But even the Angries, when they leave their > lovely scorn and speak affirmatively, sound like all the other contributors, > merge into the general middlebrow revolt against shrillness and despair.
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This game is about rebuilding a city which has fallen into decay, which came from an idea by Rossignol that was put to Channel 4 in 2010, and was commissioned by Channel 4 Education. The game aims to educate children, by showing them how persuading people to clean up and repair can raise morale and improve the behaviour of citizens. The game is played in the first person, the player being able to walk through the city and persuade the citizens, who are known as "Angries", to repair it, clean it up, and rebuild. The Angries change colour according to their mood, purple being the ultimate state of anger and despair.
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Zeeshan and Maryam marry as a court marriage which angries her in-laws except Sania. Maryam, who is six months pregnant and counting days for her baby to be born. However, while she is looking forward to the big day, her husband is diagnosed with cancer and is left with approximately the same number of days to live.
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Wilson became associated with the "angry young men" of British literature. He contributed to Declaration, an anthology of manifestos by writers associated with the movement, and was also anthologised in a popular paperback sampler, Protest: The Beat Generation and the Angry Young Men. Some viewed Wilson and his friends Bill Hopkins and Stuart Holroyd as a sub-group of the "Angries", more concerned with "religious values" than with liberal or socialist politics. Critics on the left swiftly labelled them as fascist; commentator Kenneth Allsop called them "the law givers".
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The New University Wits (a term applied by William Van O'Connor in his 1963 study The New University Wits and the End of Modernism) refers to Oxbridge malcontents who explored the contrast between their upper-class university privilege and their middle-class upbringings. These included Kingsley Amis, Philip Larkin and John Wain, all of whom were also part of the poetic circle known as "The Movement". Also included among the Angry Young Men was a small group of young existentialist philosophers, led by Colin Wilson and also including Stuart Holroyd and Bill Hopkins. Outside of these subgroupings, the 'Angries' included writers mostly of lower-class origin concerned with their political and economic aspirations.
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Wain was often referred to as one of the "Angry Young Men", a term applied to 1950s writers such as John Braine, John Osborne, Alan Sillitoe and Keith Waterhouse, as radicals who opposed the British establishment and conservative elements of society at that time. Indeed, he contributed to Declaration, an anthology by writers associated with the philosophy, and a chapter of his novel Hurry on Down was excerpted in a popular paperback sampler, Protest: The Beat Generation and the Angry Young Men. Yet it may be more accurate to link Wain with The Movement, a group of post-war poets including Kingsley Amis, D. J. Enright, Thom Gunn, Elizabeth Jennings and Philip Larkin. Amis and Larkin, good friends of Wain's for a time, were also associated with the "Angries".
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Feminists are also not often portrayed as victims and are more frequently associated with the women's movement and their goals compared to regular women (meaning if a woman isn't a labeled "feminist" she isn't often associated with the movement, despite being female). Creedon (1993)Creedon, Pamela J. (1993). Framing feminism--A feminist primer for the mass media. Media Studies Journal, 7 (1/2), 69-80. wrote, “feminists are constantly framed as deviant sexually, a bunch of man-haters out to destroy ‘family values.’” In the media, the term “feminism” is often opposed to the term “family,” leading to the idea that feminists can't be family women. This negative portrayal over the decades has led many young women rejecting the idea of feminism, in part due to feminists being labeled as “man bashers.” Other labels associated with feminism include: “bubblehead,” “Amazons,” “angries,” “radical,” and “hairy,” (Jones, 1992).
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