It's almost like looking for bawdiness in Shakespeare — it's everywhere.
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It is certainly among the most notorious in China for its bawdiness.
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Big Freedia does an effective translation of bounce bawdiness into holiday exuberance.
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He is a waterfall of words, a thundering torrent of bawdiness and beauty.
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The result is a series of paintings with plenty of depth and no shortage of bawdiness.
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The production's balancing of nobility and bawdiness, its profound conflation of tragedy and humor, sex and death, is off.
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We don't see the bawdiness, the nasty wit described by his friends, including the photographer Sally Mann and Rauschenberg.
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There are also more extended feats of Rabelaisian bawdiness, most memorably the villainous feminine hygiene product voiced by Nick Kroll.
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Our writer hadn't thought much about fun or joy, or about the bawdiness that comes out of a funk beat.
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But in pop culture as well, a deromanticised view of the medieval world exists, emphasising the grittiness, riotousness and bawdiness of the medieval city.
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Ben Brantley wrote that the show, starring Chris Perfetti as a foundling, offers "bustle, buoyancy and unblinking bawdiness," at least in its first act.
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Day Trip Part Giverny, part "Gulliver's Travels," Grounds for Sculpture is an indoor-outdoor museum and arboretum sprinkled with surrealism, bawdiness and eerie surprises.
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Step Brothers would remain, but given how much of its humor draws on bawdiness and slapstick, the viewing experience wouldn't be the same at all.
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In today's more liberal climate works such as "Lysistrata", which describes a sex strike by ancient Athenian women, are performed and enjoyed in all their bawdiness.
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There has always been a deep, cheerful bawdiness—sometimes veering into outright lasciviousness—in the romance fandom and in the playful but genuine enthusiasm for Fabio.
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Reviewers treated it harshly, finding it puerile or vulgar or both, but its open bawdiness, though pretty tame by today's lights, made it notorious in its time.
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The show's bawdiness and provincial scope didn't stop it from having a successful first season with strong reviews and ratings; the show was subsequently renewed through Season 4.
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Mr. Tatum's number is delightful, at once satirical and virtuosic, although the winking bawdiness of the choreography is more risqué than what would have been allowed in a real 1950s musical.
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There are drag divas aplenty in the Club Car at the McKittrick Hotel's mainstay Friday midnight variety show, featuring burlesque and general bawdiness, curated by city night life royalty Susanne Bartsch, and hosted by Bartsch and DeeDee Luxe.
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" It also shows some of his trademark bawdiness: Vollmann samples radiation levels around Japan using a dosimeter and a device he becomes very fond of, a "pancake frisker," of which he wants us to know: "Three buttons decorated it.
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That combination of unmoored bawdiness and moral gravity characterize Roth's greatest and most perverse moments, as in the amazing scene in Sabbath's Theater where the title character Mickey Sabbath, Roth's most perverse imp, masturbates over the grave of his lover.
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And yet she is completely legible to the sorts of people who vote for Grammys: She prefers time-tested pop structures, she revisits the sweaty soul and disco energy of the 1970s, and sometimes even finds herself channeling some 1920s bawdiness.
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Mr. Rapp was not yet 19953 in 1966 when, as a lark, he and a few friends sent a demo tape to ESP-Disk, an adventurous record company whose roster included the Fugs, an underground rock band known for humor and bawdiness.
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The instrumental textures of this score are still austere — Rinaldo Alessandrini, the conductor and director of the ensemble Concerto Italiano, has rejected interventions that beef up the opera's orchestration — but the range of feeling has grown, encompassing a sweep from solemnity to bawdiness.
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If the hip-hop lyricist's sheer bawdiness is being posited as the problem that would prevent the rapper from gaining the Nobel laureate, I would not be on board with that because it conjures an idea that laureates are polite and impeccably behaved figures.
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When supposedly religious conservatives were able to look past Trump's bullying, his clear lack of religious conviction, his appearance in pornos, his lying, his provocations to violence, his adultery, his three marriages and his professed — taped — propensity for sexual assault, they became blind to bawdiness.
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This latest offering from the author of the Pulitzer Prize-winning "Clybourne Park" sustains the bustle, buoyancy and unblinking bawdiness of novels like Henry Fielding's "Tom Jones" so successfully, for so long that you wonder if Mr. Norris and his director, Michael Greif, can keep it afloat.
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Sir Patient Fancy was successful with contemporary audiences, but some writers criticised it for perceived plagiarism and bawdiness. Behn responded to this criticism by downplaying Moliere's influence on her work, and arguing that her play would not have been accused of bawdiness if she had been a man. The play's epilogue, spoken by the character Mrs. Gwin, has received significant attention from feminist writers.
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Giving it 4.5 out of 5 stars, Stephen Thomas Erlewine called it "a parody album that can also hold its own with the songs it sends up" and "This blend of brains, brawn, and bawdiness all sounds invigorating when delivered by this band of bozos".
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102 P. Schuyler Miller recommended the story for its "pure swashbuckling fun with a touch of bawdiness.""The Reference Library", Astounding Science Fiction, August 1954, pp.152 The Hartford Courant's R. W. Wallace praised it as "extravagant adventure" marked by "zany dialogue.""Time and Space", The Hartford Courant, December 27, 1953, p.
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It has also become a British rugby song. A wealthy older man seduces a young and pretty country girl. Out of shame, she flees to London, becomes a prostitute, and eventually drowns herself in the river; whereas he remains an accepted member of high society. The details vary, and the words have varying degrees of bawdiness.
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" Carla Meyer of the San Francisco Chronicle said, "The film rarely matches Crudup's performance, appearing confused itself about whether it's farce or drama. But its palette of burnished browns and reds pleases the eye, and at its best, Stage Beauty captures the tensions and electricity of backstage dramas." In The New Yorker, David Denby observed, "Second-rate bawdiness – that is, bawdiness without the wit of Boccaccio or Shakespeare or even Tom Stoppard — is more infantile than funny, and I'm not sure that the American playwright Jeffrey Hatcher, who concocted this piece for the stage and then adapted it into a movie, is even second-rate. Stage Beauty might be called the spawn of Shakespeare in Love, and, unfortunately, this is a Shakespeare that lacks the graceful spirit and breathless narrative drive of its progenitor.
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Whereas the Max Jacob-inspired Kaspar has abandoned much of the bawdiness of 17th century street performance, Punch embraces it. The traditional Kasper and modern Punch use a slapstick to beat the crocodile, police, and even the Devil. "Slapstick" originates from the Commedia Dell'arte baton made of wooden slats fastened together like a castanet. On impact, the slapstick makes a loud slapping sound.
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European-American settlers established the town in 1887 after construction of the railroad to that point for shipping cattle to markets. The town was on the Great Western Cattle Trail. In the 19th century, it was one of the most important depots in the Oklahoma Territory for shipping cattle to the East. As an important cattle town, it had the rough frontier bawdiness of the time.
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Laura Ormiston Chant By 1895, Lloyd's risqué songs were receiving frequent criticism from theatre reviewers and influential feminists. As a result, she often experienced resistance from strict theatre censorship which dogged the rest of her career.Pope, p. 138 The writer and feminist Laura Ormiston Chant, who was a member of the Social Purity Alliance, disliked the bawdiness of music hall performances, and thought that the venues were attractive to prostitutes.
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" More conservatively, People magazine said the movie "sails along on goodwill and blush-worthy bawdiness," but concluded that "like instant chocolate pudding, it goes down easy — even if it isn't especially good for you." The film was not without its critics. Peter Rainer of The Christian Science Monitor was not impressed with the film, and after noting that the character Sydney seemed to be written for Owen Wilson, Rainer remarked, "Maybe Wilson was busy. Lucky him.
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His Mukfa narratives and imagery included funny, tongue-in-cheek, and often poignant double entendres, wordplay, literary references, sexual innuendoes, and bawdiness. Markman was a highly disciplined and prolific worker, producing a high volume of large and small-scale pieces in addition to the paintings set in his world of Mukfa when he was not teaching. He worked in multiple media, which included etching, bronze sculpting, and colored pencils. In 1969, the Museum of Modern Art commissioned him to create three holiday cards.
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To the left of the parrot is a pair of birds in a small birdcage which symbolizes two parents in a small abode. The pipe in the scene may have multiple meanings referring to a clay smoking pipe, the act of singing, or to a drinking vessel. According to the Dutch, the bagpipe was not an esteemed instrument as it was thought to be lowly and obnoxious. Such a symbol here represents bawdiness and low class, which is being encouraged by the parents.
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A digitally remastered version of the album was released on 18 January 2010. The album is described by Allmusic's reviewer as The cover includes an amusing photograph of the principal participants in morris- associated costume, but with modern accessories - Hutchings' morris man sports a Gibson Flying V guitar, Kirkpatrick's chimney sweep a vacuum cleaner, and so on. This is in keeping with the jollity of the music, including as it does nonsense songs, exuberant dance, general bawdiness and the grand false start to Princess Royal. Later "Descendant Of" Morris On album covers followed this template.
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Ronald Paulson, Hogarth, vol. 1: The 'Modern Moral Subject', 1697–1732 (New Brunswick 1991), pp. 26–37. Influenced by French and Italian painting and engraving,Frederick Antal, Hogarth and His Place in European Art (London 1962); Robin Simon, Hogarth, France and British Art: The rise of the arts in eighteenth-century Britain (London 2007). Hogarth's works are mostly satirical caricatures, sometimes bawdily sexual,Bernd W. Krysmanski, Hogarth's Hidden Parts: Satiric Allusion, Erotic Wit, Blasphemous Bawdiness and Dark Humour in Eighteenth-Century English Art (Hildesheim, Zurich and New York: Georg Olms 2010).
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Several illustrations are closely based on the engravings and woodcuts collected by Pierre Louis Duchartre and René Saulnier in the 1926 book L'Imagerie Populaire—images that had been copied with variations since medieval times.Burke, 67–79. The bawdiness of Ryder's illustrations led the U.S. Postal Service to refuse to ship it, and several had to be left out of the first edition, including an image in which Sophia is seen urinating into a chamberpot and one in which Amelia and Kate-Careless sit by the fire knitting codpieces. Parts of the text were also expurgated.
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Cooney's farces combine a traditional British bawdiness with structural complication, as characters leap to assumptions, are forced to pretend to be things that they are not, and often talk at cross-purposes. He is greatly admired in France where he is known as "Le Feydeau Anglais", ("The English Feydeau"), in reference to the French farceur Georges Feydeau. Many of his plays have been first produced, or revived, at the Théâtre de la Michodière in Paris. In January 1975, Cooney was the subject of This Is Your Life when he was surprised by Eamonn Andrews at London's Savoy Hotel.
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As a distraction from his administrative duties, he sent some scripts to Dr. Peter Pockley, director of science programs for the ABC, which resulted in five talks on "blood" for the radio science program Insight commencing January 1967. His weekly "The Body Program" running from 1971 to 1982, was well received, with its amalgam of medical information, poetry, wit, irreverence and bawdiness, all delivered with Hackett's friendly cultured voice. Scripts from many of these programs have formed the basis of several books published by the ABC and elsewhere. An mp3 download of his final broadcast is available here Science Show tribute.
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Two poems in the Palatine Anthology – one by Aeschrion of Samos, the other by the third-century BC poet Dioscorides – purport to deny that Philaenis wrote the work attributed to her. Aeschrion sets the epigram on Philaenis's tomb by the sea, but does not specify where the tomb is located. In the epigram, Philaenis herself is portrayed as directly addressing a μάταιος ναύτης ("aimless sailor"), but the addressee is not explicitly identified as a ξένος ("foreigner"). Sailors in antiquity were notorious for their bawdiness and womanizing, so Aeschrion may have intended for the addressee of the epigram to be an ironic one.
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Carry On Loving is a 1970 British comedy film, the 20th release in the series of 31 Carry On films (1958–1992). It features series regulars Sid James, Kenneth Williams, Charles Hawtrey, Joan Sims, Hattie Jacques, Terry Scott and Bernard Bresslaw alongside newcomers Richard O'Callaghan (in his first Carry On) and Imogen Hassall (in her only Carry On role). The dialogue veers toward open bawdiness rather than the evasive innuendo characteristic of the earlier films in the series. There are fictitious locations named for their sexual innuendo, including 'Much-Snogging-On-The-Green', 'Rogerham Mansions' and 'Dunham Road'.
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However, since the ring has the additional property of making its owner invisible when required, a few of the sexual experiences recounted are through direct observation with the Sultan making himself invisible and placing his person in the unsuspecting woman's boudoir. Besides the bawdiness there are several digressions into philosophy, music, and literature in the book. In one such philosophical digression, the Sultan has a dream in which he sees a child named "Experiment" growing bigger and stronger till it demolishes an ancient temple named "Hypothesis". The book proved to be lucrative for Diderot even though it could only be sold clandestinely.
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The tale appears to combine the motifs of two separate fabliaux, the 'second flood' and 'misdirected kiss', both of which appear in continental European literature of the period. Its bawdiness serves not only to introduce the Reeve's tale, but the general sequence of low comedy which terminates in the unfinished Cook's tale. > This Absolom, that jolly was and gay, > Gooth with a sencer (censer) on the haliday, > Sensynge the wyves of the parisshe faste; > And many a lovely look on hem he caste, > And namely on this carpenteris wyf. (3339) Alisoun, however, does not return Absolom's affections, although she readily takes his gifts.
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Ashland city leaders loaned him a sum "not to exceed $400" (approximately ) to present two plays as part of the city's Independence Day celebration. However, they pressed Bowmer to add boxing matches to cover the expected deficit. Bowmer agreed, feeling such an event was in perfect keeping with the bawdiness of Elizabethan theatre. The Works Progress Administration helped construct a makeshift Elizabethan stage on the Chautauqua site, and confidently billing it as the "First Annual Oregon Shakespearean Festival", Bowmer presented Twelfth Night on July 2 and July 4, 1935, and The Merchant of Venice on July 3, directing and playing the lead roles in both plays himself.
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The king hunted, feasted, and drank with his councillors and advisers, and even with visiting European foreign dignitaries, treating them as his peers and companions rather than as political opponents or inferiors. The eighteenth-century chronicler Ludvig Holberg claimed that when dining at the court of Frederick II, he would frequently announce that ‘the king is not at home’, which signalled to his guests that all court formalities were temporarily suspended, and that they could talk and joke as they pleased without restraint. The Danish court may have appeared unsophisticated to outside observers, but the openness and bawdiness of court life served Frederik's political purposes.
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The bawdiness of Ryder's illustrations led the U.S. Postal Service to refuse to ship it, and several had to be left out of the first edition, including an image in which a giant Sophia is seen urinating into a chamberpot and one in which Amelia and Kate-Careless sit by the fire knitting codpieces. Parts of the text were also expurgated. In an acerbic introduction, Barnes explained that the missing words and passages had been replaced with asterisks so that readers could see the "havoc" wreaked by censorship. A 1990 Dalkey Archive edition restored the missing drawings, but the original text was lost with the destruction of the manuscript in World War II.Martyniuk, 61–80.
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Wharton is remembered today for the verse drama Love's Martyr; or, Witt above Crowns, and for a number of lyrical poems and biblical paraphrases, but all that was published in her lifetime was a heartfelt elegy on Rochester's death, under the pseudonym Urania. This brought appreciative poetic responses from Edmund Waller and Aphra Behn. Behn's was a verse-letter addressed to Anne, included in her 1684 Poems on Several Occasions, in which she took the opportunity of defending herself from a charge of bawdiness brought by the future bishop Gilbert Burnet, who had attended Rochester on his deathbed. Anne may also have prompted Behn to provide a prologue for Rochester's play Valentinian, which was first performed in 1684.
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The producer overhears Gilligan talking about some recent films he had seen which were hits, such as Jaws and Star Wars, neither of which had profanity nor bawdiness, and quickly decides that acting is what really matters. Ginger signs the insurance statement and the Skipper and Gilligan go off to find the Professor. The Professor is trying to get back into research and is busying himself in his college lab conducting experiments, frustrated by the fact that many things he wanted to invent were already invented and that the school students and faculty are more interested in his celebrity status than his work. After a series of encounters with college cheerleaders, another faculty member and the college dean, the Professor signs the insurance statement.
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Max Jacob's Hohnsteiner Kasper differed from the earlier fairground Kasper in its moral intention to instil "values" into its younger audience members, and in its self-definition as a theatre form rather than a fairground entertainment. In contrast to the fairground Kasper, which had borrowed from the British Punch and Judy stories that showed Punch throwing his crying baby out the window, beating his wife, as well as an array of authority figures, Jacob's Kasper was more childlike in character, as well as being wiser and on friendly terms with the policeman (Wachtmeister). Along with the slapstick element, Jacob's troupe removed bawdiness and smutty language. The Hohensteiner Kasper Theatre relied less on props and scenery than the earlier Kasper Theatre and instead used an assortment of curtains behind the figures.
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It is said that king > Charles the second, hearing of Williamson's behaviour in lady Cherrytree's > house, wished to see the man that discovered so much vigour while his > troopers were in search of him; and in a merry way declared, that when he > was in the royal oak he could not have kissed the bonniest lass in > Christendom. The tune and title of Dainty Davie were soon adapted to a heavily innuendo- laden text making fun of Williamson and his predicament, and in this form became well known in Scotland. A later version, far exceeding the original in bawdiness, was written or adapted by Robert Burns, whose text was published in Merry Muses of Caledonia (1799).Campin, J. Shadrach, Meshach, and Abednego as Anarchists, Embro, Embro, accessed 29-10-12 This was set to a different tune, in Burns' time also known as The Gardeners' March.
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Lockhart, Paul D., page 40 This ensured a very close personal bond with each member of the council while minimizing the opportunity for the council to oppose him as a full body. Frederik's personable disposition also helped, and so, too, did the informal nature of court life under Frederik II. The king hunted, feasted, and drank with his noble councillors and advisers, and even with visiting foreign dignitaries, treating them as his equal peers and companions rather than as political opponents or inferiors. The eighteenth-century chronicler Ludvig Holberg claimed that when dining at his court, Frederik would frequently announce that ‘the king is not at home’, which signalled to his guests that all court formalities were temporarily suspended, and that they could talk and joke as they pleased without restraint. The Danish court of Frederick II may have appeared to be unsophisticated to outside observers, but the openness and bawdiness of court life served Frederik's political purposes.
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City of Djinns: A Year in Delhi (1993) is a travelogue by William Dalrymple about the historical capital of India, Delhi. It is his second book, and culminated as a result of his six-year stay in New Delhi. The City of Djinns is one of the first books by William Dalrymple which doesn't revolve around the history of India, rather it represents various anecdotes of his time in india and explores the history of India with the help of various characters he meets, like the Puri family, the driver, the customs officer, and British survivors of the Raj, as well as whirling dervishes and eunuch dancers (‘a strange mix of piety and bawdiness’). Dalrymple describes ancient ruins and the experience of living in the modern city: he goes in search of the history behind the epic stories of the Mahabharata. Still more seriously, he finds evidence of the city’s violent past and present day—the 1857 mutiny against British rule; the Partition massacres in 1947; and the riots after the assassination of Indira Gandhi in 1984.
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Peery p.37 Collier said: "A Woman is a Weathercock and its sequel Amends for Ladies are the productions of no ordinary poet: in comic scenes Field excels Massinger ... and in those of a serious character he may be frequently placed on a footing of equality." Collier, 3 Excerpt from a review of A Woman Is a Weathercock in The Times, 28 April 1914 R.F. Brinkley said Field knew instinctively how to cater to the taste of the audiences at the indoor theatres with a satire that featured much music, a masque, rowdy scenes, bawdiness, and quick-witted comic repartee – the type of play he had taken part in so many times as a boy actor.Brinkley p.38 In 1914 the play was revived by the Royal Shakespeare Company at the Shakespeare Memorial Theatre, Stratford-upon-Avon, in a production by Patrick Kirwan with Basil Sydney playing the role of Nevill, Stanley Howlitt as Scudmore and Lydia Hayward as Bellafront.Shakespeare Birthplace Trust Archive Catalogue; press night record from 27 April 1914, retrieved 9 June 2014.
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The story is told from the point of view of a selectively omniscient narrator who seemingly chooses whether or not to divulge plot points as they occur, causing "a pattern of expectation" on the part of the reader.Giles (1992), p. 52 Although the novella is separated into 24 chapters, some critics—among them Charles B. Ives, Thomas Gullason and Marston LeFrance—believe these chapters are further divided into two parts: chapters 1–9 lead up to Henry's injury, whereas chapters 10–24 map the town's response.Schaefer (1996), p. 258 Critic David Halliburton wrote in his 1989 book The Color of the Sky: A Study of Stephen Crane that The Monster displayed a more "chastened" and exact style than Crane's earlier works, which were often a mixture of clever bawdiness and epic dramatics—both of which are seen respectively in Maggie: A Girl of the Streets and The Red Badge of Courage.Halliburton (1989), pp. 2–3 Edwin H. Cady believed The Monster is the best indication of the writer Crane may have become had he lived longer, showcasing a style that is "technically proficient, controlled, and broadly insightful."Schaefer (1996), p. 256 The Monster relies heavily on Crane's signature use of imagery and symbolism.Wolford (1989), p.
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