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"bourgeon" Definitions
  1. to send forth new growth (such as buds or branches) : SPROUT
  2. BLOOM
  3. to grow and expand rapidly : FLOURISH

19 Sentences With "bourgeon"

How to use bourgeon in a sentence? Find typical usage patterns (collocations)/phrases/context for "bourgeon" and check conjugation/comparative form for "bourgeon". Mastering all the usages of "bourgeon" from sentence examples published by news publications.

François Bourgeon (born July 5, 1945, Paris) is a French comics artist. He is author of several noted Franco-Belgian comics album series.
Eleven of them were written with a co-author, and not all were farcical; Le Ruban (The Ribbon, 1894, in collaboration with Maurice Desvallières), is a comedy about a man's strenuous efforts to be appointed to the Legion of Honour,"Le ruban de Georges Feydeau", Libre Théâtre. Retrieved 29 July 2020 and Le Bourgeon (The Bud) is a comedy of manners with serious moments."Le Bourgeon, de Georges Feydeau", Libre Théâtre.
In an interview in the "Dare-Dare" program of Radio Suisse Romande, as wall as a February 2007 interview on the launch of "Les couleurs de Marcade" installment in the "Cycle de Cyann" series, François Bourgeon revealed the nature of the collaboration between him and Claude Lacroix. For this most recent album as well as the others in the Cyann series Lacroix had the task of creating nearly all of the complex decors, natural or man made be they planets or islands, cities or buildings. In this way he created for Bourgeon the futuristic equivalent of the thorough documentation which had always been the basis for his previous series. Lacroix, an old friend and collaborator of Bourgeon from times pre- dating those of his other series, created the decors and many of the more important objects of the Cyann series by making sketches and drawings and paintings, and also a few solid three-dimensional models at times.
When the ' (The Passengers of the Wind) series was serialized for which Bourgeon abandoned Brunelle et Colin in Circus magazine in 1979, likewise published by Glénat, it became recognized as one of the most important European comic series of its era. His graphic novels have ranged from nautical and medieval historical fiction to science fiction, and characteristically, within settings of violence and sexuality, epic stories revolve around strong female characters. Brunelle, Isa, Mariotte and Cyann are the heroines of each their series, Brunelle et Colin, The Passagers of the Wind, The Twilight Companions and The Cyann Saga, respectively. Bourgeon is noted as a thorough researcher and his drawings, from 17th-century ships to 14th-century clothing, have a reputation for historical accuracy.
Rogues of Clwyd-Rhan is a daily fantasy webcomic appearing in a wide range of formats over the years. Initially inspired by the classic Asterix comics and the television serial Maid Marian and her Merry Men, it has taken on influences ranging from the work of Marten Toonder to Cerebus and the novels of Terry Pratchett or the graphic novels of François Bourgeon.
Isa Isa is the central character of a historical fiction graphic novel series, Les Passagers du vent (The Passengers of the Wind) by François Bourgeon. As Isa's character is revealed through the course of the story which spans 5 albums, she is conscious of her own sensuality, and know how to exploit it to reach her goals. A modern woman within a male-dominated 17th century framework.
Her poems are available in Split This Rock's The Quarry, Beltway Poetry Quarterly, Bourgeon, Lantern Review, Washington City Paper, and On Being. She was also a member of the 2010 D.C. Southern Fried Slam Team and has performed at Lincoln Center Out of Doors, the Kennedy Center’s Millennium Stage, Smithsonian Folklife Festival, Smithsonian Asian American Literature Festival, and Dakshina/Daniel Phoenix Singh Dance Company events co-sponsored by the Poets & Writers Readings/Workshops program.
At this time, he met cartoonists Joëlle Savey, François Bourgeon, and André Juillard. He published his works in various magazines, such as Triolo, Formule 1, Fripounet et Marisette, Tintin, and Okapi. In 1982, Dermaut began at Glénat Editions, and, in collaboration with Daniel Bardet, published Les chemins de Malefosse, a historic comic book series. In 2001, he traveled to Santiago de Compostela, and recounted his journey in Carnets de Saint-Jacques-de-Compostelle.
Cyann Olsimar When Bourgeon's usual editor since 1983, the family-owned company Casterman, was bought by the large corporation Flammarion, problems arose. Bourgeon and Lacroix claimed that Flammarion had altered the sales numbers to slow down royalty payments to the authors, and then committed other irregularities. The authors took Flammarion to court in 1999. Flammarion countersued separately, charging the authors over failure to produce a new album of the Cyann series in less than three years.
To support the rapid growth, the company opened warehouses in Orly near Paris, and a flagship store in Paris. A new comics magazine, Circus, first appeared in 1975 and existed until 1989. But the next few years saw Glénat move more away from the traditional juvenile Franco-Belgian comics and more towards the graphic novel, with an emphasis on their successful historical series by François Bourgeon and André Juillard. A second magazine, Vécu, dedicated to historical comics, was created in 1985 and survived until 2004.
Douillet conducted a flight in front of the Patrouille de France on board the Transall transport aircraft with the door open. The pilots were Commandant Giraud, Commandant Girard, Captain Mateo, Captain Boillot, Captain Boulay, Captain Talichet, Captain Fricker, Captain Lespade and Captain Espinet. In 2010, Carla Bruni, wife of the President of France Nicolas Sarkozy, became the first Patron/Godmother. The pilots were Commandant Guyot, Commandant Tranchon, Captain Guy, Captaine Hauser, Captain Castaing, Captain Wallaert, Captain Pillet, Captain Courtot, Captain Monhée and Captain Bourgeon.
After a failed production of La Cosaque, she began travelling, appearing at the Menus-Plaisirs, the Eldorado and the Alcazar d'Été but never regaining the immense success of her debut roles. She returned to the Gymnase in mother- figure roles in works such as Le Bourgeon, Le Secret de Polichinelle and L'Âge difficile, to which she brought "une tendresse, une douceur et une bonhomie touchantes" ("a tenderness, a softness and a touching affability") before retiring to her native Burgundy. She is buried at Montmartre. Her lover was the journalist and author Albert Millaud.
The solid model for the city in "Les couleurs de Marcade" took up several meters of space at Lacroix's home. The process for this universe-making was always interactive and non-exclusive. In some instances Bourgeon would choose to make himself some of those background sketches, and he would later show them to Lacroix for his opinion. Regardless of who initiated a sketch or large drawing, the two would exchange comments at all steps as the decor went from early sketch form to finished product within the BD.
Bourgeon was originally educated as a master stained glass artist, but difficulties in finding employment and a passion for drawing altered his course onto a different career. Getting illustrations published in magazines from 1971 eventually led him to pursue graphic storytelling and to develop his craft over the next few years. His first major comic work became the two first outings in the medieval series ', created for publisher Glénat Editions who released the two titles directly in comic album format. These two titles already foreshadowed his later, more grim medieval epos ' (The Companions of the Dusk), both thematically as well as art-wise.
Known as the Chemin de Mons, this meant a direct attack on the French centre would be exposed to prolonged fire from in front and enfilade fire from the flanks. The Allies made contact with French outposts on the evening of 9 May, but a hasty reconnaissance by Cumberland and his staff failed to identify the Redoubt d'Eu. Next day, British and Hanoverian cavalry under James Campbell pushed the French out of Vezon and Bourgeon. Campbell's deputy, the Earl of Crawford, recommended infantry clear the Bois de Barry, while the cavalry swung around the wood to outflank the French left.
In 1981, Norma Editorial absorbed magazines from Riego Ediciones; Cimoc and Hunter, and later on Cairo, Sargento Kirk and Humor a tope, all directed at 1984 for Joan Navarro. With these brands, the company honed its focus on Spanish comics and European comics. Among its first published works where those of Enrique S. Abulí, Alfonso Azpiri, Beroy, Alfonso Font, Miguelanxo Prado, Segrelles, Daniel Torres or Sento; followed by the works of Enki Bilal, François Bourgeon, Vittorio Giardino, Jean Van Hamme, Alejandro Jodorowsky, Milo Manara, Moebius, Hugo Pratt, Grzegorz Rosinski or Jacques Tardi. Some sagas from these authors were published in collections such as Álbumes Cairo, B/N, Cimoc Extra Color, El Muro and Pandora.
He adds that admiring science must not prevent from amusing oneself and that there is room for a merry knowledge. He ends by saying that Masse brings opening thanks to a new scenography which releases from both flat illustration and dubious metaphor. The cosmologist Jean- Philippe Uzan pays tribute to him at the conference "La Cosmologie en Bande Dessinée" () (2011), referring to Alfred Jarry, he describes the album (Vue d'artiste) as an innovative "pataphore" and he proposes to symbolically award Masse the title of Doctor of Pataphysics from the University of Paris VI, with his unanimous congratulations. The mathematician Cédric Villani for the release of his album "Les Rêveurs lunaires" () quotes his reference comics authors and named Masse in his personal four aces of great founding authors still alive with Baudoin, Bourgeon, and Tardi.
Battle map; French (blue), line running from St Antoine (bottom right) to the Bois de Barry (top left), with the Redoubt d'Eu and Redoubt de Chambonas After confirming the Allies were approaching from the south-east, Saxe left 22,000 men to continue the siege and placed his main force around the villages of Fontenoy and St Antoine, 8-kilometre (5.0 mi) from Tournai. As Saxe considered his infantry inferior in training and discipline to their opponents, where possible he placed them behind defensive works or redoubts and fortified the villages. The main defensive line ran along the crest of a plateau, the right resting on the Scheldt, Fontenoy in the centre and the Bois de Barry on his left, supported by the Redoubt d'Eu, and the Redoubt de Chambonas. The ground in front of Fontenoy sloped down to the small hamlets of Vezon and Bourgeon (see Map).
The Ashen Rainbow : Essays on the Arts and the Holocaust, Ori Z. Soltes, Bartleby Press: Silver Spring, MD Q and A, PoetsArtists Magazine Feb 2011 Volume 4 Issue 1 Collaboration Issue, PoetsArtists Magazine issue 3 July 2011 Gaze of the Beholder, American Art Collector Magazine, December 2011, Issue 74 Featured in the Birmingham Arts Journal, Volume 9, Issue 1, 2012 Artists and Their Models PoetsArtists Issue 38 Sept 2012 Depth Perception, The Artist’s Magazine, October 2012 Bourgeon: Fifty Artists Write About Their Work, Robert Bettmann (Editor) Day Eight (2013) Heroes and Villains Issue, PoetsArtists Magazine, May 2013 Cover and feature article Elan Magazine, December 2013 Kress Project, Georgia Museum of Art, 2013, Lynn Boland (author) Feature Article, Catapult Magazine, 2013 Issue 24. Cracked and Broken, American Art Collector Magazine, Jan. 2014 Issue 99 Interview PoetsArtists Magazine Issue 52 Feb. 2014 Collaborative project with poet Edward Nudelman, PoetsArtists Magazine issue 50, 2014 The Portrait Issue PA Magazine feature, Issue 72 January 2016 Tradition and Transformation: Three Millennia of Jewish Art and Architecture, Ori Z. Soltes, Canal Street Studios, 2016 50 Memorable Painters, PoetsArtists Magazine, December 2016 Series Catalogue, Judith Peck, PoetsArtists Magazine, 2017 The Reachable Shore, American Art Collector Magazine, Issue 135 Jan 2017 Sight Unseen, PoetsArtists Magazine, Feb.

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