be completed in 2020. This work will restore the external brickwork to maintain the structural integrity of the building.
At the eastern end of the church is the chancel. This was reconstructed in 1896, with a new east window being installed and the whole faced with ashlar. The 1795 drawing shows some herringbone brickwork, indicating that the original chancel dates from the 11th century. The south aisle, which dates from the early 14th-century extension, is also dressed with knapped flint.
Throughout the building, the brickwork has finely-shaped corners and the rendered walls have stop-chamfering. Verandahs run the length of the rear elevations giving access to the rooms and to concrete stairs at each end of the building. The stairs have decorative iron balustrades and timber handrails. The floors of the circulation areas are polished concrete with a painted margin.
The Tank Stream features fine quality stonemasonry and brickwork from the nineteenth century, houman scale and an intriguing form showing layers of different phases of construction. This includes modifications introduced to improve the operation, e.g. terracotta drains. The place has a strong or special association with a particular community or cultural group in New South Wales for social, cultural or spiritual reasons.
The broad, imposing red brick mansion has symmetrical wings flanking a central triangular pediment tympanum with circular stone relief, an Ionic-columned stone portico, arched brickwork, and a flat, parapet roof. An iron fence frames a circular drive in the front and intricate gardens and fountains in the back. The interior features arched doorways, a loggia and two-story sweeping staircase.
By the late 1980s even this service had begun to omit Ditton from its schedule and dwindling passenger numbers eventually led to its closure.Subterranea Britannica, "Ditton". As of 2018 the platforms survive and can easily be seen from passing trains, and the site of the station buildings is visible from the road, marked by the more modern brickwork of the bridge parapet.
Crossland received an instalment of £300 on 2 March 1874. Once started, Holloway was determined that building should go forward apace. When his plan for the use of Portland stone in place of ornamental brickwork was not allowed to stand, Crossland had to set aside all his carefully planned working and detail drawings and hurriedly draw up alternatives for masons and master bricklayers.
Toot Hill may originally have been part of the parish of High Ongar, and may have become part of Stanford Rivers about 1280. Like many other towns in this area Toot Hill is made up mainly of scattered farms and cottages. Does Farm in Toot Hill. Does Farm here is of late 16th-century origin, faced with brickwork in the 19th century.
The work included a new slate tile roof to replace the asbestos sheeting. This matched the original roofing. Other work included dismantling of intrusive work of the mid 20th century and stripping on the paint from the brickwork exterior and a replacement pediment at the Western end. The Architectus work (builder Kane Constructions) restored the station building exterior to its former glory.
The name itself exemplifies the distinction between the warm greenhouse and the unheated cold frame. They were frequently built as part of the greenhouse's foundation brickwork along the southern wall (in northern latitudes). This allowed seeds to be germinated in the greenhouse and then easily moved to the attached cold frame to be "hardened-off"coldframe.org.uk before final planting outside.
This overhanging shingled bell-turret sits on top of the tiled roof. St George's Church has a nave with no aisles, a narrower chancel and a bell- turret at the west end of the roof. There is a vestry on the north side. Most walls are roughcast covering flint rubble; the chancel is mostly of uncovered flint with some herringbone brickwork.
The eclectic neo-baroque Edwardian building is two storeys high with a loft space in the hipped roof. A load-bearing construction, the walls are of plastered brickwork with timber and steel floors. The roof is corrugated iron and the windows are timber casements. The front elevation is well proportioned creating an ordered and balanced appearance, but on a domestic scale.
Many of the ground floor windows and doorways are exaggerated with ornamental archivolted brickwork. One of the most intriguing features of the town hall is its use of colour on the exterior. The highlighting and trabeation of the exterior are white and the tracery and decorative grills are dark blue. The rest of the building is composed of red brick.
On the top floor it has large arched windows on every side. Only damaged traces of the original stone mullions and ornamental brickwork parapets survived in the openings except on the eastern side where the mullion remained intact. This is a typical biforate window with small Tuscan pillars and a quatrefoil. The circular clock on the southern side is a later addition.
It is a two-story brick and glass building on a full concrete basement on a corner lot. It is in plan with storefronts along the full east-west and north-south facades, with rentable space above. Its first floor has a -high wood grid ceiling. The building's most distinctive feature is its contrasting dark red and blond running bond brickwork.
The second floor has rectangular keystoned window openings, each of which has a recessed polygonal bay window. Windows on the third and fourth floors are grouped together in columns, with patterned brickwork between, and a rounded arch above. A patterned entablature separates the upper windows from a simple cornice. The windows above the main entrance are more ornately decorated than the others.
The building is a nine-story red brick edifice with a curved, sloping metal roof, with glass in the field at either end. Its brickwork has been considered among the city's finest. Stone is used for trim, especially around the slit windows at regular intervals. A corbeled stone string course runs below the parapeted roof the length of the building.
By 1792 it was in use as the Crawley parish workhouse. A mixture of brickwork, tiles, stucco and exposed timberwork can be seen on the exterior of the building, which (like Black Dog Cottage) is now a private house. It is on the east side of London Road. There were 59 locally listed buildings in Crawley as of 2010, including one in Northgate.
One of the blockhouses and the redan, which now serve as the entrance to the restaurant Today, the tower is a restaurant, while the heavily altered battery serves as a swimming pool. The tower is slightly dilapidated, having been plastered with cement at some time, which is now flaking away, and has had water tanks and rough additional brickwork added to its roof.
The building is characterised by the use of brick as the main material and the dominant geometrical character, distinctly Islamic, emerged conspicuously in the accessory crafts using cheap materials elaborately worked—tilework, brickwork, wood carving, plaster carving, and ornamental metals. The tiling patterns stand out as the Ferdinand and Isabella coat of arms. The church tower has 24 spaces, 6 in each side.
' A two- storey polychrome brick building with four storey campanile in Italian Romanesque Revival style built in 1892 and designed by W. L. Vemon. The facade is of asymmetrical design dominated by the tower. A massive arched opening leads to the posting boxes. Beautifully detailed brickwork and facade is embellished with sandstone royal insignia, various arched openings, string courses and a sandstone plinth.
The chancel/sanctuary is on a raised platform, carpeted. The walls of the nave and transepts have a rendered dado (recent) with a timber dado rail. The dado to the sanctuary and the south transept has velvet curtains hanging in front of white lime washed brickwork. The ceiling is diagonally boarded with exposed trusses and purlins, and triangular ceiling vents.
The single- story, rectangular, gable roofed brick building features decorative brickwork, including corbelling and pilasters. The front facade includes a small pedimented porch supported by turned wood columns. The interior is divided into two waiting rooms (one for whites and one for blacks), an office, a baggage room and a freight room—all remarkably intact. and Accompanying photo at p.
A key clue to Ascher's finding Harrison's body in the fireplace is a painting on the fireplace brickwork that Ascher realizes was altered when the bricks were replaced in the wrong order. Nevertheless, Ascher and Margaret seem to be falling in love. Because of the complexity, a two-page Perfect Crime answer sheetSpoilers is available at the end of the performance.
Tanner Amphitheater has a seating capacity of 1,500 when tightly packed wooden folding chairs are used. As of 1995, Tanner Amphitheater was in good but slightly deteriorated condition. Settling of the dais caused the north edge to bow out, and the century-old brickwork was deteriorating in several places. Pieces had fallen from some of the cast iron capitals, and not been replaced.
The porch is plastered brickwork which distinguishes it from the rest of the building. The plasterwork is rusticated, on either side of the entrance double height pilasters support a triangular pediment. The pilasters have composite capitals and decorative swags. On the upper level of the porch the arched openings have been enclosed and the space is used as an air conditioning plant room.
The change rooms have ceramic tiled floors, and rows of large concrete benches. The female change room has blue terrazzo partitions, while its male counterpart has grey terrazzo and blue glazed ceramic tiled partitions. Externally the brickwork is left unstruck, to express the plasticity of the material (Kennedy, 1993). The pools and podium area also exhibit considered technical, decorative and sculptural detailing.
The base line of these windows is a line of ornamental brickwork. At the apex of the gable is a cruciform window with a star of David. This has been in place since 1878, when the roof was repaired and the new gable installed, surmounted by a stone cross. The star of David was probably included as a result of horror vacui.
The building stood four storeys high. The sandstone basement contained kitchen and dining facilities. The storeys above were brickwork with sandstone detailing to the window sills, corbels, arched heads and string courses. A bequest in 1916 enabled the Carss Wing to be added to the Home, and in 1925 Sydney City Council approved plans for a major extension designed by Spain & Cosh.
The church was designed by James Macgeorge and is built from Dry Creek sandstone with very elaborate brickwork. Macgeorge’s design included a tower and spire but these were never built. Since 1998, the church has been listed on the South Australian Heritage Register. The interior seats 500 and is of traditional Christian church design with a high ceiling and Gothic styling.
All buildings are constructed of blue and white painted cement rendered brickwork and are in very good condition. Near the lighthouse are the original Head Keeper's cottage and two semi-detached Assistant Keepers' cottages, designed by Barnet in 1875. The cottages were renovated in 2006 and are now used for overnight accommodations. North of the tower is a flag semaphore signal station.
The main building is of masonry rendered and marked as stone with a gabled, corrugated iron clad roof and verandah to three sides supported on stop chamfered timber posts. It has three rendered brickwork chimneys with terracotta pots.LEP, 1991 Windows are twelve pane type with louvred shutters and doors six panel type. Simple semi-circular Georgian fanlight to the panelled (fielded) front door.
The original timber was uncovered in door frames and floorboards, and a archways and historic brickwork discovered during the work was incorporated into the new design. Substantial improvements were completed to the ballroom, dining room, bars and kitchen in 2019, with the new owners Allan and Douglas planning further renovations for the outdoor spaces: a new alfresco area, and an upgraded beer garden.
The nave was preceded by an esonarthex and ended towards East with a bema and a polygonal apse adorned internally and externally with shallow niches.Müller Wiener (1977), p. 207 The plan of the building is similar on a reduced size to that of the Chora Church. The edifice's brickwork consisted of courses of rows of white stones alternating with rows of red bricks.
Steam trains linked London, Ipswich, Diss and Norwich, five stopping daily at the local station at Flordon. At first the Norwich terminal was called Victoria Station and stood at the top of St Stephen's Street. A fine station was built at Flordon with buildings in typical Victorian style sporting large ornate chimneys, slate roofs and decorated brickwork. The first stationmaster was James Clayton.
The bell tower stands as a separate building. It is 62 m-high and was begun in 1045 and completed in 1178. It is stylistically Romanesque like the church, having a central vertical belt of alternating tuff and brickwork bands. It is divided in floors by cornices and small tuff arches, and rises to a double-storied bell chamber with triple mullioned windows.
To rebuild the city, several industries were built by the river side below Ålidbacken. During the years to come a brickwork factory, a turpentine and tar factory, and two steam sawmills, "Öbackasågen" and "Umeå ångsåg", were built. In 1903 the construction of Umeå hospital began. These establishments attracted factory workers, craftsmen and trades of all kind to settle down on Ålidbacken.
The Maxwell-Hinman House is a historic house at 902 NW Second Street in Bentonville, Arkansas. It is an elaborate L-shaped Italianate brick house, supposedly built in 1881 by a returning Civil War veteran. It has decorative brickwork brackets, cornice, corner quoining, and window hoods. The only significant woodwork on the exterior are the porch columns which have ornate scrollwork capitals.
The plasterwork to the interior walls extends upwards from the chair rail, leaving a dado of exposed brickwork whilst the rising damp dries out. The rooms of the lower level have polished wide floorboards, most of which are original. The high ceilings are lined with wide beaded boards. The polished cedar joinery includes two chimneypieces and internal flush four-panelled doors.
These groups are laid next to each other for the length of a course, making brickwork one and a half bricks thick.Nicholson, p. 102. "[...] the bricks are disposed alike on both sides of the wall, the tail of the headers being placed contiguous to each other, so as to form square spaces in the core of the wall for half- bricks."Charles F.Mitchell.
In 1989 the name was changed back to Cheryomushki. In the early 1980s, the government built a number of better quality, brickwork apartment buildings that acquired a reputation of, by local standards, elite housing, and called Tsarskoye Selo (, Royal village). In the 1990s, it served as a nucleus of a massive new housing construction project between Garibaldi Street and Gazprom tower.
The Gowan Block is a Late Victorian three-story brick commercial building with a broad front facade. The front is substantially finished with yellow-buff brickwork, with reddish-brown sandstone used for piers at the outer edges and surrounding the third-story windows. The ground floor has three storefronts. The second floor has seven bays filled with windows and separated by metal pilasters.
The roof has a timber fleche centred on its ridge, and extends to cover the front verandah. The symmetrical composition of the Gill Street facade features the two-storeyed timber verandah. The external walls of the front and side elevations are mostly face brickwork, which is now painted. Outside the verandah, the walls above the upper sill are rendered in roughcast.
The final phase (1898-1902) cost £36,350.Cunningham & Waterhouse, p9. 237, 257, 259, 261, 269, 273 Victoria Building, red terracotta with darker brickwork, University of Liverpool (1888) the epitome of the Red brick university, this time Waterhouse mixed Early English Gothic with the French Gothic of the roofs Waterhouse designed buildings from 1877 for Yorkshire College, that from 1904 became Leeds University.
The south facade has a bank of six sash windows, while the north side has none. A wood frame addition extends to the rear, with the main entrance in its southern facade, sheltered by a shed-roofed hood. Decorative detailing includes a band of corbeled brickwork in the cornices. The main brick block of the school was built in 1848.
The building is supported by a steel frame, with socle (plinth) of dressed granite, marble columns and plastered brickwork. The roof is pitched, which distinguishes it from the multitude of later, taller buildings which had flat concrete roof construction. Timber-framed sliding sash windows provide elegant fenestration. The basement walls were constructed in brick and measure between 450mm and 500mm thick.
The tower is constructed on an thick concrete foundation that is square. The exterior is brickwork, largely brown brindle Staffordshire bricks laid in English bond, with details picked out in different coloured bricks. The top of the tower is castellated. Inside the tower, at a height of and supported on rolled steel joists atop a brick pier, stood a cast-iron water tank.
Production continued until 1958, and the works' distinctive chimney was demolished in 1967. Heathfield Pond is the site of the brickwork pit; it was previously called Brick Pond. The pond is about 100 ft (30 metres) deep with a cottage and machinery at the bottom. Alfie Skelton (aged 15) died in a boating accident on the pond in March 2011.
The Palmer House is a three-story brick building on the northwest corner of Sauk Centre's principal intersection. Round-arched windows and doors line the ground floor of the two street-facing elevations, accentuated by decorative brickwork. The arched windows that open into the lobby and restaurant contain stained glass imported from Vienna. The windows of the upper floor are rectangular.
She came to live at Harefield Place in considerable splendour. The house stood to the south of the present church and parts of its moat and brickwork can still be seen. Alice, Dowager Countess of Derby was also Dowager Viscountess Brackley. Her second husband Thomas Egerton, Lord Ellesmere, an eminent lawyer and Lord Chancellor of England, had died in 1617.
Brunov, p. 45 Restorers who replaced parts of the brickwork in 1954–1955 discovered that the massive brick walls conceal an internal wooden frame running the entire height of the church. This frame, made of elaborately tied thin studs, was erected as a life-size spatial model of the future cathedral and was then gradually enclosed in solid masonry.Komech, Pluzhnikov p.
During the first four years of the show, the given address for the house was number 2, Lock Keepers' House. The '2' was later dropped. In 1996, due to the declining popularity of The Big Breakfast, the house was transformed in an art deco- style makeover. The original brickwork was virtually entirely covered over with a smooth rendered finish, painted white.
All Saints is constructed in red brick, with English bond brickwork, and stone dressings. Its plan consists of a three-bay nave with north and south two- storey transepts, a chancel with north and south chapels, a south porch, and a west tower. The tower is in two stages, with large corner buttresses. The buttresses continue upwards and become turrets at the corners.
On the exterior, medallions, shields and crests are set into the brickwork, and a copper statue of the Archangel Michael defeating Satan is prominent. The interior is finished with oak, stone and masonry. The house had, at one time, the largest collection of Pewabic glazed pottery tile in Michigan. Bishop Gallagher lived in this home until his death in 1937.
The Ashkar-Gilson manuscript is a fragment of a 7th or 8th century Torah scroll that contains the Song of the Sea. Some scholars have argued that the "brickwork" pattern of the Ashkar-Gilson version shows that the Masoretes accurately copied earlier manuscripts. This pattern was not used in the Dead Sea Scrolls. A similar pattern is used in modern Torah scrolls.
The water tower is a grade II listed building. It was completed in 1873 and is situated 50 metres to the west of the main school building. It is composed of 4 stages and is in total about 20 metres high. The brickwork of the base stage has banded rustication angle-buttresses at the corners, each displaying an urn finial.
After the reformation the church was converted into a parish church. At the initiative of Christoffer Valkendorff, at that time Governor of Copenhagen, work on the tower was resumed in 1582. Brickwork was continued in another bond, making the transition between the old and the new part of the tower easily detectable. The tower was topped by a spire mounted in August 1594.
John Betjeman called it "about the best 1930s church there is". The exterior walls are two-tone brick (red and brown), built with double thickness. The brickwork is laid out in the Flemish bond style and was produced locally, by the Keymer Brick and Tile Works in Burgess Hill. The roof is of reinforced concrete and was treated to make it fireproof.
The rear wings are generally of unpainted brickwork, including several brick chimneys decorated with cornices and corbels. Each wing is terminated with a timber lean-to, housing the amenities. The verandahs of these wings have cast iron balustrades matching that of the western verandah. The Public Bar features a silky oak bar with a curved central bay and mirrored shelving behind.
It is mentioned for the first time in 1126 as a Romanesque building, which was replaced two centuries later by the current structure. Although internally renovated in the 17th-18th centuries (when the entrance was moved to the former apse antechamber), it has maintained the original square tower, in brickwork, which has several similarities with the Mudéjar towers in Teruel.
During later gothic times, a storey of brickwork was added. The Walburga Chapel appears to have been built shortly thereafter. It was originally dedicated to Saint Othmar, but after the city purchased the ruins of Burgraves' Castle, it was rebuilt and dedicated to Saint Walpurga. Destroyed in World War II, it was reconstructed and opened to the public in 1970.
There is nothing more noble and elegant from an intellectual viewpoint than this; resistance through form.Quoted from Eladio Dieste - The Engineer's Contribution to Contemporary Architecture, page 21. Many of the techniques that he developed to achieve these forms, such as pre-stressing of brickwork and moveable formworks, were in advance of contemporary techniques in the developed world. He died, aged 82, in Montevideo.
Thurston station was opened by the Ipswich and Bury Railway in 1846. The main building was designed by Frederick Barnes in the Jacobean style using decorative brickwork. The building required three stories to reach the platforms from ground level owing to the station's location on an embankment. The building is Grade II listed and is no longer in railway use.
The church is founded on clay or slate and is built on brick foundations. It features a sandstone plinth course with a chamfered weather which projects out from the walls. Above this is a slate damp proof course. The church walls are constructed of fine-quality red-blue mottle sandstock bricks within a soft lime mortar in English bond face brickwork.
The Chemistry Building is a distinctive modern interpretation of a Collegiate Gothic style. Its most notable features, which are stylistic of the inter-war period, are the cream brickwork, bold massing and highly detailed tower decoration. In recent years the Chemistry Building had interior redevelopments to bring the outdated technology and amenities up to the standard required for modern chemistry research.
Bank Buildings is Gothic in style. It is constructed mainly in ashlar stone with some brickwork, and with roofs of Westmorland green slate. The former bank building stands on the corner of the streets and is symmetrical in three storeys with three bays. The central bay has an arched doorway with a three-light mullioned and transomed window in the middle storey.
The rear of the original structure is also brick encased at the corners. The original design, brickwork, entrance and saw-tooth roof are intact beneath the later extensions. The building was modelled on the British RAF "C" type designed for a more peace-time function. The Base's first control tower was located at the front right hand corner of the hangar.
Kilby Hotel is a historic hotel building located at High Point, Guilford County, North Carolina. It was built in 1910, and is a three-story, brick building with shops on its first story. It has a shallow bracketed canopy, fine brickwork, and arched windows. The hotel was one of High Point's most important black owned businesses and served predominantly African-American patrons.
In 2001 a fire started by vandals damaged the inside of the mill and has blackened some of the external and internal brickwork. The mill can be reached on the Weavers' Way and Wherryman's Way footpaths between Yarmout and Berney Arms. Access to the mill is prohibited and a fence blocks access due to the unsafe state the structure is in.
The west and south façades have the most decorative elements. Decorative brickwork frames the ground-floor windows and doors, and two belt courses of corbeled bricks accentuate the division between the upper and lower floors. Bricks above the second-floor windows are set to form flat relief arches. Each is surmounted by a semicircular transom window set into a brick arch.
Attached to the northern end of the main pump house. The roof is double hipped and clad in corrugated iron and has been subject to modifications. Surviving features include the steam header access hole in the southern wall, column capitals, the flue, the access door to the engine room and an unusual configuration of windows beneath relieving arches in the brickwork.
The main facade is three bays wide and symmetrically arranged, with entrances flanking a central sash window on the ground floor, and three windows above. The second-level windows are set in recesses and topped by distinctive recessed sunburst-patterned brickwork. The sills of these windows are formed out of ogee-shaped bricks. The windows on the side walls have the same features.
The stage and balcony of the 1924 auditorium were restored, and original brickwork that had not been visible can now be seen, showing the skill of those who built it. Students moved into the new 99,433-square-foot Central Elementary on November 13, 2007. In 2008, Preservation North Carolina honored the Stanly County School Board with its Carraway Award of Merit.
Dudley's Chapel is a historic Methodist church located at Sudlersville, Queen Anne's County, Maryland. It was built in 1783 and is a simple brick structure with a moderately pitched gable roof. A coat of stucco was added in 1883, covering all of the original brickwork. The chapel has a prominent place in the early history of the Methodist Church in Maryland.
Century Apartments, also known as the T.L. Ritchey Apartments, is a historic apartment building located at St. Joseph, Missouri. It was built in 1926, and is a three-story, "U"-shaped, Mission Revival style buff brick and terra cotta building. It features a large central courtyard, polychromatic brickwork, and quatrefoil windows. It was listed on the National Register of Historic Places in 2001.
The church was built with a drive shed that also served as the church hall. In 1925, the church became the Johnstown United Church after a church union. In 1962, the church was moved closer to the river when Highway 2 was widened. At this time, the church also received new brickwork and a basement to serve as the new church hall.
The attic ceiling has been lined with sheeting and the rafters are only partly visible. No original furniture remains in the farmhouse. Some of the original fabric of the house was altered when renovations were carried out in the 1980s. The brickwork on the eastern and western walls, damaged in an earlier storm, was replaced with modern bricks and cement mortar.
Church End Mill is a four storey tower mill with a conical cap with a ball finial. The mill had four single Patent sails carried on a cast iron windshaft and was winded by a six bladed fantail. The tower is high to curb level, diameter at base level and diameter at the curb. The brickwork is thick at base level.
The 1959 extension has face brickwork foundations, and is sheeted in weatherboards with hopper windows replacing the earlier sliding sashes, and has a corrugated GI roof. French doors provide access to the early verandahs, which are of timber with hardwood floorboards, square section posts and no balustrading, and which are open except for ventilated storage space on the western edge.
The buildings in the district are mainly built in brick and stucco, and their designs reflect the periods in which they were built; for instance, the Live Oak Hall has narrow, arched windows popular in the 1870s, and the 1920s buildings have distinctive period brickwork. The district was added to the National Register of Historic Places on January 23, 1998.
The collapsed tunnel was determined to be in such a condition, particularly in regards to its brickwork, that extensive, and costly, remedial works would have been necessary to render it usable to rail traffic once again. Thus, decision makers quickly came to favour its permanent closure.Ministry of Transport & Civil Aviation 1954, p. 6. Despite this, emergency reinforcement measures were carried out.
The distinctive style of 11 Dyke Road has been described as French, Flemish or German Gothic Revival. Somers Clarke's "freely inventive" interpretation of that design was executed in brown brick with some red brickwork and stone dressings (now painted white). The steeply pitched roof is mostly tiled. The building has two storeys and two bays facing east towards Dyke Road.
It was reduced to a single storey cottage around 1950 when its brickwork was considered unsafe. The modern structures date from the 1940s or 1950s and include the enclosure of the south-east verandah, a brick garage and laundry on the west corner of the caretaker's cottage and a timber garage on the north-east side of the caretaker's cottage.
The building was constructed in the years 1929 and 1930 by the building firm James Porter & Sons and to a design by Eric Heath. The brickwork facade is rendered in a rough cast stucco giving an exaggerated texture. The raised decorative detailing is in precast concrete. There are five floors including a basement and the three storey facade above the awning is symmetrical.
Comfort Lodge is a two-storey Victorian Italianate villa of stuccoed brickwork with gabled corrugated iron roof. Three sided bay front on gabled wing with stucco string courses and label moulds and elaborately fretted bargeboards. Two storey verandah to north and east sides has bullnose corrugated iron roof, timber floors and cast iron posts, balustrading and valence. Set well back from the road.
The chancel arch has been bricked up and a Decorated Gothic window from the south side of the chancel re-set in the brickwork. In 1880 a new mission church of SS Mary and Felix was built by the main road. It has a timber frame clad with corrugated iron. Unusual among "tin tabernacles", this one has a thatched roof.
Pugin's drawing of the altar, from Present State of Ecclesiastical Architecture The house was designed in late 1840, with its overall arrangement being based on the courtyard houses of northern France, but with a strikingly original internal layout, taking a spiral route from the building's front door, all the way round all four sides of the building to the great hall, which was immediately above the main entrance to the right. Its elevations were "sheer, austere and disciplined" with little decoration apart from stone dressings and small areas of patterned brickwork. Pugin emphasised the buildings functionalism, noting "that convenience has dictated the design, and that the elevation has been left in that natural irregularity produced by the internal requirements to which we owe the picturesque effect of the ancient buildings." The quality of its brickwork was unprecedented in England at the time.
Queen's Hotel, located on the southern side of The Strand and returning into Wickham Street, is a two-storeyed structure containing television studios and offices built of English Bond brickwork with rendered detailing. The brickwork has been sandblasted to remove a coat of paint, and the building has a hipped ribbed metal roof, similar in form to the original roof. The Strand elevation shows Art Nouveau and Indian/Colonial influences in its design, including turrets crowned by cupolas framing low tower forms along the northern frontage, decorative render panels, wide eaves and arcaded loggias to the ground floor with verandahs above. The two large and two small tower forms differ slightly in their design and proportions, with the two larger having a broad, recessed arched entry with a recessed loggia above and surmounted by a steep pitch ribbed metal roof.
In the two front side bays, on each level, former sleep-outs have been enclosed with fixed glass panels in aluminium frames. In the central bay, on the upper level, there is a fixed glass window with an aluminium frame; on the lower level a central entrance porch has been constructed over the original stairs. Above the porch is a rendered panel with the name of the building, BULOLO, in low relief "Art Deco" style lettering. The decorative detailing in the front elevation is simple but effective, and includes: the use of polychromatic brickwork in the parapet; the use of multiple brick pilasters at the corners of the building; the creation of textured effects using expressed brickwork; and the incorporation of six small "grotesques", two in each of the front bays, at about the height of the upper floor.
The National Roofing Contractors Association defines a low-slope roof as having a slope of 3-in-12 or less.National Roofing Contractors Association (Technical Library) Flat roofs exist all over the world and each area has its own tradition or preference for materials used. In warmer climates, where there is less rainfall and freezing is unlikely to occur, many flat roofs are simply built of masonry or concrete and this is good at keeping out the heat of the sun and cheap and easy to build where timber is not readily available. In areas where the roof could become saturated by rain and leak, or where water soaked into the brickwork could freeze to ice and thus lead to 'blowing' (breaking up of the mortar/brickwork/concrete by the expansion of ice as it forms) these roofs are not suitable.
The building is notable for its Arts and Crafts decorative treatments including: extensive use of high- quality, tuck pointed face brickwork and stucco; rendered dressings; tall decorative brickwork chimneys with chimney pots; decorative eaves brackets; a prominent semi-circular window flanked by horizontal bands of render; and rusticated Tuscan order columns and a curved pediment with a sculpted naval coat of arms to the portico. A decorative wrought iron gate opens to the entry portico where the floor is finished with tessellated encaustic tiles with slate thresholds and the ceiling is v-jointed timber boards. There are two adjacent entry doors from the porch; both are timber double doors with leaded fanlights. The larger door opens into the hall via a small foyer and the smaller door into the front room which is divided into two parts by a large arched opening.
The original grammar school building has been noted for its "strong proportions and blonde brickwork" Demanding £173,793, construction of a new grammar school began in 1952. The building was designed by County Architect E. W. Roberts to comfortably accommodate 540 pupils, anticipating that a sixth form would be established as its pupils matured. Architectural historian Elain Harwood demonstrates that Roberts repeated the same design at other schools both before Carlton le Willows' foundation and until his retirement in December 1954, describing its "strong proportions and blonde brickwork" as "impressive". In-line with Roberts' formula, generous acreage, permitting a large playing field, was secured for Carlton le Willows that year with the County Council's acquisition of War Department land once allotted to the adjacent Gedling House, which was built for the Smith banking family in the late 18th to early 19th–century.
Maple Court Apartments is a historic apartment building at 1115-1133 Maple Avenue in Evanston, Illinois. The three-story brick building was built in 1915. Architect George S. Kingsley gave the building a geometrical design similar to those used in Prairie School buildings, though the building is not itself Prairie School. The building's design includes patterned brickwork, limestone arches and windowsills, and parapets with decorative sunbursts.
The church took its name from St. James Cathedral in Chicago, since the bishop of that church granted Lewistown its parish. The red brick church's Gothic design features diagonal buttresses, arched windows and an arched door, decorative brickwork forming a pattern of X's on the west side, and a small bell tower. The church was added to the National Register of Historic Places on December 31, 1974.
They are defined as a group by a continuous rendered hood which projects over the windows, rendered sills and by the brickwork in which they are contained, which projects slightly from the main plane of the building. Internally the area is a large open space, with smaller spaces partitioned off to provide offices. However it is discernibly two different buildings, evident by the differences in roof structure.
Pedestals carrying urns divide the parapet into sections, some of which contain balustrading, while others are solid with the title "TREASURY HOTEL" in raised lettering. On the centre of the parapet of the Elizabeth Street facade is a pediment. A similar pediment crowns the corner and has a flagpole located behind it. The ground floor below a street awning has been modified and covered in modern brickwork.
Corrugated metal roofing fabric is relatively new. The signal equipment including CTC panel and 37 lever interlocking frame inside are extant. The building currently presents a single-storey box with shallow hipped roof. The face brickwork with engaged piers has been painted over in places and the three arched windows along the railway side are intact, although the panes have been painted over and many are broken.
Fremont School, also known as Freemont School, is a historic elementary school building located in Spartanburg, Spartanburg County, South Carolina. It was built in 1915, and is a two-story, brick Classical Revival style building with a partially raised basement, and a major addition built in 1926. It features decorative brickwork, terra cotta ornamentation, and entrance porticoes. The building housed an elementary school from 1915 to 1979.
The tower was built on a quadrilateral plan, using the Vendian brickwork. Following the 19th century reconstruction, it has four storeys and a usable attic; the original division into storeys was different, demonstrated by Gothic brick friezes laid diagonally. There are 19th century shooting ranges adapted to firearms on the ground floor. The upper floors have large openings closed in sections with wooden shutters.
Revised: 1937 The stables below Ferrydyke Bridge are of an unusual construction having a 'walled garden' style outward appearance with a large entrance door in keeping with that analogy. Internally some brickwork of a later date survives and to the west stands a building that is more typically stables-like. The variety of buildings present suggest other uses throughout their working life than purely stabling for horses.
The conservatory is a relatively small structure located close to the main homestead building on the eastern side. It is constructed of rendered single course brickwork to a height of 990 mm. This is surmounted by a number of fixed pane timber-framed windows coated with a "whitewash". The roof is a hip roof clad with pressed metal "tiles" with glass panelled gables at each end.
St John's Anglican Church is built of random rubble with red face brick quoins and buttresses. The random rubble walls have been bagged and the brickwork has rendered and painted highlights. The roof of the church and the spire are clad in galvanised iron over a cedar hammerbeam roof truss frame. The internal roof lining, the pulpit and pews of the church are also made of cedar.
Part of the "Queensland Country Life" signage remains on the side of the building, 2015 The existing main facade comprises three identical bays. The northern matching bay and the remainder of the building have been demolished. The facade is lavishly decorated with Victorian Italianate detail executed in rendered brickwork, on the upper three of its four storeys. The three remaining bays are identical in elevation.
The brickwork mostly dates to the 16th century. It has a central 3-shafted ridge red brick chimney. The wing to the right of the priory was added in the late 19th century and features a red brick diaper pattern on knapped flint walls. Another wing set back to the right has 2-storeys and an attic, and has five first-floor windows and five dormers.
The Mechanicsburg Baptist Church is a brick building resting on a stone foundation and covered with a slate roof. Built in the Gothic Revival style,, Ohio Historical Society, 2007. Accessed 2013-02-01. this single-story building possesses architectural features such as decorative elements on the gabled roof, corbelled brickwork, a tower with belfry on the primary corner, and stained-glass windows trimmed with stone.
On Sunday 22 April 1883, the original wooden station building was destroyed by fire. A coroner's inquest failed to find a cause of the fire despite hearing evidence from many witnesses. Special praise was given to a young fettler, William Nettleton, who bravely risked injury to save three chairs. Just over a month later Binalong was celebrating the completion of the brickwork of the new, sturdier station.
The Engine Company 2 Fire Station is a firehouse at the corner of Main and Belden streets in Hartford, Connecticut, United States. It is a brick structure built in the early 20th century, the second firehouse built for the company. Architect Russell Barker, who designed many public buildings in the city, used the Italian Renaissance Revival style, unusual for a firehouse. The front facade boasts intricate brickwork.
2 (Winter, 1988–89), p. 109. while the casement windows were "Old English" in inspiration. Some elements, including the fussy, diamond-shaped ornamentation in the brickwork and the truncated corner piers rising to the height of the second-story window sills, have been attributed to Wright's draftsman Walter Burley Griffin. Massive corner piers are a hallmark of Wright's nearly contemporaneous Larkin Building (1904) in Buffalo, New York.
Because of its variations it does not lend itself to carving or finer work.Clifton-Taylor A., & Simmons, J. 1987. The Pattern of English Building Carrstonework can be seen in forms such as: random carrstone, coursed carrstone, ashlared carrstone, all with, or without, galleting. Other patterns of use are: rough carrstone sipps (slips or brickettes) and cut carrstone sipps, both used in masonry fields between brickwork quoins.
The church is a Grade I listed building. It resembles two other churches by the same architect — in particular Holy Trinity Church Marylebone — in its use of London stock brickwork with stone dressings, and carries the Soane hallmark of tall arched windows set in recesses. The depressed Ionic front with cornice sand balustrade over avoids the architectural problems encountered when a pediment is used.
Patcham Place's present appearance is entirely 18th-century. Its style is Classical, suggested by features such as its three-bay pediment and Tuscan-columned entrance porch. The northwest and northeast walls are hung with the glazed black mathematical tiles which were a signature feature of residential buildings in Brighton between about 1760 and 1820. Elsewhere, stucco is used, except for some flint and brickwork at the rear.
The altar includes a prothesis and a diaconicon, which are housed in bays in the east wall. The church was built out of interchanging rows of stones and brickwork, without any ceramic facing. Blind arches form an important part of the church's exterior decoration: there are five each on the north and south walls, with an additional three on the west wall. The walls are around thick.
Smith Warehouse is a historic tobacco storage warehouse located at Durham, Durham County, North Carolina. It was built in 1906, and is a two-story Romanesque style brick structure divided into 12 70-foot-wide units by projecting corbeled firewalls. The building measures 850 feet long and 100 feet wide and features ornamental brickwork. It is an example of "slow burn" masonry and wood factory construction.
Opus reticulatum used on the exterior wall of Hadrian's Villa, which was used as a retreat for the Roman Emperor Hadrian in the early 2nd century. Opus reticulatum in Pompeii Opus reticulatum (also known as reticulated work) is a form of brickwork used in ancient Roman architecture. It consists of diamond- shaped bricks of tuff, referred to as cubilia, placed around a core of opus caementicium.
The mansion at Fall Hill (pictured) is a Georgian two-story home with a central hall and two large rooms on either side. Its roof is hipped and there are interior chimneys at each end. The outside walls are randomly glazed Flemish bond brickwork. In keeping with the Georgian design of the exterior, second floor window openings are proportionately smaller than those of the first floor.
Rycotewood Furniture Centre is a specialist centre located on the campus. The campus is undergoing major redevelopment during 2014. 3.2 Blackbird Leys Blackbird Leys is an Oxford ward located to the south east of the city centre. The campus delivers courses in construction (carpentry, joinery, plumbing, brickwork, and painting and decorating), motor vehicle and electrical installation. It is also home to the college’s Centre for Autistic Learners.
As at 30 March 2004, although the building is still structurally sound the interior, especially, is in a very poor state. Unless remedial work is undertaken water damage also threatens the external brickwork. There is a large hole in the main roof which has resulted in major damage to one of the upstairs rooms. Much of the interior plasterwork has also deteriorated beyond repair.
This building features polychromatic brickwork, tuck pointing and some sandstone detailing. Brick, with a sandstone trim and terracotta tiles, all characteristic materials of the Federation period, were used throughout the complex, the level of detail depending on the function of the building. The complex has been extended to one side. New watch towers have been built however elements of the original towers remain intact.
Hayward's Lott, also known as Ivy Hall, is a historic home located at Pocomoke City, Somerset County, Maryland, United States. It is a -story farmhouse built about 1730 of Flemish bond brickwork with glazed headers. The house features small windows in the principal elevations, a steeply pitched roof, and two interior "T"-shaped chimneys. Hayward's Lott was listed on the National Register of Historic Places in 1976.
There is also a concrete fountain, though it is no longer functioning. There are three garages on the property, but they are non-contributing to the official designation of historic district: the ambulance, concrete, and modern garages. The ambulance garage is a brick rectangular structure built in 1900 on a raised concrete foundation. Much of the brickwork is similar to that of the detention hospital.
Hunworth hall was built in 1699 For Edmund Britliffe. It is constructed over two storeys and is of rendered brickwork. To the front elevation there are six bays with a central doorcase with pilasters which are a later addition from circa the 18th century. The brick and flint barn north of the hall, which also dates from the 18th century, has Britliffe’s initials set into the wall.
It is thus clear that the Strand Lane Bath is exactly where the cistern-house is attested to have been. Expert dating of the brickwork of the bath to the range 1550–1650M. Trapp, 'The Denmark House Helicon: iconography and surviving traces', p. 241-2; Hayward, Building Material Report then leaves it overwhelmingly probable that the ‘bath’ is in fact some part of the cistern structure.
A typical use is to support an existing horizontal beam while its original masonry supports are removed or repaired. When masonry itself is to be supported, holes are first knocked through the brickwork and a strong 'needle' or 'strongboy' is placed through the hole. A pair of props are then used, one under each end. Existing windows or doorways may also be supported directly, or via needles.
Religious themes are included throughout the house, both on the exterior and the interior. On the exterior, medallions, shields and crests are set into the brickwork, and a copper statue of the St. Michael the Archangel defeating Satan is prominent. The interior is finished with oak, stone and masonry. The house had, at one time, the largest collection of Pewabic glazed pottery tile in Michigan.
Jagannath Temple is one of the oldest temples of Comilla district. It is located two km south-east from Comilla town. The terracotta brickwork of the temple is in the typical Bengal style of temple architecture. The seventeen jewels are the towers that originally crowned the structure but have been damaged: eight on the first floor, eight on the second, and one more in the centre.
The Carson Valley Improvement Club Hall is a historic building located at 1606 Esmeralda Avenue in Minden, Nevada. The building was constructed in 1912 as a meeting hall for the Carson Valley Improvement Club. The two-story building features a variety of brickwork patterns but has an otherwise plain design. The Carson Valley Improvement Club used the building to host both community social events and town meetings.
The house is made up of three storeys, plus an attic and a basement, and a two-storey extension to the left of the property. The partition wall between the demolished house to the right has not been particularly well-rendered. The building has been constructed of stock brickwork and topped with a slated mansard roof. The original sash windows were later replaced with gauged brick arches.
The building has been designed in the Queen Anne style and stands over four floors. It is built in red brick with corner turret, terracotta detailing and stone dressing details. The main entrance to the hotel was on Prince of Wales road and is constructed from red and buff ornamental brickwork. Some time during the inter-war years the cast iron and glass covered entranceway was removed.
The largest section of brickwork extends vertically and then horizontally in the "up" direction, and is surrounded by other smaller sections. Between is a section of stone retaining wall. The wall is rubble coursed, less than one metre high and is set into the base of a grassed, sloping bank approximately high. A small rectangular metal QR sign has been attached to a stone along the wall.
New steel supports and wood floors were installed in the interior, and space was left to accommodate an elevator and fire staircase. In October 2005, a plaza park was created at the base of the tower. The interior of the tower was restored in the late 2000s. In 2010, as part of the town's 150th anniversary, interior brickwork was cleaned while maintaining its historical appearance.
Much of what was built afterwards was built in the Western Commercial style, with splendid brickwork and simple lines. The Beaux Arts Parchen Drug Building, Colwell Building, and the Penn-Block Bristol Hotel were French Renaissance. The Denver Block and Sands Brothers Dry Goods were Romanesque Revival. By the mid-1880s at least 18 architectural firms had been established in Helena or called in from back East.
After Despenser's execution, the manor was granted to Queen Isabella and then Queen Philippa. Later holders included the earls of Abingdon in the 17th and 18th centuries. The present manor house, in Flemish brickwork, is from the early 19th century. John Marius Wilson's Imperial Gazetteer of England and Wales (1870–1872) described Marden as follows: > MARDEN, or MERTON, a village and a parish in Devizes district, Wilts.
World Heritage explained - Kontorhaus district The ground plan of the building adapts to the Schopenstehl and Kattrepel streets, which run at a slightly acute angle. The rounding off of the building towards the street corner was unusual for the time and became stylistically influential for many of the following buildings. The four upper floors were built in clinker brickwork. The two plinth floors are plastered.
In the early 1960s the front entrance parapets of the buildings were altered. This work varied slightly on each building but involved the removal of the ornate brickwork parapets and their replacement with plain triangular pediments or small hipped roofs. In addition the roofs which had been constructed in corrugated asbestos cement was replaced with galvanised iron. The hospital was redeveloped in the late 1990s.
The bell tower is approximately high, surmounted by an aluminium cross. The tower is constructed from two parallel reinforced concrete walls with decorative brickwork on the outer faces. The two walls are linked by horizontal concrete beams and a bell is hung near the top. A rough render has been applied to the concrete surfaces, with a raised cross ornamenting to the top of each side.
Kelly in 1945 Kelly was born in Philadelphia, Pennsylvania. He was the second child and only son of John Kelly Sr. and his wife, the former Margaret Katherine Majer. His paternal grandparents were Irish immigrants, with his grandfather being from County Mayo, Ireland. John Sr. was the son of a farmer; he started his own bricklaying business, "Kelly for Brickwork", and became a multimillionaire.
In 1885 the mill machinery was removed and the building converted into a Water Tower. This involved the doubling of the height of the brickwork and surmounting it with a 26,000-gallon iron tank. This became the town's first Waterworks and provided most of Kenilworth's water supply until 1939. The supply from this tank was in fact in use for auxiliary purposes until approximately 1964.
A kitchen wing was built attached to the house (said to have been in 1910) and a bathroom and other rear extensions were added at some time prior to 1970. The verandahs were enclosed prior to 1970. Other alterations include changing the shingle roof (seen in an early family photograph) to corrugated galvanised iron and rendering the brickwork. The dates of these changes are unknown.
The Rose Theatre in downtown Bastrop in Morehouse Parish, Louisiana was built in 1927. It was listed on the National Register of Historic Places on September 8, 1987. It is a two-story Arts and Crafts-style brick building. Its brickwork on its front facade was painted in a cream color in 1987 when the word "Rose", centered on the facade, was also repainted.
The house is built in the late 19th-century Tudorbethan style in red and blue interspersed brickwork, with various decorations including gables and statues of griffins and bears with shields. Tall groups of brick chimney stacks surmount the property. The stables of the house have a conical roof and are now garages. A swimming pool in a conservatory was added in the late 20th century.
The rectangular structure has a central tower on the west elevation. The Italianate features of the building are the second- floor windows with their elongated shape, flat arch hoods, and 2/2 light configurations. The tower combines heavily hooded windows and there is a decorative brickwork cornice across the façade. Firefighting equipment was stored behind two large doors on the main level of the building.
The front of the building, facing Oranienburger Straße, is polychrome brickwork, richly ornamented with sculpted bricks and terracotta, accented by coloured glazed bricks. Beyond the entrance, the building's alignment changes to mesh with pre-existing structures. The synagogue's main dome, with its gilded ribs, is an eye-catching landmark. The central dome is flanked by two smaller pavilion-like domes on the two side-wings.
The main columns are located at the tower's corners, bearing structural loads of up to , when wind pressure was taken into account. The structural steel frame of the tower, and of its former east wing, is encased in reinforced concrete. The marble and brickwork used in the building is anchored to the structural steel frame, while the floors are made of inverted concrete arches.
On the upper banding of brickwork there is fading evangelical text. Much of the building material was re-cycled from the remains of two early churches - the Church of St Helen in East Beckham, and All Saints Church in West Beckham. At the western end of the church there is a clear rose window. Below the window can be found the font reminiscent of a wedding cake.
The roof is laid with pantiles. The main entrance, a round-arched doorway in a slightly recessed bay, sits below five tall, narrow windows with elaborate tracery; the brickwork surrounding these is diapered. Inside, the ceiling of the long nave is of concrete, painted and laid out in a hexagonal pattern. The nave is flanked by aisles with plain arches, above which runs a tunnel vault.
There is a raised concrete platform to give access, fitted with a steel handrail, and aluminium awnings for protection. One set of boxes have been inserted into a former window aperture, and the brickwork above has been patched. The sorting room is a single storey structure, under a gabled roof with a brick parapet. It has Marseilles-pattern roof tiles exposed rafters, quad gutter and rectangular downpipes.
The eastern end was not accessible in 2010. The entry is characterised by a large three ring brick parabolic arch with a sandstone outer curve and a horizontally articulated entablature constructed of axe-faced and margined stone ashlars. The top of the entablature course to the former rail level is approximately . The face brickwork of the surround is plumb and laid in English bond.
The building is an impressive two storey Victorian public building built of face brickwork laid in English bond. It is surrounded by an elaborate and elegant verandah with corrugated steel roofing to balcony over. The balustrading and columns are of cast iron with curved timber roof forms and trussed balcony beams. Six tall chimneys dominate the simple corrugated iron (originally slate) roof form with ridge roof vents.
This structure is thought to have been the last signal box constructed by the Great Western Railway in Shropshire. Much of the contents and structure of this 1939 constructed signalbox has been salvaged for reuse on another heritage railway. The remaining brickwork was demolished in the small hours of Sunday 21 October 2007. Remarkably, the signalman's portacabin style privy remains in-situ as of late August 2008.
Building corners feature brickwork that is quoin-like in appearance. Windows on the central section are set in rectangular openings on the first two floors, and round-arch openings on the third; the first-floor windows are topped by stone keystones. Building entrances are set at the ends of the central section. The building was designed by architect Julius Schweinfurth and was built in 1905.
The shed was extended after World War II and this remains visible in the brickwork. In its later operational years it housed seven narrow-gauge diesel locomotives that operated between the clay pit and the brickworks. Commercial operation of the narrow gauge locomotives ended in 1979. The locomotive shed is at the lowest level of the site, representing the original land level of the whole area.
In each angle outside the central bays is a timber-framed porch and a small conservatory with a hipped roof. The lower storey has sash windows in both central and outer bays. Between the storeys is diapered brickwork. In the upper storey, No. 31 has a five-faced oriel window in its outer bay, while the corresponding window of No. 33 has a double-arched window.
The front porch, accessible via concrete steps, leads to the paneled oak front door with beveled glass. The screen door, of white aluminum, was installed in 2001. To the right of the front door is a bay window with decorative brickwork. A similar bay window with a hipped roof is located on the right (north) side of the home, next to a tall brick chimney.
The hall has been built in several stages, with each stage being designed to complement the church. Generally, the building is of polychrome brickwork, red with blond trim, with a terra cotta Marseilles pattern tiled roof, hipped in form with skillion additions. A gabled entrance porch has been added to the west elevation. Windows are double hung with semicircular heads and contrasting brick quoins and sills.
The house was rebuilt at the beginning of the 19th century, but 1860 renovations by Nicolson Calvert changed much of the architecture to an Elizabethan style. One last renovation in 1983 revealed some of the 15th-century brickwork. The current house is less than a quarter of its size under Henry VIII. Today the building is Grade I listed , privately owned and not open to the public.
In the 1990s it was still being used for the storage of wines and spirits. The building is now owned by Bristol City Council. The western half houses Bristol Archives (which holds the extensive archives of the city of Bristol) as well as other council offices. The brickwork of the exterior of the building was refurbished by John Perkins Construction using bricks which matched the originals.
Several other structures associated with the station are listed buildings. A tall, blue-brick retaining wall and subway lead beneath the High Level tracks to the station, originally built as a shortcut between the two stations and known as "the colonnades". The brickwork on the interior is glazed white, and has decorative iron railings mounted to it The wall and subway form a grade II listed building.
Hawthorne Villa is a Gothic-revival two-storey red-brick building at 1 Church Street.Stevenson, p.22 It was built by Thomas Monds in 1875 and is surrounded by English-style gardens that contain two large Californian Redwoods. The Villa was built on the site of Carrick's first hotel—an Adobe Inn built in the 1830s by John Archer—using some brickwork from the former building.
Brickwork and plaster work have been used to create geometrical patterns depicting a hybrid of Moorish Muslim and Christian Gothic architecture. While the main construction is of brick, limestone and plaster have been used in the balistraria, the embrasures. White limestone has also been used to decorate columns in the courtyard and the keep, as well as numerous other features on the facade of the keep.
STUCCO Housing Co-operative is a student housing co-operative in Sydney, Australia. Officially opened on the 21st of February, 1992, it was the first of its kind in Australia, though there is now also the Canberra Student Housing Cooperative. Its name is a contraction of "Student Co-operative" rather than a reference to the rendered coatings on the external brickwork in the STUCCO building.
This is a brick building of three storeys on a base of porphyry (Brisbane tuff) stonework that also has a basement level. The exterior brickwork has been rendered, with the side scored to imitate ashlar work. The Edward Street elevation is symmetrical and divided into three bays, equally spaced. Each floor is defined by a string course, those higher up the facade more ornate than those below.
It was opened in 1876 and the original church survives to this day. The vicarage is also intact, but it is now a nursing home as a new vicarage was opened in the original vicarage's garden in 1989. The church was designed by J. H. Gibbons and consists of English bond brickwork with a tiled roof. It received Grade II listed status on 29 September 1987.
The main entrance is located in a portico with four Corinthian columns supporting a full entablature done in bas-relief. On the rear, two-story wings project from the southeast and southwest corners. The east has a brick and stucco wing with decorative brickwork in a diagonal pattern above the first story. There are two wings on the east, both later additions of brick and concrete.
Architect Archie H. Hubbard, himself an early member of the fraternity, designed the house in the Italian Renaissance Revival style. The three-story brick building features a loggia on the two side facades and belt courses dividing the floors. The upper two stories of the building have distinctive diamond-patterned brickwork. The building was added to the National Register of Historic Places on August 28, 1989.
Generally, the interior of the church is quite dark and heavy. The internal walls of the church are all dark face brickwork with black pointing. The joinery is heavy and the small openings are mostly glazed with coloured glass. There is early electrical lighting within the church in the form of pendants in the nave and wall brackets along the walls of the side aisles.
National Archives AVIA 15/3751 As early as 1942, cracks in the brickwork of the principal building were discovered by Vickers, due to differential expansion of the various types of bricks used in the different stages of construction. Possibly as a result of this debacle, in 1941 Nuffield invited Mrs Dorothée Martin (Dorothée Pullinger) to join his organisation to advise him on his war work.
The building at 312 Kittson Ave, Grand Forks, North Dakota is a two-story brick commercial vernacular style building with classical details built by Swedish-American builder Sander Johnson in 1907. It is part of the Downtown Grand Forks Historic District. The building is constructed of brick, Hebron on the front and common on the sides and back. Its quality of workmanship, brickwork, and carpentry are notable.
The Orville Jackson House in Eagle, Idaho, is a brick and stucco, -story Tudor Revival structure designed by Tourtellotte and Hummel and constructed in 1932. The house features a decorative diamond pattern of clinker brick visible on the chimney. Projecting clinkers are evident also in the brickwork of the first floor outer walls. The house was added to the National Register of Historic Places in 1982.
The central apse appears to be a later Byzantine reconstruction, since it lacks the four tiers of five niches, which feature ornamental brickwork and adorn the lateral ones.Van Millingen (1912), p. 172. Above the niches runs a cornice. The style of the side apses resembles strongly that of those of Pantokrator Church, and is a further element in favour of a late dating of the building.
In 2016, the Alta Public Library received a major refurbishment. Overseen by Cleveland architect Joseph Linek, the $1.6 million ($ in dollars) renovation (partially funded by $240,000 ($ in dollars) in historic preservation tax credits) included conservation, restoration, and refurbishment of the original oak floors, window wells, windows, and cornice brickwork. The Cleveland Montessori School joined the library in taking up residence in the renovated structure.
The building was designed in Federation Filigree style. The building is constructed with tuck-pointed brickwork in Flemish bond and its corrugated iron roof is concealed behind a parapet. The veranda and balcony extend along both street facades and are covered with a lean-to roof. The veranda roof is broken by gables, which highlight the main entrance to each street facade and the truncated corner.
In 2004, the cap and sails were removed to enable repairs to the brickwork at the top of the tower. The repairs were completed by the end of the year. The mill was officially reopened on 8 April 2005 by Lord Petre. On 5 April 2010, the stock of one pair of sails broke, and the sail crashed to the ground, damaging the stage as it fell.
The exterior and interior of the building are substantially as they were when constructed. Exterior features include the curved entrance colonnade, "roughcast" stucco panels, gable treatments and tuck pointed brickwork. The interior has decorative metal and boarded ceilings, moulded plaster wall decoration and panels, leadlight door panels, cedar joinery, and clerestory windows to the Long Room. The place is important because of its aesthetic significance.
A rail connection between the two stations existed, but for transfer of goods wagons only. There were no through passenger workings. It was closed to passengers by the Great Northern Railway Board on 16 January 1956 and to goods on 5 October 1959. The station building was designed by William Henry Mills in his typical polychrome style, with red and yellow Flemish-bond brickwork.
The north wall has four windows, placed slightly irregularly, while the south wall has only three. The west side has no windows, but also has evidence in the brickwork that there were once two windows. The interior of the school has a vestibule area, which then opens into the classroom. The wall separating the spaces is vertical tongue-and- groove, with an original Federal-period door.
Typically, the bricks are laid also running linearly and extending upwards, forming wythes or leafs. It is as important as with the perpends to bond these leaves together. Historically, the dominant method for consolidating the leaves together was to lay bricks across them, rather than running linearly. Brickwork observing either or both of these two conventions is described as being laid in one or another bond.
When this was corrected the brake wheel was within 1/16 th of an inch (less than 1 mm) of true. The clamps for the stocks were sawn from a baulk of pitch pine ready for completion later in the year. Other work included a new frame for one of the ground floor doors, cleaning and painting ironwork and further repointing on the brickwork.
The Office building is a two-storey Victorian Italianate building built to Admiralty plans, built in 1890 based on 1790 standard designs. Original section of pale brickwork with sandstone trims and clock tower surmounted by a cupola. The clock mechanism of pulleys and weights, and a differential turning all four sets of hands, is rare. The hipped roof is clad with tiles (originally slate).
Originally, in the interest of historical preservation, there were plans to cover the window panes in screened diamond shapes to continue the pattern from the brickwork and to achieve the impression of a continuous façade. Due to problems with the lighting of interior spaces, this was ultimately abandoned. Aside from Universal Music, various other media and service industry businesses have moved into the building.
The farmhouse is a two-story brick building with its gable end facing the road and the main facade on the south. A pair of brick chimneys, one at the gable peak are enclosed in the gable ends. The original building forms the core of the current structure. Brickwork patterns and techniques indicate a one and a half story three bay plan started as early as 1790.
The Crown Street Public School is a heritage-listed public primary school located at Crown Street, Surry Hills, City of Sydney, New South Wales, Australia. It was designed by George Allen Mansfield and built from in 1869 by A. Scott (masonry and brickwork), Mackay and Son (carpentry and finishing). It was added to the New South Wales State Heritage Register on 2 April 1999.
The hotel was built for T. Humphreys and the first manager was H. Hutting. The name refers to the hotel's position on the edge of the Ipswich CBD. In the 1980s, some of the brickwork was painted and a beer garden structure was erected on the western end. A two- storeyed brick bathroom and toilet annexe was built in the rear courtyard sometime between 1960 and 1980.
McMinn Building is a historic commercial building located at Brevard, Transylvania County, North Carolina. It was built in 1899, and is a two-story, rectangular brick building with robust decorative brickwork in the Italianate style. It has three storefronts on the first floor, and offices on the second arranged in a "U"-shaped plan. It was listed on the National Register of Historic Places in 1994.
The entrance is in the center bay, set in a Romanesque round-arch openings with stone voussoirs. The bays above the entrance have paired narrow windows set on shared stone lintels. The building name appears in a panel between the second and third floors. Pilasters rise flanking the central three bays, beyond the top of the building to form a parapet, with corbelled brickwork between.
The residence has thick walls of rendered brickwork, coved ceilings, and early French doors, and is important in demonstrating an early (mid-19th century) arrangement of interior residential space. The place is important because of its aesthetic significance. The homestead complex has aesthetic importance as a picturesque and rustic place set in a rural environment, which quality has been valued by visitors over many decades.
Reddin was still the hotel proprietor in 1916 but by 1919 George Marques was the proprietor. Clarence L. Braddock took over management of the hotel in 1939 and remained there until 1943. In 1993 the hotel was renovated again with the paint removed from the ground floor walls leaving exposed brickwork. The balcony has also been removed and replaced with a cantilevered canopy parapet.
Leeney, op cit. The three Norman windows in the apse have been restored, but the jambs and rere-arches are ancient along with the small Norman window at the west end. The Norman sandstone font was provided an octagonal stem base in the 14th century, and parts of the ancient flint walls were repaired in places with 18th-century brickwork. The single bell dates from 1829.
Waterhouse adopted the radial plan of HM Prison Pentonville and showed his plans to its designer Joshua Jebb for his approval. The plan consists of six wings, three storeys high, opening off a twelve-sided central hall. Although the main prison is in a simplified Gothic style, there are also some Romanesque details. The entrance gatehouse is in French Chateau style, with banded stone and brickwork.
St. Thomas Monastery is a ruined Armenian monastery overlooking Lake Van in Turkey. The monastery is situated near the village of Kanzak (Altinsac), on the Southern shore of Lake Van. It was probably constructed in the 11th to 13th centuries, and is mentioned in manuscripts from the 15th century. Parts of the inside were restored in 1581 and the exterior brickwork was repaired in 1801.
The Linton Block was a historic site in Woonsocket, Rhode Island. It was a 4-storey office and domestic accommodation block built by Robert Linton in 1888 to house his drug store. Built in a Queen Anne/Romanesque style, the brick facade was ornamented with brickwork patterning and terra cotta panels and the side elevations embellished with cut shingles. It was badly damaged by fire in 1890.
The brickwork is laid for the most part in English bond with occasional vitrified (over-fired) headers. The south elevation is rendered over obscuring detail but the west side is exposed and the base of this wall includes a low brick plinth with a chamfered masonry cap. The use of brick, laid in English bond and including the masonry embellishment is an expensive one. However, from c.
The early 16th-century Abbey House contains some of the earliest brickwork in the county. To the northeast of the village there used to be a paper mill by the river. In 1980 it was described by writer Roland Gant as a "discreet industrial oasis in an agricultural plain". It had been in operation since the early 18th century, but has now been converted to residential accommodation.
Mills, John. Chapter 1 Up in the Clouds, Gentleman Please Published by Orion. where it is said that his initials can still be seen carved into the brickwork on the side of the building in Upper St Giles Street. Upon leaving school he worked as a clerk at a corn merchant's in Ipswich before finding employment in London as a commercial traveller for the Sanitas Disinfectant Company.
On the upper two stories, the brickwork is patterned in a lozenge design. The first floor exterior of the front elevation to the west is finished with rusticated terra cotta (shaped to look like ashlar stone masonry). The remainder of the first floor is finished with glazed brick. A marquee of stained glass and copper with a parapet of Greek design motifs overhangs the open entrance porch.
In 1975 the Douglas County Board of Commissioners passed a resolution to maintain and preserve the roadway. In the 1980s preservationists pushed for the highway to be restored after plans were revealed that covered the road with asphalt. The section was eventually restored with original bricks that were laid in 1920. To protect the brickwork, vehicles weighing 6 tons or more are now banned from the highway.
It has two storeys, the upper of which is jettied. The areas between the closely studded timber frame are filled in with a mixture of plaster, flint and brickwork, and tiles cover the hipped roof. There are some small sash windows. The tithe barn, which was extended in the 19th century, is linked to the hall house by a bridge-like section of the same date.
The south verandah also has chamfered octagonal timber posts and timber spandrels (now partly obscured by later alterations). The end elevations are more utilitarian, with only three openings to the west and a small room under the skillion roof surmounted by a gable end to the east. The brickwork to the back (south) elevation has up-struck mortar. The interior contains some fine detailing.
Intricate brickwork and decoration characterizes all the main block's facades. The round-arched windows on both floors have as their springlines belt courses made of three rows of brick laid as two rows of headers with black stretchers in between. This is complemented by a reverse in the arches themselves, where the black bricks are recessed. Pilasters rise between the windows, topped by squares of projecting brick.
This original bridge, though, was destroyed in a flood on 4 February 1868. Brickwork piers used for the original bridge were replaced by piles in the reconstruction. Due to financial problems of the Canterbury Provincial Council, Selwyn remained the terminus of the line for some years. For a time, the demand for sections in Selwyn was brisk, and even speculators started buying some of them.
Two sets of timber and etched glass entrance doors have been incorporated into the refurbishment in the 1912 section. The exterior form and detailing of McWhirters remains largely intact, although the ground floor brickwork and openings are mostly new. The building retains its prominence, contributing to the early 20th century commercial character and streetscape of centre Fortitude Valley. Its distinctive corner assumes landmark status.
The East Ward School, also known as the Teresa Merrill School, was an educational building located at 106 North Traver Street in St. Johns, Michigan. It was designated a Michigan State Historic Site and listed on the National Register of Historic Places in 1980. It was unusual for its size and its elaborate brickwork. The school building has been replaced with a housing development and a preschool.
The East Ward School was a single-story brick structure consisting of two sections: the original building, constructed in 1876, and a 1906 addition. The 1876 building was a rectangular structure, with a low hip roof with a gable at each end. A projecting entrance had an arced, recessed porch topped with another gable. The brickwork contained an elaborate decorative scheme with corbelled and paneled bricks.
Usually stone walls are built with two layers of stone, an inner and an outer layer, with the space between them sometimes filled with rubble. The term perpend is also used to refer to a joint in brickwork also called a cross joint or, when extending through the entire wall, a transverse jointRichard, H. W.. Bricklaying and Brickcutting,. London: Longmans, Green, and co., 1901. 4. Print.
72, 74 The walls of the church mixed bare red brickwork or painted imitation of bricks with white ornaments, in roughly equal proportion.Kudryavtsev, p. 74 The domes, covered with tin, were uniformly gilded, creating an overall bright but fairly traditional combination of white, red and golden colors. Moderate use of green and blue ceramic inserts provided a touch of rainbow as prescribed by the Bible.
Contemporary imitation of Byzantine style in concrete, Saint Petersburg, 1998–2008 Byzantine style remains uncommon in contemporary Russian architecture. There have been projects attempting to imitate the outline and composition of typical Neo-Byzantine cathedrals in reinforced concrete, omitting the elaborate brickwork of historical prototypes (e.g. Church of Presentation of Jesus in Saint Petersburg). Restoration of historical churches so far has a mixed record of success.
The main entrance, on the Church Street elevation, is sheltered by a broad arch in the base of the tower. The Church Street elevation also has two bays containing Gothic arched windows with gabled dormers. Ornamental brickwork is placed throughout the exterior. The interior of the church is a modified Akron Plan, with a two-story central nave with sloping floors containing theatre seating.
The initials R & K can be seen in decorative brickwork. In the same year he placed Kirby Muxloe Castle under the guardianship of the Ministry of Works, and it is now managed by English Heritage. In 1925 the Leicester Corporation compulsory purchased his land in Braunstone for housing. The family moved to Rownhams House near Southampton where Richard lived for the rest of his life.
The street frontage was crowned by a baroque bell tower in copper-covered timber. This was taken down in the 1930s at the insistence of the District Surveyor as unsafe and has not to date been replaced. A plain brick pediment and cement cross replaced it, somewhat diminishing the architecture of the frontage. The former location of the bell tower can still be discerned in the brickwork.
Steel props supported the base of the walls above the lowered invert. Failures of these props and the tunnel's drainage resulted in areas of significant inward cracking of the brickwork. In 1934 a bulging length was rebuilt to the original profile with a reinforced concrete invert. In 1965 a further was replaced to improve clearance and to investigate the feasibility of enlarging the old tunnel.
The building has a structural system of load-bearing masonry with a gable roof. Located to the north on the premises, facing Warwick Street, is a late-Victorian brick residence. This substantial structure, once owned by Mayor Leo B. Santangelo, displays intricate stickwork on the veranda, and decorative brickwork, and is in relatively original condition. The southeast section of this structure is supported by large brownstone blocks.

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