For artists who make such uncomplicated, easily apprehensible music, there are many lenses through which to view The Chainsmokers.
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He is more naturalistically and intermittently troubled than Mr. Platt was, more apprehensible as an actual 17-year-old.
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And Serkis is present—not visible but intensely apprehensible, in every twitch, snarl, and downcast gaze of his animal avatar.
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His live music, when clearly apprehensible, as in > the writing for children, is compellingly strange: disjunctive yet > flavoursome; not exactly tonal nor atonal nor modal; always quasi- > electronically sliding in pitch. The actual electronics are often > breathtaking, the visual extravagance likewise. The kids, from local > schools, were brilliant. Old modernist that he is, Stockhausen is still > worth watching.
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In this novel approach, > "genuineness" is not understood as any sort of "unchanging reality," but > rather has to do with change and "cultivation." The first time we encounter > zhen in the Inner Chapters [see Zhuangzi 2 below] is in the context of the > flux and interrelatedness of life and death, where "genuineness" is > something ever-present, yet without any apprehensible fixed "identity". > (1998:197) One of these three zhen usages describes Dao "Way" and the other two describe De "integrity; virtue".
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The Copenhagen interpretation denies that the wave function provides a directly apprehensible image of an ordinary material body or a discernible component of some such,, p. 586: "there can be no question of an immediate connexion with our ordinary conceptions".Heisenberg, W. (1959/1971). 'Language and reality in modern physics', Chapter 10, pp. 145–160, in Physics and Philosophy: the Revolution in Modern Science, George Allen & Unwin, London, , p. 153: "our common concepts cannot be applied to the structure of the atoms." or anything more than a theoretical concept.
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While organist and composer to the New Jerusalem Church in Friars Street, Keith published A Selection of Sacred Melodies … to which is prefixed Instructions for the use of Young Organists …, London, 1816. There followed A Musical Vade Mecum, being a compendious Introduction to the whole art of Music; Part I, containing the Principles of Notation, etc., in an easy categorical form, apprehensible to the meanest capacity, London, 1820 (?); Part II, Elements of Musical Composition. Keith compiled instruction-books for pianoforte, flute, and Spanish guitar (by "Paulus Prucilli"), and a violin preceptor, which went through many editions.
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Drawbacks from Job Rotation in the public sector are often affected the most by lack of cooperation between the agencies involved. Each agency must come into the project fully or the project is likely to fail; making these projects often hard to create or manage. Uneven exchanged in workforce talent can occur when one agency sends skilled personnel to another agency only to receive lower skilled personnel in return. This not only affects the consistency of work coming out of the first agency, but also has the effect of making managers more apprehensible to the aspect of future programs.
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According to Mark Swed, "ultimately, what Johnston has done, more than any other composer with roots in the great American musical experiments of the '50s and '60s, is to translate those radical approaches to the nature of music into a music that is immediately apprehensible" (, quoted in ). Most of Johnston's later works use a large number of pitches, generated through just- intonation procedures. In these works, he forms melodies based on an "otonal" eight-note just-intonation scale made from the 8th through 15th partials of the harmonic series, or its "utonal" inversion. He then gains new pitches by using common-tone transpositions or inversions.
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At the core of the problem, according to Levine, is our lack of understanding of what it means for a qualitative experience to be fully comprehended. He emphasizes that we don't even know to what extent it is appropriate to inquire into the nature of this kind of experience. He uses the laws of gravity as an example, which laws seem to explain gravity completely yet do not account for the gravitational constant. Similarly to the way in which gravity appears to be an inexplicable brute fact of nature, the case of qualia may be one in which we are either lacking essential information or in which we're exploring a natural phenomenon that simply is not further apprehensible.
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For much of Artur Barrio's career, Brazil was in the hands of a military dictatorship after the coup d'état in 1964. In 1970 he created Situação…DEFL…+s+…ruas…Abril…(Unleashing confusion on the streets…Situation) consisting of “the placement of five hundred plastic bags containing blood, nails, dung, waste, and other debris in downtown Rio during the peak of the dictatorship’s repression” At the time of his (Situation T/T1) it was not uncommon for people to disappear. “Autonomous para-police forces (Death Squads) took on the work of “social cleansing”, eliminating delinquents, the marginalized and street children.” His bloody packages question the status of those that have disappeared and bring into focus the “socially apprehensible possibilities of” governments and other institutions.
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According to the original account, you should be immediately aware that something has gone horribly wrong. Dennett argues, however, that it is impossible to know whether the diabolical neurosurgeons have indeed inverted your qualia (by tampering with your optic nerve, say), or have simply inverted your connection to memories of past qualia. Since both operations would produce the same result, you would have no means on your own to tell which operation has actually been conducted, and you are thus in the odd position of not knowing whether there has been a change in your "immediately apprehensible" qualia. Dennett's argument revolves around the central objection that, for qualia to be taken seriously as a component of experience—for them to even make sense as a discrete concept—it must be possible to show that :a) it is possible to know that a change in qualia has occurred, as opposed to a change in something else; or that :b) there is a difference between having a change in qualia and not having one.
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